Scholars note that many Cassatt paintings are about women's labor

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

How Cassatt experimented with the then-new medium of pastels

Cassatt is primarily noted for her paintings and prints, though she also experimented with pastels, a novel medium for the 19th century. Art scholar Marjorie Shelley walks through one of Cassatt's pastel works with a close analysis of 1914's "Mother and Child."

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

How Mary Cassatt's sister acted as her muse

Lydia Cassatt moved to Paris to live with her sister and manage the household so Mary could work on her art. In the process, she became the subject of many of Mary's paintings, and when she grew ill, Cassatt captured her slow decline in vivid detail, an act that ultimately changed the course of her career.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Cassatt participated in a fundraiser for women's suffrage against her family's wishes

The painter took part in a 1915 charity exhibition in support of women's right to vote. That offended some of her family members, especially her sister-in-law, who were opposed to the cause. In response, Cassatt sold works that had originally been designated for them.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect

Rockwell's 'Rosie the Riveter' alludes to Michelangelo's Sistine Chapel

Norman Rockwell's 1943 painting was intended to show the strength of female contributions to the American war effort and used the character of Rosie the Riveter, popularized in a 1942 song, to represent that. Although Rockwell used a model for the portrait, he made the woman larger on the canvas to parallel Michelangelo's painting of the Prophet Isaiah on the ceiling of the Sistine Chapel.

Why art history is filled with miserable brides

Paintings from the 19th century are filled with unhappy brides. The women are often visibly disturbed by their pending nuptials, sometimes even during the wedding ceremony. This Artnet article unpacks four famous examples of this trend, analyzing how and why the respective artists portrayed these disappointed figures.

Picasso’s early masterpiece conceals a long-lost secret

Art historians have studied Picasso's Blue Period throughout the last century, but researchers have now uncovered something previously unknown: an underpainting of a woman under one of the artist's portraits.

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

Timeline of women in labor history

In 1866, newly freed black women working as laundresses in Jackson, Mississippi, formed a union and went on strike for higher wages. But it wasn't until 1974, that the Coalition of Labor Union Women was founded as America's only national organization for union women. Want to find out more about the history of women in the labor movement? Click here for the full timeline.

Margaret Keane outwitted her plagiarist husband by recreating her work in a courtroom

The artist, known for her portraits of large-eyed children, sued her ex-husband, who claimed he was the real artist. The judge asked them to both paint in court to demonstrate the real artist. Her ex-husband declined; Keane painted a work in 53 minutes and was awarded $4M.

Understanding Thoreau's critique of American work

John Kaag, a coauthor of "Henry at Work: Thoreau on Making a Living," explains how the writer is often mischaracterized as a layabout who avoided responsibilities. Kaag, though, notes that Thoreau was a jack-of-all-trades—working as a schoolteacher and a handyman, and even for his father's pencil-manufacturing company—who came to believe that relentless striving was getting in the way of authentic living.

Emily Dickinson was a prolific baker

Dickinson scholars have collected her recipes for gingerbread, doughnuts, and more, noting that she often wrote poems on the backs of them. The Emily Dickinson Museum says that the kitchen "was a space of creative ferment for her, and that the writing of poetry mixed in her life with the making of delicate treats."

Mini-portraits were shared as love tokens in Elizabethan England

Art historians are identifying previously unknown works by Nicholas Hilliard, Elizabeth I's court painter, whose thumb-sized watercolors on vellum served as love tokens, diplomatic currency, and status symbols. They were believed to be passed secretly between courtiers and monarchs.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

Pop art explored the concepts of mass production and consumerism

Consumerism emerged from industrial capitalism, promoting the idea that consuming goods was linked to personal success and happiness. Artists, especially pop artists, approached this cultural phenomenon through various perspectives, some supportive of consumerism and others against. Figures like Andy Warhol embraced mass media imagery and mimicked its style, while many artists rejected the “commodification” of things by creating art that couldn’t be sold or focusing on experiences rather than objects.

The prominent role of women in the Easter story

In the first century, women's testimony was not legally admissible in Jewish courts—the historian Josephus wrote that their accounts were not admissible based on a prejudiced view of women. Scholars who argue for the historical reliability of the resurrection point to this as counterintuitive evidence: no one fabricating the story would have chosen women as the prime witnesses.

Calculate the salary of a mother's work

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