Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

When police raided New York's Stonewall Inn, a well-known gay bar, in 1969, patrons resisted, leading to 6 nights of protests that would eventually inspire modern Pride celebrations.

Years before the 1969 Stonewall Uprising, patrons at another New York bar staged a protest against an anti-gay liquor law.

Take a look at an early rock 'n' roll artifact

This 1956 jukebox musical, "Rock, Rock, Rock!," is an early example of the burgeoning rock 'n' roll culture—with performances from Chuck Berry, Frankie Lymon and the Teenagers, D.J. Alan Freed, and several others. It was also a catalyst, sending the new youth culture into theaters around the country.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

The American girl groups of the 1950s and '60s had a profound influence on the Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes.

Sylvester's 'You Make Me Feel (Mighty Real)' is a definitive LGBTQ+ anthem

The 1978 dance hit was all about self-acceptance, inspired by the artist's difficult experience growing up gay in a Pentecostal church. The song has influenced numerous contemporary artists and inspired an off-Broadway musical.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

Musician Gladys Bentley defied gender norms during the Harlem Renaissance and was openly gay, even though homosexuality was still widely considered taboo.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

Fifty backstage photos of musicians in the 1970s

Elton John, James Brown, Cher, Diana Ross, and many others all have famous photos seen multiple times on album covers, iconic images from events, and more. Rare is the unseen backstage photo of the greats, lounging or rocking out or, like Bo Diddley, frying up some chicken pre-show at the Garden. Peruse this incredible collection of candid shots of 1970s stars waiting in the wings to come on stage.

The Brill Building was a breeding ground for girl group classics

The Brill Building was a building in New York City that housed the working offices for over 160 music industry professionals, including some of the country’s finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

DJ Alan Freed was eventually charged in a 'payola' scandal

After popularizing rock 'n' roll, both as a genre and as a culture, Freed became an industry power player, producing movies, hosting concerts, and minting superstars. By the end of the 50's, Freed was charged with 26 counts of commercial bribery, for a scheme they called "payola," and investigated by the House subcommittee on Legislative Oversight.

Before becoming a country superstar, Dolly Parton recorded girl-group-style singles

Parton signed with Monument Records in the mid-1960s and released a few singles that were distinctly not country music. Instead, they sounded like Phil Spector productions, in the vein of records by the Ronettes and the Crystals. Although they weren't hits in the United States, songs like "Don't Drop Out" took off in England's Northern Soul scene, which celebrated American records that had slipped through the cracks.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

An early Sex Pistols show is credited with inspiring other influential acts

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

As a girl, Billie Holiday fell in love with music while scrubbing the floors of a brothel

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

Sun Records was responsible for some of rock 'n' roll's biggest artists

Memphis' Sun Records was one of the most important labels in American musical history, releasing pivotal records by Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, and countless others.

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach number one

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

Before the Velvet Underground, Lou Reed was a workaday songwriter

His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”

Many consider Jackie Brenston's 'Rocket 88' to be the first rock song

Jackie Brenston’s “Rocket 88,” a song penned in 1951 by a young Ike Turner and performed by his band the Kings of Rhythm, is widely considered the genre’s starting point. While late-40s R&B singles have similar elements, “Rocket 88” included distorted electric guitar, which would define the genre for decades.

Rock 'n' roll's history in 60 seconds

In the late 1940s, rock 'n' roll emerged from a mix of blues, country, gospel, and jazz. It gained traction through radio, rebellious icons, and evolving sound. This overview traces the genre’s roots, rise, and lasting influence—from early pioneers to the British Invasion and beyond.

Fearing the corruption of its youth, Santa Cruz, California, banned rock 'n' roll in 1956.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Hear Marvin Gaye’s soulful take on the national anthem

Gaye’s sultry take on “The Star-Spangled Banner” at the 1983 NBA All-Star Game illustrates the song’s malleability. The famous Motown star turns the anthem into a slow jam in the style of his hit “Sexual Healing,” released the previous year.

Billie Holiday ensured performances of 'Strange Fruit' had the right context

In the song's earliest performances at Cafe Society in New York, one of a few truly integrated nightclubs in the society, the song was always performed last, after bar service had stopped, with a single spotlight on Holiday so audiences would pay close attention to the lyrics. Later, Holiday included her ability to perform the song in her concert contracts, allowing her to sing it even if venue owners were nervous about its protest message.

Ray Charles' 'Modern Sounds in Country & Western Music' albums blurred genre lines

Released in the midst of the Civil Rights Movement, Charles’ records showed that country music, by then largely segregated, was an American music, no matter one’s background.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

A legendary rock writer ranks the greatest girl group records

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

CBGB, the breeding ground for punk, was intended to be a country bar

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

The origins of the Rolling Stones

Founded by Brian Jones, the Rolling Stones emerged during the massive shifts taking place in the 1960s. From the start, they were the edgier version of the Beatles, and their complex reputation gave them a unique profile in the public eye.

A year before Elvis appeared on 'Ed Sullivan,' Bill Haley brought rock 'n' roll to the program

Although Elvis Presley's 1956 appearance on the popular TV show is viewed as a key moment in the rise of rock 'n' roll, the music appeared on the program a year earlier, on August 5, 1955, when Bill Haley and His Comets performed their hit "Rock Around the Clock."

The song 'Hungry Heart' was written for punk icons the Ramones

After seeing the groundbreaking punk band in Asbury Park, Springsteen went home to write them a song. When his manager, Jon Landau, heard "Hungry Heart," he told Springsteen he couldn't give it away, especially after seeing the success of "Because the Night," another Springsteen composition that became a massive hit for Patti Smith.

The Rolling Stones got their name from a Muddy Waters song

The band was set to play a live session on the BBC in 1962, though they still didn't have a name. When guitarist Brian Jones spoke to Jazz News magazine about the upcoming appearance, he realized the group still didn't have a name. He saw Muddy Waters' "Rollin' Stone" record on the ground and decided in that moment that it would be the name of the band.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.