'Chega de Saudade' is often considered the first bossa nova song

Bossa nova blends Brazilian samba and American jazz

Conceived by artists like Antônio Carlos Jobim in 1950s Rio de Janeiro, the music was seen as a more restrained, slower samba, which was Brazil's popular national music at the time. In addition, bossa nova was popular in the more middle-class, cosmopolitan neighborhoods of Rio de Janeiro and was influenced by American jazz artists like Miles Davis, giving it a more urbane, intellectual air.

João Gilberto was bossa nova's first major star

Antônio Carlos Jobim wrote songs and worked with the singer, whose quiet, melancholy crooning made him a star. The records he recorded between 1959 and 1961, combined with the success of Marcel Camus' film "Black Orpheus," helped bossa nova move from a Brazilian sound to an international fascination.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Later bossa nova music sometimes featured subtle anti-government protests

In 1968, Brazil's military dictatorship imposed tight restrictions on airplay and banned songs (and, subsequently, their artists) that failed to depict an idyllic life. That meant that, on the surface, popular bossa nova painted a rosy picture of life in Brazil. Musicologists note that artists like Antônio Carlos Jobim often juxtaposed those sunny lyrics with sad-sounding musical accompaniment, making for subtle protests that slipped by censors.

Watch 'Black Orpheus,' the film that helped popularize bossa nova

The 1959 film, directed by Marcel Camus, was soundtracked by bossa nova musicians Antônio Carlos Jobim and Luiz Bonfá. It was a big hit, winning the Palme d'Or at the 1959 Cannes Film Festival and the 1960 Academy Award for best foreign language film, helping spread the genre in Brazil and beyond.

'Getz/Gilberto' is considered bossa nova's peak

The 1964 album, featuring the American saxophonist Stan Getz and the Brazilian guitarist João Gilberto, along with accompaniment from Antônio Carlos Jobim, was a massive hit and won the Grammy for album of the year in 1965. In time, it'd become one of the bestselling jazz albums of all time.

In the mid-1960s, 'bossa nova' symbolized sophistication in the US

The success of several records, especially "Getz/Gilberto," led to a bossa nova craze in the United States, where it was perceived as an urbane, worldly status symbol. In response, marketers attached "bossa nova" to various products (including ice cream and sweaters) in an attempt to capitalize.

'The Girl from Ipanema' is one of jazz's most popular songs

The song, written by Antônio Carlos Jobim, had already been recorded in Portuguese in 1962, but the version on "Getz/Gilberto" was sung in English by Astrud Gilberto, then an amateur who'd been chosen because she sang in the language better than her husband, João. The song helped propel the album's sales and is now considered a jazz standard.

An ethnomusicologist breaks down bossa nova's American popularity

Kaleb Goldschmitt is a professor at Wellesley College who wrote the book "Bossa Mundo: Brazilian Music in Transnational Media Industries," which analyzed how and why bossa nova became so popular in the US in the early 1960s. According to Goldschmitt, much of it was due to the music's seemingly apolitical aesthetic, a notion that was reinforced by the Brazilian government.

A 1962 concert at Carnegie Hall introduced the American press to bossa nova

Bossa nova was still largely under the radar when João Gilberto, Luiz Bonfa, Sergio Mendes, and others performed at the storied Carnegie Hall in New York. Brazilian musician Gilberto Gil noted that the showcase's success was surprising to both the musicians and Brazilians, who began taking the music more seriously as a cultural export.

The essential bossa nova albums

This primer from Far Out magazine offers a quick tour of the Brazilian genre through five of its most important albums, including "Getz/Gilberto," "Sergio Mendes Presents Lobo," and Roshina de Valenca's "Apresentando." Helpfully, there's plenty of critical commentary alongside the records, too, explaining how these landmark albums defined the genre.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova—a jazz-influenced Brazilian genre—to the US

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova to the US

Released a few months after Stan Getz and Charlie Byrd's "Jazz Samba," Jones' 1962 album similarly exposed American audiences to bossa nova. The record's first song, "Soul Bossa Nova," which Jones said only took him 20 minutes to compose, would later become the theme music for the "Austin Powers" movie trilogy.

Billie Eilish and TikTok helped inspire a bossa nova resurgence

Eilish's 2021 song "Billie Bossa Nova" along with a handful of other younger artists, like Laufey and Beabadoobee, have inspired Gen Z's interest in the genre, with the music soundtracking tens of thousands of videos on TikTok.

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The Brazilian show debuted in December 1951, kickstarting the genre in Latin America. Today, the form exists worldwide and is increasingly popular in Asia and the United States.

Brazil is leading a cheese revolution and challenging European dominance in the industry

Brazil has plenty of traditional dishes that rely on cheese, but it’s only in the last decade that the country has emerged as a powerhouse in artisanal cheesemaking. While the cheeses may be inspired by European traditions, options like cocoa-dusted goat cheese or an Amazonian buffalo cheese are pure South American.

The song 'Hungry Heart' was written for punk icons the Ramones

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Before the Velvet Underground, Lou Reed was a workaday songwriter

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The poem behind 'Strange Fruit'

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How ‘O Come, O Come, Emmanuel’ became a beloved, haunting Advent hymn

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The music theory behind a lonesome country classic

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Biz Markie's "Alone Again" changed the laws for sampling

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The Italian music contest that inspired Eurovision

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