Hughes' poems brought blues and jazz to poetry

Hughes wrote for and about everyday Black Americans

Early in his career, Hughes was often disregarded by prominent white literary critics and criticized by Black intellectuals for his sometimes negative portrayal of Black life. Hughes, though, was unconcerned, saying that he wrote for the “workers, roustabouts, and singers, and job hunters” of New York, Washington, Chicago, and other Black hubs.

Read Langston Hughes’ most famous poems

The writer is considered one of the most important voices in American verse, noted for his use of authentic vernacular, vivid imagery, and jazz-inspired rhythm in poems such as “Harlem,” “I, Too,” and “The Weary Blues.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Hughes recorded an album with jazz legend Charles Mingus

1958’s “The Weary Blues” features Hughes reciting poems over jazz. The back half of the album is accompanied by bassist Charles Mingus and his ensemble, just a year before Mingus would release his landmark record “Mingus Ah Um.”

Langston Hughes performed with Muddy Waters at the Newport Jazz Fest

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

Langston Hughes wrote a foundational text for the Harlem Renaissance

Although the 1920s artistic movement lacked formal leaders, Hughes' 1926 essay "The Negro Artist and the Racial Mountain" established him as one of its figureheads. Hughes' piece argues that Black artists should not be ashamed of their race; instead, they should embrace it, while simultaneously pursuing their own individual artistic visions.

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

Hughes once taught creative writing to junior high and high school students

In 1949, Hughes accepted an eight-week contract at the University of Chicago Laboratory Schools to teach creative work, along with seminars on jazz and the “negro theme” in American poetry. He enjoyed his time at the school, but never returned to the classroom, noting that the early mornings and teaching load left little time for his writing.

Langston Hughes poems inspired Martin Luther King Jr.'s 'I Have a Dream'

In 1959, King wrote to Hughes, saying, "I can no longer count the number of times and places … in which I have read your poems." Scholars believe that Hughes' words—particularly his poems "Harlem" and "I Dream a World"—inspired King's most famous speech, "I Have a Dream."

Hughes' 'Black Nativity' reworked the Christmas story through jazz improvisation

Although he’s primarily known as a poet, Langston Hughes was also a popular playwright. One of his most inventive works is the 1961 stage show “Black Nativity,” which told the story of Christ’s birth with an all-Black cast. Hughes’ original script encourages improvisation, calling on his love of jazz, and includes 27 songs.

Langston Hughes wrote several children's books

Later in his career, the “Poet Laureate of Harlem” branched out into children’s literature, releasing a series of “First Book” titles (“The First Book of Rhythms,” “The First Book of Jazz”) as well as some that helped young Black children cope with racism, like 1969’s “Black Misery.”

'The Negro Speaks of Rivers’ introduced a teenage Hughes to the literary world

While traveling to Mexico to visit his father, Hughes began scrawling “The Negro Speaks of Rivers” as he crossed the Mississippi River, using the river as a metaphor for the Black experience. The poem was published in 1921 in the Crisis, an NAACP magazine edited by WEB DuBois, kickstarting Hughes’ literary career.

Langston Hughes scholars have debated the writer’s sexuality

After his death, Hughes scholars discovered unpublished poems that some believe are addressed to a male lover. Hughes’ primary biographer has argued that he was likely asexual. Hughes never married or publicly commented on his sexual orientation.

Hughes testified before Sen. Joseph McCarthy’s Subcommittee on Investigations

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

Analyzing Billie Holiday's impact on American poetry

Although Holiday is sometimes associated with the Harlem Renaissance, the Black cultural movement of the 1920s and '30s, scholar Whit Frazier Peterson argues that her real impact in poetry was on the Black Arts Movement, the more radical Black literary movement of the '60s and '70s that featured writers like Amiri Baraka, Sonia Sanchez, and Nikki Giovanni.

Allen Ginsberg on how Walt Whitman changed poetry

In this 1992 appearance on "Charlie Rose," Beat Generation icon Ginsberg articulates why Whitman mattered not only to the Beats but to all of poetry, arguing that he forever changed the possibilities of the form.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Claude McKay's poem 'If We Must Die' criticized racial violence

The poem, a Shakespearean sonnet, is a critique of the violence that Black Americans faced at home in America. It was written in the summer of 1919, also known as "Red Summer," when several white supremacist attacks and race riots broke out across the country.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

The man who defined the look of jazz

Reid Miles designed almost 500 album covers for the Blue Note label, including John Coltrane's "Blue Note" and Freddie Hubbard's "Hub Tones." Check out this history and gallery of his work to see how it created the genre's dominant visual aesthetic.

By the mid-1980s, rappers began developing complex techniques

Early hip-hop featured straightforward meter and rhyme, with rappers generally following the beat and using rhyming couplets in the style of nursery rhymes. MCs like Rakim, though, began pushing the limits of the form through varied stresses and dynamic, multisyllabic slant rhymes.

Watch a 1934 short film starring jazz legend Cab Calloway, a major figure in the Harlem Renaissance's music scene

‘Blank verse’ is an unrhymed poetic form with a consistent meter common in epics

Shakespeare’s plays are primarily written in blank verse, a consistent meter without any rhyme scheme. The mode is common in epic poems like Homer’s Iliad or John Milton’s “Paradise Lost,” though the specific meters vary.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

Hear Lin-Manuel Miranda explain the origins of his musical 'Hamilton'

In this interview, Lin-Manuel Miranda describes how discovering Alexander Hamilton's biography led him to the project—and how hip-hop's rhythm, rivalry, and storytelling power felt uniquely suited to the nation's founding era.

The word 'jazz' evolved from 'jasm,' 19th-century American slang for 'energy'

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect

Mark Twain spent decades feuding with the US Postal Service, convinced its costs and regulations were bureaucratic overreach.

Mid-century modern graphic designers, known for their bright colors and bold lines in advertising, also found success with children's books.

A small portion of The Winstons' 'Amen, Brother,' an obscure '60s gospel record, is the basis for thousands of hip-hop tracks, making it one of the most sampled records ever that's informally known as 'the Amen break.'

Browse a detailed visual analysis of over 200,000 similes—comparisons that often use 'like' or 'as'—from popular fiction to see how frequently writers the same idiomatic expressions.

A century of Billboard issues documenting the evolution of popular music.

English mathematician Ada Lovelace wrote the first computer algorithm a century before computers existed and hypothesized that computing devices would one day be able to compose music—foreseeing the generative AI systems of today.

In 1939, baseball star Lou Gehrig delivered his inspirational 'Luckiest Man' speech after retiring due to the health condition that now bears his name.

Before writing 'Walden,' transcendentalist Henry David Thoreau nearly burned down his hometown with a campfire that grew out of control.

American dance legend Martha Graham, sometimes called 'the Picasso of dance,' refused to perform at the 1936 Olympics in Berlin and conceived the piece 'Chronicle' in response to the experience.

The Ramones' 'Pet Sematary,' the theme song for the Stephen King novel of the same name, was written while the band was admiring the writer's collection of horror memorabilia.

Jimmy Carter signed a 1978 bill that legalized home brewing, a move credited with kick-starting the craft beer industry.

SpongeBob exemplifies Aristotle's philosophy for living well because he understands that happiness doesn't come from external factors like money, recognition, or power.

Clever Hans was a 1900s horse that was believed to be able to solve math equations, tell time, and read and comprehend German, until a psychology student discovered how he got his answers.

Long before Major League Baseball began allowing instant replay for balls and strikes, an umpire reluctantly used the technology to determine whether a hit was a home run, a move that inadvertently ushered in a new era for the sport.

Many legends about George Washington, including his supposed wooden teeth and the story of cutting down the cherry tree, lack evidence.

See how fireworks are made and learn how metals like magnesium and copper are responsible for different colors.

Apollo astronauts left items in the moon's 'toss zone,' including golf balls, family photos, and bags of human waste, to make room for lunar rocks.

Cultural norms about how to handle the bodies of loved ones in communities in West Africa have hampered Ebola responses.

US intelligence allegedly pursued more than 600 schemes to assassinate Cuban revolutionary Fidel Castro.

Studies suggest when you sleep is as important as how much you get, and syncing with your circadian rhythms may lead to less fatigue and improved long-term health outcomes

Hedge funds, the private investment firms that trade a wide swath of financial assets, make money by imposing steep fees on investors and from the fund's investment performance.