O'Connor believed grotesque fiction was realistic

'The grotesque' describes a feature of Gothic literature

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

American short story writer Flannery O'Connor raised 40 peacocks, which became potent symbols for her fiction's elegant violence

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

Folk horror involves remote settings and ancient traditions

Folk horror often features outsiders venturing to isolated areas and finding the locals engaged in disturbing (often occult) traditions. Rather than using supernatural elements, the horror often comes from the locals themselves. Examples include the 1973 film “The Wicker Man” and Shirley Jackson’s 1948 short story “The Lottery”.

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

Although not known for horror, a young Tennessee Williams wrote a gothic radio play

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

Why Orwell called Dalí a 'disgusting human being'

Writer George Orwell took offense at the disturbing actions described in Dalí's salacious autobiography "The Secret Life of Salvador Dalí." In a 1944 essay, Orwell described the cruelty and moral degradation of Dalí—while also admitting the artist's undeniable talent.

Loving bad art isn't always about mockery

Dr. John Dyck, an assistant professor of philosophy at Mississippi State, says admirers of "so good they're bad" works like "The Room" do not do so ironically. "They love it as a gorgeous freak accident of nature, something that turned out beautifully—not despite, but because of the failure of its creators."

Some theorize that horror's artifice turns fear into enjoyment

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

Tove Jansson's illustrations for 'The Hobbit' rankled some of its diehard fans

The Nordic illustrator was asked to contribute illustrations for the 1960 Swedish translation of J.R.R. Tolkien's "The Hobbit." Some fans were critical, though, arguing that the images didn't accurately represent Tolkien's Middle-earth. One of their most convincing pieces of evidence was Jansson's portrayal of Gollum, which she turned into a massive beast. After seeing it, Tolkien realized he needed to specify that the character was "a small, slimy creature."

Why school boards ban dystopian books

Journalist Ali Velshi analyzes the lasting appeal of Lois Lowry’s "The Giver" and George Orwell’s "1984," two dystopian novels that have courted controversy since their publications. Beyond his interpretations, though, Velshi wants to understand why school boards perennially ban these books—and what makes them so fascinating for adolescent readers. In his search, he talks to Lowry about the lasting influence of her novel and to Orwell expert James McCallister about the prescient political portrait in "1984."

The 'Howl' obscenity trial changed American publishing

The "Howl" obscenity trial is one of the most significant in American publishing, affirming that material with the "slightest redeeming social importance" cannot be considered "obscene." In the process, it permits artists, like Allen Ginsberg, to use the language they see fit to express themselves.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Families of true crime victims deal with added pain when their stories are publicized

True crime enthusiasts have never asked Annie Nichol to consent to public recountings of her sister's murder. For decades, Nichol has been inundated with gruesome dramatizations of one of life's greatest losses by people who profit from such productions. She has, however, been asked to share memories of her sister, though such memories "are all that I have left of her that haven't been exploited for public consumption."

'The Wizard of Oz' was panned by some contemporary critics

A 1939 New Yorker review by Russel Maloney said the movie displayed ''no trace of imagination, good taste, or ingenuity.'' The New Republic's Otis Ferguson wrote, "It has dwarfs, music, Technicolor, freak characters, and Judy Garland. It can't be expected to have a sense of humor as well."

Browse a detailed visual analysis of over 200,000 similes—comparisons that often use 'like' or 'as'—from popular fiction to see how frequently writers the same idiomatic expressions.

Famed poet TS Eliot rejected the manuscript for George Orwell's political fable 'Animal Farm,' writing that its criticism of authoritarianism was not 'the right point of view.'

Dorothy's famous entrance into Oz in 'The Wizard of Oz' relied on analog tricks, including a body double and sepia-toned paint, as much as it did on technology

The Brothers Grimm were lawyers before they were storytellers, but became interested in fairy tales as they began investigating how rules and customs had been passed down through cultures.

The Dracula character, now seen as the vampire archetype, was inspired by a seafood-induced nightmare its creator experienced.

A researcher recently discovered an interview from 1967 between groundbreaking journalist Joan Didion and the Grateful Dead, years before the band became an institution.

Mid-century modern graphic designers, known for their bright colors and bold lines in advertising, also found success with children's books.

Existentialist writer Jean-Paul Sartre coined the famous phrase 'Hell is—other people' in his play 'No Exit'

The tragic Pulitzer Prize-winning image 'The Vulture and the Little Girl' (1993) generated controversy, raised concerns about ethics in photography, and eventually led to the photographer's death.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

Comedy legend Catherine O'Hara, star of 'Schitt's Creek' and 'Home Alone,' quit 'Saturday Night Live' after just one week to return to her old job.

'Saturday Night Fever,' the 1977 film that introduced disco to the mainstream, was based on a fabricated magazine story.

Netflix profits when you're not watching, and its movies are designed that way—read a detail-rich critical essay exposing lesser-known Netflix takes

Cultural norms about how to handle the bodies of loved ones in communities in West Africa have hampered Ebola responses.

A Yale student wrote a profound essay about the consulting industry's influence on elite college students that was published in a book of her writing after she died in a post-graduation car accident.

Explore a list of the 100 best novels of all time, compiled by some of the world's best living writers, including Salman Rushdie, Stephen King, and Jennifer Egan.

Fear or disgust related to clusters of holes and cracks, called trypophobia, may stem from evolutionary processes to help us avoid pathogens.

Graffiti dates back to at least ancient Pompeii, where citizens scrawled messages to one another on public walls

Gerrymandering works through two techniques: cracking opposing voters across districts to dilute their power, and packing them into a few to waste their votes in lopsided majorities.

Corals are themselves not coral reefs—the term refers to the tiny marine invertebrates that build the rigid reef.

Most of the observable universe's volume consists of voids and supervoids—enormous regions of space with little to no galaxies, stars, or light.

Chaos theory—informally known as the butterfly effect—is the reason why weather forecasts are presented with probabilities rather than certainties.

Learn how to read a prospectus, the juicy document that any company must file with the SEC before going public.