George Orwell

This Brown University Library exhibit displays scans from collector Daniel Leab's extensive trove of Orwell's works, including many first editions and translations. In addition to the beautiful covers, there's also plenty of fascinating bibliographic information.

Orwell joined the Indian Imperial Police in Myanmar (then Burma, a British colony) in 1922, at 19. In her introduction for Orwell's debut novel, "Burmese Days," Emma Larkin unpacks how Orwell's five years working there shaped the book and informed his politics, especially his negative view of colonialism.

Orwell wanted to volunteer for the International Brigades, a loose conglomerate of leftists fighting against Franco's Nationalists, in order to participate in what he saw as a struggle against fascism. The group rejected him, though Orwell still made his way to Barcelona to fight with a smaller sect, an experience that's laid out in this history from William Chislett.

The writer is often pigeonholed as either a cranky paranoiac or a self-righteous scold, but this essay by Danny Heitman explores a lesser-known side of Orwell's personality: his love for nature, something that's subtly expressed in some of his greatest works.

The University of Oxford's David Dwan, a professor of English literature and intellectual history, is an Orwell scholar who's written about the author's politics, especially as they relate to "Animal Farm." In this conversation with Dr. Nathan Waddell, from the University of Birmingham, UK, Dwan explores how framing the novella as a beast fable both made it more accessible and allowed it to be overly simplified.

In 1944, the renowned poet TS Eliot, then an editorial director at Faber and Faber, wrote to George Orwell to decline "Animal Farm," arguing that the fable's politics didn't quite make sense, writing, "after all, your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm."

Orwell's opening remarks for the 1945 publication chastised the publishers who'd rejected the manuscript, even quoting one of them directly who said they weren't interested in offending the Soviet Union, a British ally. The essay was not included with the book, though it appeared several decades later, after Orwell's death, in the Times Literary Supplement.

Figures from both ends of the political spectrum have claimed Orwell's novella as their own, sometimes ignoring inconvenient aspects of the plot or details of Orwell's biography. This analysis of those political reactions explores why the text is so malleable.

After Orwell's death in 1950, undercover agents bought the book's film rights from his widow and got to work creating a family friendly version of the story that would reinforce its anti-Soviet themes and downplay its criticisms of capitalism and sympathetic portrayal of Snowball, the Trotsky analog.

The animated feature was covertly funded by the CIA in an attempt to spread anti-Soviet media. The film simplified Orwell's beast fable by repackaging it as a family friendly cartoon about the dangers of communism. It underperformed at the box office, though it is still sometimes shown in schools as students read the original text.