Satire is an artistic form that employs various rhetorical strategies—including irony, hyperbole, and parody—to expose something (or someone) as ridiculous, corrupt, or unjust. Often, satirists adopt a fictional persona, creating a character that allows them to embody what they believe to be the absurdity of their intended target.
Hours of research by our editors, distilled into minutes of clarity.
In practice, satire is often used to criticize vices, social norms, or political decisions, and is typically intended to be humorous. Although it can take many forms, its common characteristic is that its ultimate purpose is to discredit its target.
These classifications are based on the Roman poets who popularized them. Horatian is good-natured and lighthearted, Juvenalian is bitter and more caustic, and Menippean contains many layers.
Satirists often make their point indirectly through ironic statements, indirectly highlighting the foolishness of the thing they’re mocking. An example is Mark Twain's satirical 1882 essay, “Advice to Youth.” “Build your character thoughtfully and painstakingly upon these precepts,” he wrote, “and by and by, when you have got it built, you will be surprised and gratified to see how nicely and sharply it resembles everybody else’s.”
Satirists often embody a character to mock the kind of person who would believe what they argue are ridiculous ideas. One famous example was Stephen Colbert on “The Colbert Report,” who satirized right-wing pundits like Bill O’Reilly through a bombastic persona. When O’Reilly asked whether that meant he was owed money, Colbert responded with more satire: “There’s a difference between imitation and emulation … If you imitate someone, you owe them a royalty check. If you emulate them, you don’t.”
A parody is an impression of another artist's or work's style that intentionally exaggerates its aesthetics. Many satires employ parody to convey their message, although some parodies are simply humorous embodiments of a style without offering any deeper, satirical point. That's often the case with music parodies.
“The Satire of the Trades” mocks the then-popular “wisdom literature,” which imparted life advice. In the text, a father, a scribe, explains why his son should work the same job, detailing the miseries of several other lines of work. His ultimate argument is that it’s best to be a manager rather than a worker: “See, there is no office free from supervisors except the scribe's. He is the supervisor!”
The ancient Greek’s 426 BCE play “The Babylonians” criticized Athens’ role in the Peloponnesian War. The politician Cleon accused the dramatist of being unpatriotic, but that didn’t thwart Aristophanes. Two years later, Aristophanes premiered “The Knights,” which mocked Cleon, leaving him working as a sausage seller outside the city.
The First Amendment protects satire, though it does not protect defamation. The key distinction is that satire is not intended to be believed—evident by its hyperbolic language and comedic portraits—even if it's being malicious.
Jonathan Swift’s 1729 essay suggested that the starving Irish could stave off poverty by selling their children as food. Although it’s funny—albeit rather dark in form—it’s a classic example of Juvenalian satire, as it so pointedly criticizes the indifference of English elites.
The French philosopher’s most famous work, published in 1759, cataloged the journey of its titular hero, who was guided by a crackpot philosopher and the belief that optimism was the solution to life’s problems, despite all the evidence to the contrary.
Art, music, sports, entertainment, movies, and many other subjects—these elements define who we are as a society and how we express ourselves as a culture. Take a deep dive into the topics shaping our shared norms, values, institutions, and more.