Aaron Douglas' art defined the visual aesthetic of the Harlem Renaissance

Langston Hughes wrote a foundational text for the Harlem Renaissance

Although the 1920s artistic movement lacked formal leaders, Hughes' 1926 essay "The Negro Artist and the Racial Mountain" established him as one of its figureheads. Hughes' piece argues that Black artists should not be ashamed of their race; instead, they should embrace it, while simultaneously pursuing their own individual artistic visions.

Alain Locke's 'The New Negro' anthology helped define the Harlem Renaissance

The 1925 collection of poetry, drama, short fiction, lyrics, and essays by Black writers was intended to document what Locke, a Harvard-trained philosopher and the first Black Rhodes Scholar, believed was a burgeoning Black consciousness that was "vibrant with a new psychology." The book is now considered one of the major impetuses for the Harlem Renaissance.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

A guide to the major figures of the Harlem Renaissance

The Harlem Renaissance was a multidisciplinary arts movement that included literature, music, dance, film, theater, photography, visual art, political activism, and more. This primer includes some of its most influential artists, including Oscar Micheaux, Zora Neale Hurston, Paul Robeson, Fats Waller, WEB DuBois, and more, and allows you to explore their lives and major works.

The NAACP encouraged and accommodated the early Harlem Renaissance

The National Association for the Advancement of Colored People, a civil rights organization better known as the NAACP, recognized the disenchantment Black soldiers who served in World War I experienced when returning home to a segregated country and began advancing, and, in many ways, funding a "New Negro Movement," which would lead to the Harlem Renaissance.

How a Harlem Renaissance poet teamed up with a Wright brother

Paul Laurence Dunbar is one of the most influential poets from the Harlem Renaissance, a loose collection of Black artists who redefined American literature in the early 20th century. He was also an entrepreneur. He founded a short-lived newspaper, the Dayton Tattler, alongside Orville Wright, one of the famous Wright Brothers who pioneered aviation. This article explores how their friendship defied the societal norms of the time and led to a pioneering publication.

Paul Robeson was the Harlem Renaissance's chief renaissance man

Robeson played many roles throughout his life: He was an All-American football player who was inducted into the College Football Hall of Fame, earned a law degree while playing in the NFL, starred in numerous films and Broadway shows, and became an outspoken advocate for labor and civil rights. His vocal criticism of US involvement in the Korean War led to his passport being voided and a protracted struggle with the US government.

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

The iconic National Parks posters were the product of a New Deal arts initiative

Ranklin Delano Roosevelt established the Works Progress Administration in 1935 as a part of his New Deal. The program was intended to both create American jobs and inspire regular citizens through art. The Federal Art Project, as a part of the WPA, employed over 5,000 artists to work on projects, including the now-iconic National Parks posters.

​​Augusta Savage's sculptures emphasized realistic Black figures

The artist became known for her realistic busts of prominent Black figures, like WEB DuBois and Marcus Garvey, which emphasized their natural features, a stark contrast to stereotypical depictions of Black people in popular culture. Below is "Gamin," Savage's 1929 sculpture of her nephew.

Watch a 1934 short film starring jazz legend Cab Calloway, a major figure in the Harlem Renaissance's music scene

Rockwell left high school to become an artist

He began taking art classes at 14, while still in high school, but by 1910, he left traditional schooling to focus on his training at the National Academy of Design. He transferred to the Art Students League soon after to study under Thomas Fogarty, who taught him the particulars of commercial illustration, and George Bridgman, who was known for anatomically precise portraits.

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

How baseball shaped Black America during Reconstruction

A cornerstone of the budding Black culture following the Civil War was baseball, with several clubs springing up in Black neighborhoods and leaders like Frederick Douglass cheering on the players, including his son, who played for a team in Washington. This detailed history of the early Black leagues unpacks how the game enhanced the upwardly mobile community—and why that fact led to the segregation of what would become Major League Baseball.

The 'Problem We All Live With' was based on Ruby Bridges

The 1964 painting was based on Ruby Bridges, the first Black student to integrate an all-white school in Louisiana. Rockwell used Anita Gunn, the granddaughter of one of his friends, as the model, offering to pay for her violin lessons for her assistance.

The Canadian artist considered the 'Picasso of the North'

Norval Morrisseau's art is bold, with vivid colors and striking angles. His interviews were similar, with the artist often challenging the way questions were posed and his life was characterized, believing he was being unfairly pigeonholed as an Indigenous artist. This overview of Morisseau's work and life is a helpful primer on the artist, the perfect place to start before jumping into the deep end.

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

Basquiat's crown appears throughout several works

The artist first used the crown in 1981’s "Red Kings," which placed crowns over two heads. He’d continue using the motif throughout his career, often to highlight important figures, many of them Black, whom he believed had been overlooked.

Mid-century modern graphic designers, known for their bright colors and bold lines in advertising, also found success with children's books.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

Hughes reported on Black Americans volunteering in the Spanish Civil War

In 1937, the Baltimore Afro-American newspaper sent him to cover the Black soldiers who’d left the US to fight in the International Brigades cooperating with the Republicans in the Spanish Civil War. Hughes’ dispatches mainly focused on the racially integrated military companies, something that was prohibited in the US.

Mid-century modern graphic designers like Milton Glaser and Eric Carle found success with children's books

Glaser was famous for creating the "I Heart NY" logo, the DC Comics logo, and an iconic Bob Dylan poster for CBS Records, but he naturally transitioned to illustrating children's books like "The Smallest Elephant in the World" and "If Apples had Teeth." Carle, author of "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?," began his career in advertising. Scholars say mid-century modern's preference for clean lines and bold colors was a natural fit for kids' books.

The man who defined the look of jazz

Reid Miles designed almost 500 album covers for the Blue Note label, including John Coltrane's "Blue Note" and Freddie Hubbard's "Hub Tones." Check out this history and gallery of his work to see how it created the genre's dominant visual aesthetic.

He also influenced contemporary artist George Condo

The scale and reach of Picasso and cubism inspired artists and art movements throughout the early to mid-20th century. In fact, his influence can still be seen in artists today. One such artist, George Condo (known for painting the album cover of Kanye West’s “My Beautiful Dark Twisted Fantasy,” pictured below), heavily references Picasso’s visual language, transmuting the legendary artist’s geometric shapes and perspectives for a more contemporary audience.

Jackson Pollock and others developed 'action painting,' highlighting the creative process

A subcategory of performance art, action painting emerged in 1945 as a way to capture a moment-by-moment view of the creative process through painting. For these pieces, the physical act of painting is as important as the finished product. This short explainer video covers the philosophy behind action painting, as well as exploring the works of several well-known action painters, including Jackson Pollock, Franz Kline, and Mark Rothko.

Diego Rivera hid a tiny image of Vladimir Lenin in Rockefeller Center

Nelson Rockefeller commissioned painter Diego Rivera to paint a mural for the entrance of the Rockefeller Center. Allegedly in response to criticism that he had “sold out,” Rivera slipped in a painting of Vladimir Lenin.

Zora Neale Hurston used her anthropological training to interview a man who had survived the slave trade

The writer's interviews with Cudjo Lewis documented the man's enslavement and travel from Africa to the United States. It also captured the story behind Africatown, a community in Alabama that emerged after the Emancipation Proclamation. Hurston's book was not published during her lifetime, though it was finally released in 2018 as "Barracoon: The Story of the Last 'Black Cargo.'"

‘A Raisin in the Sun’ made history in 1959

The play was the first on Broadway written by a Black woman. Lorraine Hansberry, the playwright, was 29 when it debuted at the Ethel Barrymore Theatre on March 11, 1959.

American dance legend Martha Graham, sometimes called 'the Picasso of dance,' refused to perform at the 1936 Olympics in Berlin and conceived the piece 'Chronicle' in response to the experience.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect

The tragic Pulitzer Prize-winning image 'The Vulture and the Little Girl' (1993) generated controversy, raised concerns about ethics in photography, and eventually led to the photographer's death.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova—a jazz-influenced Brazilian genre—to the US

Dorothy's famous entrance into Oz in 'The Wizard of Oz' relied on analog tricks, including a body double and sepia-toned paint, as much as it did on technology

Legendary architect Frank Lloyd Wright designed the SC Johnson headquarters in Wisconsin, aiming to make a cathedral-like workplace

Exploring the Larry Bird punch that almost changed March Madness

A researcher recently discovered an interview from 1967 between groundbreaking journalist Joan Didion and the Grateful Dead, years before the band became an institution.

See these 16 pieces of art evoking phobias of snakes, flying, spiders, and more. 

A small portion of The Winstons' 'Amen, Brother,' an obscure '60s gospel record, is the basis for thousands of hip-hop tracks, making it one of the most sampled records ever that's informally known as 'the Amen break.'

Graffiti dates back to at least ancient Pompeii, where citizens scrawled messages to one another on public walls

Abraham Lincoln was almost assassinated weeks before his inauguration as he traveled from Illinois to DC through Baltimore in 1861; it took two independent claims for Lincoln to be convinced the threat was real

The story of Dollree Mapp, whose legal challenge over her 1957 conviction for possessing "obscene material" led to a major strengthening of the Fourth Amendment

Art theft is the third-largest source of criminal revenues worldwide, thanks in part to the subjective nature of valuing a work of art.

During the French Revolution, a botanist's letter asking about "dear Rhus" (poison ivy) was intercepted, leading authorities to suspect he was conspiring with the Russians.

Clever Hans was a 1900s horse that was believed to be able to solve math equations, tell time, and read and comprehend German, until a psychology student discovered how he got his answers.

The rivalry between Alexander Hamilton and Thomas Jefferson centered on federalism—the question of how much power the federal government should hold relative to the states.

SpongeBob exemplifies Aristotle's philosophy for living well because he understands that happiness doesn't come from external factors like money, recognition, or power.

Ebola species have historically been named after where they were discovered, stigmatizing residents who live there, including Bundibugyo, in Uganda.

All rainbows are 'raincircles' caused by water droplets separating white sunlight into a spectrum of colors, but Earth's surface blocks the bottom half of the circle from our line of sight.

The first image of a black hole was captured by creating an Earth-sized virtual observatory from a network of eight radio telescopes.