Dystopian literature is a literary genre focused on postapocalyptic, totalitarian, or otherwise oppressive societies. Its stories often take place in the future, though its writers often comment on the present.
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John Stuart Mill introduced the term "dystopia" in 1868 to critique harmful policies, calling it the opposite of utopia, or an ideal world. The concept grew as industrialization and totalitarian regimes exposed societal flaws, inspiring works like George Orwell's "1984" to warn against oppression and moral decay.
The subgenre can come in many forms, but its shared traits are the way it reflects the anxieties and satirizes the utopian thinking of its writers’ societies. One of the earliest examples is Jonathan Swift's "Gulliver's Travels."
The classification includes any fiction that "speculates" about how society might operate in the future or in contexts different from the present reality. The genre is an umbrella term for science fiction, fantasy, alternative historical fiction, dystopian and utopian fiction, and apocalyptic and post-apocalyptic fiction.
John Stuart Mill, an English philosopher, economist, and politician, uttered the word at the House of Commons while criticizing what he considered to be the government’s insufficient land policy for the Irish, saying, “What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable.”
The word is derived from the Greek for “bad place," but it's also an inversion of “utopia,” a term popularized by Sir Thomas More in his 1516 book, "Utopia," which imagined an ideal society free of oppression, inequity, and want. More recognized this place was a fantasy; "utopia" is derived from the Greek for "no place."
Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.
Orwell’s life experiences, from living among the poor to witnessing the rise of authoritarian regimes, deeply shaped his worldview. His iconic works, "Animal Farm" and "1984," offered stark warnings about power, control, and propaganda, making him one of the most enduring voices against totalitarianism.
In his 1946 essay, “Politics and the English Language,” Orwell argues that language is the primary tool of political control and is “designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” The essay warns readers that how they use and consume language will dictate what they permit—or prohibit—in society.
After reading "1984," Aldous Huxley wrote to his former student George Orwell, offering some praise for the recently released novel. The letter, though, offers much criticism, too, arguing that Huxley’s vision in "Brave New World" of a world state that pacifies its citizens through overwhelming pleasure is the more likely—and more horrifying—nightmare.
Yale English professor Joe Cleary argues that dystopian literature’s continued relevance is due to a torrent of additional societal anxieties and that the streaming adaptations of dystopian classics "The Handmaid’s Tale" and "The Man in the High Castle" have expanded the genre’s popularity, introducing new audiences to its tropes.
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