A Camus scholar believes 'The Stranger' is often misread as a role model

The first line of 'The Stranger' is one of literature's most famous openings

The novel's first sentence thrusts readers into the narrator Mersault's world, but its meaning can shift depending on the translation. A 1988 translation by Matthew Ward attempted to "Americanize" the text, removing some Britishisms and bringing it closer to what Camus intended in the original French manuscript. That included changing "Mother" to "Maman," a more familiar—and childlike—name. (Some readers may experience a paywall.)

A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's "The Meursault Investigation" exists in the same universe as Camus' famous novel, but it expands the world to imagine the story from the Arab Algerian perspective, showing the impact its main character's actions had on real people. Rather than focusing on the existential awakening of one man, it considers the longtail impact of colonialism in Algeria.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

A prominent writer analyzes Thoreau's apparent contradictions

Some call Thoreau a monkish hermit living in the woods, while others say he's a privileged layabout who was playacting a simple life. In this essay, Rebecca Solnit argues that both of those assessments are caricatures that reduce a complex man who reckoned with complex ideas.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Novels sometimes use unreliable narrators

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

Simone de Beauvoir's lone play has mostly been overlooked

Although primarily known as a philosopher, Beauvoir wrote the play "The Useless Mouths," which debuted in Paris in November 1945. The work is about a government allowing "useless" citizens—women, children, the elderly—to starve during a food shortage. While it's not widely staged, some Beauvoir scholars believe it's a significant text that explores many of the existential themes she explores in her other work.

Existentialist writer Jean-Paul Sartre coined the famous phrase 'Hell is—other people' in his play 'No Exit'

Novelist Jean Toomer was uncomfortable with the term 'Negro writer'

Toomer's modernist novel "Cane" is, among critics, one of the great works of the Harlem Renaissance. Toomer, however, was uncomfortable with his work being labeled as "Negro," including in Alain Locke's movement-defining collection "The New Negro." He found the title both reductive and inaccurate: He was mixed-race, telling writer Claude McKay that he was "French, Dutch, Welsh, Negro, German, Jewish and Indian," and preferred to be considered "American."

An academic on why the animals in 'Animal Farm' matter

Although Orwell intentionally wrote his 1945 novella as an allegory of the Russian Revolution, Charlotte Sleigh—an associate professor of science and technology—argues that the text can also be used to understand (and complicate) our relationship with the nonhuman world.

'Why am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.'

-Author Arthur Miller (1915-2005) in "Death of a Salesman"

Before he was a famous novelist, John Steinbeck wrote a werewolf murder mystery.

Famed poet TS Eliot rejected the manuscript for George Orwell's political fable 'Animal Farm,' writing that its criticism of authoritarianism was not 'the right point of view.'

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Mark Twain once panned 'A Christmas Carol'

The American writer was not a fan of the book, finding it shallow. In an 1867 review, he wrote, "There is no heart. No feeling—it is nothing but glittering frostwork."

Fans of 'The Room' love it for its (many) faults

The movie has bad acting, nonsensical dialogue, and a plot that doesn't add up. Still, its fans attend midnight screenings, recite its most famous lines, and even act out scenes in the aisles. Studies have found that fans are drawn to "trash cinema" like "The Room" for the same reason they're drawn to avant-garde works: because they flout mainstream standards.

Romantics sought to experience 'the sublime'

“Sublime” may be a word that’s still used in popular culture, but when Irish philosopher Edmund Burke used it in a 1757 essay, he was attempting to define an astonishment at something that was beyond full human understanding.

Philip Roth once tried to correct details on one of his novel's Wikipedia pages

The Wikipedia entry for Roth's 2000 novel "The Human Stain" alleges that the book was based on the life of Anatole Broyard, a Black American writer who "passed" for white, something he shared in common with the main character in Roth's novel, though Roth said that wasn't true. When Roth tried to correct the error, Wikipedia editors told him he would need a secondary source to back up his claim.

Stephen King doesn't believe writing can be taught

But he does believe it can be learned. He argues that the best writers are "voracious readers" who start their careers by copying the style of the masters before developing their own.

American short story writer Flannery O'Connor raised 40 peacocks, which became potent symbols for her fiction's elegant violence

SpongeBob exemplifies Aristotle's philosophy for living well because he understands that happiness doesn't come from external factors like money, recognition, or power.

The Dracula character, now seen as the vampire archetype, was inspired by a seafood-induced nightmare its creator experienced.

One of the most famous portraits ever taken is 'Afghan Girl' (1984) by Steve McCurry, yet the subject Sharbat Gula went much of her life without being identified or benefitting from the image's success.

Salvador Dalí believed he was his own dead brother, who had died nine months before he was born

Before writing 'Walden,' transcendentalist Henry David Thoreau nearly burned down his hometown with a campfire that grew out of control.

Browse a detailed visual analysis of over 200,000 similes—comparisons that often use 'like' or 'as'—from popular fiction to see how frequently writers the same idiomatic expressions.

How the most famous Ebola book, The Hot Zone, which sold 3.5 million copies and was translated into 30 languages, got aspects of the disease so wrong.

In 2018, 26-year-old missionary John Allen Chau was killed by tribesmen after attempting to reach and evangelize on India's isolated North Sentinel Island

Explore a list of the 100 best novels of all time, compiled by some of the world's best living writers, including Salman Rushdie, Stephen King, and Jennifer Egan.

Art theft is the third-largest source of criminal revenues worldwide, thanks in part to the subjective nature of valuing a work of art.

The first robot in literature may have been a 'mechanical man' in 1907's 'Ozma of Oz,' a book in L Frank Baum's 'Wizard of Oz' series.

A Yale student wrote a profound essay about the consulting industry's influence on elite college students that was published in a book of her writing after she died in a post-graduation car accident.

After her fellow cult members tried to kill her with an LSD-infused hamburger, one member of the Manson Family, the murderous cult led by Charles Manson, decided to testify against the group's leader.

Netflix profits when you're not watching, and its movies are designed that way—read a detail-rich critical essay exposing lesser-known Netflix takes

Clever Hans was a 1900s horse that was believed to be able to solve math equations, tell time, and read and comprehend German, until a psychology student discovered how he got his answers.

During the French Revolution, a botanist's letter asking about "dear Rhus" (poison ivy) was intercepted, leading authorities to suspect he was conspiring with the Russians.

Warren Buffett's former professor Benjamin Graham is known as the 'father of value investing,' a strategy in which investors seek to buy stocks trading below their intrinsic worth.

While atoms are normally made of protons, neutrons, and electrons, exotic ones have been built with antimatter—alternate versions of normal matter that live for fractions of a second and are about a billion times as rare.

Sunflowers have long been a symbol of nuclear disarmament because they can extract large amounts of radioactive cesium from soil.

Hotels in Cannes, the glamorous city on the French Riviera, hire hawks to ward off seagulls during the city's famous film festival.

Some researchers have labeled nomophobia, the fear of being without your phone, as 'the phobia of the 21st century.'

The US Constitution is widely regarded as the longest-standing written national constitution still in force—see how it has influenced rights worldwide.