'Jazz Samba' is considered the start of the American bossa nova craze

'Getz/Gilberto' is considered bossa nova's peak

The 1964 album, featuring the American saxophonist Stan Getz and the Brazilian guitarist João Gilberto, along with accompaniment from Antônio Carlos Jobim, was a massive hit and won the Grammy for album of the year in 1965. In time, it'd become one of the bestselling jazz albums of all time.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova—a jazz-influenced Brazilian genre—to the US

Bossa nova blends Brazilian samba and American jazz

Conceived by artists like Antônio Carlos Jobim in 1950s Rio de Janeiro, the music was seen as a more restrained, slower samba, which was Brazil's popular national music at the time. In addition, bossa nova was popular in the more middle-class, cosmopolitan neighborhoods of Rio de Janeiro and was influenced by American jazz artists like Miles Davis, giving it a more urbane, intellectual air.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova to the US

Released a few months after Stan Getz and Charlie Byrd's "Jazz Samba," Jones' 1962 album similarly exposed American audiences to bossa nova. The record's first song, "Soul Bossa Nova," which Jones said only took him 20 minutes to compose, would later become the theme music for the "Austin Powers" movie trilogy.

In the mid-1960s, 'bossa nova' symbolized sophistication in the US

The success of several records, especially "Getz/Gilberto," led to a bossa nova craze in the United States, where it was perceived as an urbane, worldly status symbol. In response, marketers attached "bossa nova" to various products (including ice cream and sweaters) in an attempt to capitalize.

A 1962 concert at Carnegie Hall introduced the American press to bossa nova

Bossa nova was still largely under the radar when João Gilberto, Luiz Bonfa, Sergio Mendes, and others performed at the storied Carnegie Hall in New York. Brazilian musician Gilberto Gil noted that the showcase's success was surprising to both the musicians and Brazilians, who began taking the music more seriously as a cultural export.

Hear 2 jazz pianists analyze 'Getz/Gilberto'

The 1964 bossa nova classic won the Grammy for album of the year, a rare feat for a jazz record. According to jazz pianists Peter Martin and Adam Maness, that also makes it one of the last truly popular jazz albums. In this episode of their podcast "You'll Hear It," they break down the musicality of the songs in real time, offering technical insights into every quirk and nuance.

Guitarist Charlie Byrd brought bossa nova to the US after a government-sponsored tour

The Mutual and Cultural Exchange Act of 1961, also known as the Fulbright–Hays Act, sought to spread understanding through education and cultural exchanges. Its passage led to a government-sponsored music tour of South America featuring jazz guitarist Charlie Byrd. In Brazil, Byrd was introduced to the music of João Gilberto and returned to the United States eager to incorporate bossa nova into his own music.

'Chega de Saudade' is often considered the first bossa nova song

The song, which translates to "No More Blues," was written by Antônio Carlos Jobim and initially recorded by Elizete Cardoso in 1958. Although it bore some similarities with samba, Brazil's most popular dance music at the time, it was slower and considerably more melancholy and would eventually be called "bossa nova," which roughly translates to "new sound" or "new wave."

The essential bossa nova albums

This primer from Far Out magazine offers a quick tour of the Brazilian genre through five of its most important albums, including "Getz/Gilberto," "Sergio Mendes Presents Lobo," and Roshina de Valenca's "Apresentando." Helpfully, there's plenty of critical commentary alongside the records, too, explaining how these landmark albums defined the genre.

João Gilberto was bossa nova's first major star

Antônio Carlos Jobim wrote songs and worked with the singer, whose quiet, melancholy crooning made him a star. The records he recorded between 1959 and 1961, combined with the success of Marcel Camus' film "Black Orpheus," helped bossa nova move from a Brazilian sound to an international fascination.

An ethnomusicologist breaks down bossa nova's American popularity

Kaleb Goldschmitt is a professor at Wellesley College who wrote the book "Bossa Mundo: Brazilian Music in Transnational Media Industries," which analyzed how and why bossa nova became so popular in the US in the early 1960s. According to Goldschmitt, much of it was due to the music's seemingly apolitical aesthetic, a notion that was reinforced by the Brazilian government.

Watch 'Black Orpheus,' the film that helped popularize bossa nova

The 1959 film, directed by Marcel Camus, was soundtracked by bossa nova musicians Antônio Carlos Jobim and Luiz Bonfá. It was a big hit, winning the Palme d'Or at the 1959 Cannes Film Festival and the 1960 Academy Award for best foreign language film, helping spread the genre in Brazil and beyond.

Brazil's military dictatorship led to bossa nova's decline

In 1964, Brazil's president João Goulart was overthrown by a military coup supported by the US State Department. Scholars argue that the events led to the decline of bossa nova, with many Brazilians believing its pleasant sounds and picturesque lyrics were tone-deaf to the politically fraught moment.

Stan Getz initially didn't want to release 'The Girl from Impanema'

According to Stan Getz's son, Nick Getz, the legendary saxophonist thought the song was not a good fit for "Getz/Gilberto" because Astrud Gilberto's voice was too unprofessional. That low regard was reflected in the record's credits: Astrud Gilberto was allegedly paid $120 for the recording session and received no royalties for the song.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the ‘20s and ‘30s, doesn’t share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters’ prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film “The Big Broadcast,” performing the song “Crazy People.”

1984's 'Born in the USA' was a sensation, due in part to its music videos

The album was Springsteen's most pop-focused, with blaring synths and a pumping backbeat. It was a pop culture sensation, with five singles that reached the top 10, a massive arena tour, and several iconic music videos coinciding with MTV's rise. The record would eventually become one of the best-selling albums of all time.

Miles Davis' landmark 'Kind of Blue' was recorded in just 9 hours

The album is one of jazz's best-known recordings and is often listed among the greatest albums of all time, of any genre. Despite its monumental impact, it was recorded in two sessions for just a few thousand dollars.

The word 'jazz' evolved from 'jasm,' 19th-century American slang for 'energy'

Duke Ellington's 'Harlem' takes listeners on a stroll through the neighborhood

"Sir Duke" was one of the Harlem Renaissance's major musicians, recording several songs that would become jazz standards. 1950's "Harlem" is an ode to the neighborhood, alternating styles (including a Latin groove and a New Orleans funeral dirge) to pay homage to the diverse cultures that populate it.

Watch a 1934 short film starring jazz legend Cab Calloway, a major figure in the Harlem Renaissance's music scene

'Over the Rainbow' became a widely covered standard

Judy Garland’s original 1939 version won the Academy Award for best original song, though it never appeared on the Billboard pop singles chart (which didn’t appear until 1940). Twenty different versions of the song by other artists—including Willie Nelson, Patti LaBelle, and Israel "Iz" Kamakawiwo'ole—have appeared on numerous Billboard charts.

Chubby Checker’s ‘The Twist’ reached number one in two separate years

The song topped the Hot 100 in 1960 thanks to a performance on the popular TV show “American Bandstand,” which led to a “Twist” dance craze. Checker recorded twist-themed follow-up singles, helping to propel “The Twist” back up the chart in 1962.

One disco producer saw 'Star Wars' four times on its opening weekend and was so inspired that he recorded the album 'Star Wars and Other Intergalactic Funk,' which produced a chart-topping single.

Winning a Grammy significantly impacts an artist's sales and streaming

2023 album of the year winner Harry Styles returned to the top 10 of the all-genre Billboard 200 albums chart, with "Harry's House." It's also not just the winners; Grammy performers also get a boost, like the 100% increase in Spotify streams that Bad Bunny's "Después de la Playa" saw after he sang it on the telecast.

Listen to the 'Star Wars' disco album

The 1977 film inspired disco producer Meco to record danceable covers of sections of John Williams' score. The lead single from "Star Wars and Other Galactic Funk" eventually topped the Billboard Hot 100 chart for two consecutive weeks.

A small portion of The Winstons' 'Amen, Brother,' an obscure '60s gospel record, is the basis for thousands of hip-hop tracks, making it one of the most sampled records ever that's informally known as 'the Amen break.'

A century of Billboard issues documenting the evolution of popular music.

The Beatles' US label rejected the band's first two singles, 'Please Please Me' and 'From Me to You,' with one executive calling the band 'dead in the water.'

Brian Wilson wrote the Beach Boys' 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

70 years ago today, city officials in Santa Cruz, California, banned rock 'n' roll to protect its youth from corruption after witnessing a 'provocative' concert the night before.

A researcher recently discovered an interview from 1967 between groundbreaking journalist Joan Didion and the Grateful Dead, years before the band became an institution.

'Shogun,' a 1980s TV series, helped popularize sushi in the US by stimulating an American interest in Japanese culture.

'Saturday Night Fever,' the 1977 film that introduced disco to the mainstream, was based on a fabricated magazine story.

American dance legend Martha Graham, sometimes called 'the Picasso of dance,' refused to perform at the 1936 Olympics in Berlin and conceived the piece 'Chronicle' in response to the experience.

Jimmy Carter signed a 1978 bill that legalized home brewing, a move credited with kick-starting the craft beer industry.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

The US first hosted the World Cup in 1994, a tournament that lives in soccer infamy for its poor planning and the murder of Colombian player Andres Escobar, who'd accidentally scored on his own net.

Exploring the Larry Bird punch that almost changed March Madness

The American cockroach is actually from Africa, an apparent hitchhiker aboard ships carrying enslaved people, with evidence suggesting the bug may have arrived in the New World as early as the 1600s.

Warren Buffett's former professor Benjamin Graham is known as the 'father of value investing,' a strategy in which investors seek to buy stocks trading below their intrinsic worth.

When a Paris department store hesitated to sell Estée Lauder's perfume, she 'accidentally' broke a bottle, causing the smell to spread throughout the store and shoppers to start asking to buy the scent.

See a ranking of the best (and worst) Federal Reserve Chairs since 1914 out of the 16 men and women who have held the office since.

Domino's Pizza's 30-minute delivery guarantee was responsible for the chain's 1980s surge, but it was discontinued after the company was found liable for delivery driver accidents.

Existentialist writer Jean-Paul Sartre coined the famous phrase 'Hell is—other people' in his play 'No Exit'

SpaceX's S-1 or 'prospectus' revealed many previously unknown details about the company, including its unprofitability despite doing $18.7B in revenue in 2025, exactly how many voting shares Elon Musk will have in the company (roughly 85%), and more.

El Niño, Spanish for 'the boy,' was named after Jesus Christ because the phenomenon resembled the weather changes observed around Christmastime.