The CIA funded the prestigious Iowa Writers' Workshop through front groups in order to influence the style of American writing.

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

This hit podcast follows journalist Patrick Radden Keefe as he explores whether the Scorpions' 1990 power ballad "Wind of Change"—an anthem of the Cold War's end—was secretly written by the CIA as cultural propaganda.

In his 1984 autobiography, “Confessions of a Dangerous Mind,” “Dating Game” host Chuck Barris claimed the show was a front concealing his true job as a contract assassin for the CIA. Despite skeptical responses and a lack of evidence, Barris continued to say the story was true. In 2002, screenwriter Charlie Kaufman adapted the book for the screen.

Oliver Stone's film "JFK" (1991) imagined the 1963 assassination of President John F. Kennedy as the result of a conspiracy by US government agents. Before the film, this belief was not common, but it became widely adopted afterward. The film's impact contributed to the release of major CIA files in subsequent decades.

Within a decade of LSD's discovery, the US government had launched a secret initiative involving hypnosis and hallucinogens. LSD researcher Louis Jolyon West conducted experiments for the CIA's MKUltra project, which focused on the potential of mind control. He later took part in a criminal trial that hinged on testimony whose sourcing was seemingly inspired by MKUltra experiments. This article explores light shed by West's personal archive.

In 1949, Hughes accepted an eight-week contract at the University of Chicago Laboratory Schools to teach creative work, along with seminars on jazz and the “negro theme” in American poetry. He enjoyed his time at the school, but never returned to the classroom, noting that the early mornings and teaching load left little time for his writing.

NPR's Four Days in August podcast recounts the four days of covert CIA‑UK operations in Iran that toppled Prime Minister Mossadegh in August 1953. Threats of Iranian oil nationalization were a major driver of the decision to facilitate regime change.

In 1949, the Pulitzer winner accused Elizabeth Ames, director of the Yaddo artist colony in Saratoga Springs, New York, of colluding with Agnes Smedley, a journalist who'd been staying on the property for years and who was working on a project sympathetic to communist causes.

From exploding cigars and poisoned Cohibas to an infected scuba suit and plans to drug a TV studio with LSD, this account catalogs the CIA's strangest—and consistently unsuccessful—attempts to kill Fidel Castro over decades.

"Brainwashing" refers to a coerced shift in worldview, often associated with cults or oppressive totalitarian governments. Though such processes are not well understood on a neurological level, they hold an outsized role in public imagination, particularly in science fiction and dystopias. This article reviews the history of the term, first popularized by Edward Hunter in 1950, and the subsequent use of the approach in pop psychology, the CIA, and more.

Fearing Soviet expansion, the US intervened across Latin America by backing coups, funding right-wing regimes, and supporting anti-communist militias—most notably in Cuba, Chile, Nicaragua and Guatemala.

Wish you'd paid more attention back in college? There's good news: You can still pop into some college classes, without having to pay tuition (or write term papers). This course from one-time Yale professor Amy Hungerford walks through the great American novels after World War II, including works from Toni Morrison, Philip Roth, Cormac McCarthy, and more.

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

Both superpowers waged a global battle for hearts and minds through propaganda—using film, radio, art and education to promote their values. The US emphasized freedom and prosperity, while the USSR championed socialism and anti-imperialism.

In 2025, readers discovered AI prompts in three writers' texts, with one even instructing the AI bot to make a passage sound more like another romance writer. This Futurism piece digs into the scandals and how it's contributed to readers' skepticism about the genre's more prolific writers.

When Iranian students seized the US Embassy, six Americans slipped away and took refuge with the Canadian Ambassador. The CIA orchestrated a daring escape under the cover of a fake film crew—later depicted in the Academy Award-winning film "Argo."

In an academic study, University of Washington professor Cecilia Aragon found that fan fiction often teaches young writers how to craft stronger sentences and convey complex ideas effectively. Much of that comes from the larger fan fiction community, which regularly comments on others' stories, offering kind-hearted constructive criticism in what she calls "distributed mentoring."

Dawn Meyerriecks, former CIA deputy director of science and technology, examines the realism of gadgets, including James Bond's weaponized Aston Martin, climbing gloves from the Mission: Impossible franchise, and the briefcase and listening device from "The Americans."

From 1963 to 1968, the FBI surveilled Dr. King with wiretaps, hotel bugs, informants, and anonymous threats, citing concerns about Communist influence—an effort later revealed through declassified files and documented in the film MLK/FBI.

Much has been written about Allen Ginsberg, Jack Kerouac, and William S. Burroughs’ time at Columbia University in the 1940s, but less attention has been paid to Lucien Carr, another student and one of the trio’s close friends, who murdered his childhood stalker.

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

President Dwight D. Eisenhower established the Advanced Research Projects Agency in 1958, which recruited scientists to design the first large-scale computer network to support the American military during the Cold War. Academics would use the network to communicate via email among several US research universities.

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

Some believe JFK's assassination was orchestrated by larger networks rather than a lone shooter. Skeptics wondered how one unknown man could kill the most powerful person in America, and believed the CIA, FBI, or Soviet government played a role in the murder.

David Foster Wallace was one of the most acclaimed American writers of the 1990s and early 2000s, releasing dense, philosophically informed works of literary fiction. When the syllabus for an undergraduate literature course he taught surfaced through his archives at the University of Texas, many of his fans were surprised to find it included so much supposedly commercial fiction, including Stephen King's "Carrie." Below are his annotations on two pages of the novel.

This award-winning podcast features gripping interviews with the people who lived through the Cold War—spies, soldiers, defectors, and civilians. Covering everything from the Berlin Wall to nuclear standoffs, it offers unfiltered, emotional accounts of Cold War life and conflict.

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

To avoid direct confrontation, the superpowers supported rival factions in conflicts around the world—including in Korea, Vietnam, Angola, and Afghanistan.

The blog aggregates art, design, fashion, and technology from the atomic and space age, spanning mid-century American futurism and its Soviet counterpart. The content has a broad range: escape pods from a B-58 bomber sit alongside Tour de France caravan vehicles and unidentified industrial designs.

Recruited in the 1930s, the Cambridge Five infiltrated British intelligence and leaked secrets to the Soviets for decades, shaping WWII and the Cold War.

The fear of Soviet dominance prompted the US to invest heavily in space, but public support was also crucial. This video shows how marketing, media, and "soft power" framed spaceflight as peaceful, aspirational, and worth the cost—helping sustain the space race at home.

The US launched Project Paperclip in 1946, covertly recruiting over 1,500 German scientists to advance American military and space programs. Among them was Wernher von Braun, a key architect of the V-2 rocket who later became instrumental in NASA’s Apollo missions. While these scientists accelerated technological breakthroughs, their recruitment raised moral debates about overlooking wartime affiliations in the name of progress—questions that remain unresolved today.

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

In October 1962, NSA cryptographer Juanita Moody headed analysis of U‑2 surveillance data and urgently produced intelligence on Soviet missile deployments in Cuba. Her reports drove high-level US decision-making, and were critical to avoiding nuclear war during the Cuban Missile Crisis.

Step inside one of WeWork’s “summer camp” retreats full of drugs, alcohol, and exorbitant company spending.

Some professors approach the genre as a unique form of literature that expands the boundaries of art. Comparative literature courses read the source material as well as its fan fiction byproducts, asking students to analyze the conditions that might've produced such dramatic reinterpretations.