Punk rock is a music genre that came to prominence in the 1970s, particularly in New York, London, and Los Angeles. The music was inspired by scrappy, countercultural 1960s rock bands, such as the Velvet Underground and the Stooges, and was popularized by acts like Patti Smith, the Ramones, and the Clash.
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The Oxford English Dictionary records the first usage before 1575. Shakespeare used the word in his play “Measure for Measure,” with one character suggesting another “may be a Puncke.” Over time, the word acquired additional meanings. By the 20th century, it was used as an insult for a young man.
The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.
His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”
The group often goes unmentioned in the history of punk rock, but its early 1960s records—featuring growling vocals, rudimentary guitars and a straight-ahead backbeat—foresaw the genre. Look no further than the 1964 track “Demolición.”
The Detroit band is often considered “proto-punk” because their loud, dark, and distorted music helped establish a template for the punk explosion that came later. In 1970, rock writer Lester Bangs even used the word “punk” to describe the band’s frontman, Iggy Pop.
The New York act was inspired by free jazz, electronic music, and performance art, playing loud, frenetic, and often abrasive music that reckoned with the horrors of the Vietnam War. On the hand-drawn poster for their first gig, they described the sound with four words: “Punk Music by Suicide.”
When Creem Magazine’s Dave Marsh wrote about seeing ‘60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable “to miss such a landmark exposition of punk-rock.” The band isn’t considered a punk band, but Marsh’s description would go on to define other scrappy, back-to-basics acts.
The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion arriving just a few years later with the Ramones and the Sex Pistols. However, Death was mostly unknown until their original recordings were remastered and rereleased in 2009.
Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.
The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).
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