The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

Motown Records used the assembly line for songwriting

In the 1960s, Motown Records was the world's most reliable rock 'n' roll label and the home of the Supremes. That success was largely due to its songwriting process, a finely tuned assembly line model inspired by Motown owner Berry Gordy's time working at the Ford Motor Company.

'Where Did Our Love Go' was the first of 12 No. 1 singles for the Supremes

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach No. 1

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

Billboard's first No. 1 single was Tommy Dorsey Orchestra's 'I'll Never Smile Again'

The song was No. 1 on Billboard’s Best Selling Retail Records chart, the predecessor to the Hot 100. The chart only measured record copies sold, excluding other indicators of popularity, like sheet music sales or jukebox plays, that were used on other charts.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Rick James and Neil Young both played in a band that was signed to Motown

The Mynah Birds were a short-lived Canadian rock group active before either artist's career took off. In 1966, the band signed to Motown Records and released a single. That same year, they were dropped by the label after it was revealed that James had settled down in Canada to avoid US military service.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

Marvin Gaye's soulful take on 'The Star-Spangled Banner' at the 1983 NBA All-Star Game turned the national anthem into a slow jam.

Hear the first classic girl group record: the Chantels’ ‘Maybe’

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Many consider Jackie Brenston's 'Rocket 88' to be the first rock song

Jackie Brenston’s “Rocket 88,” a song penned in 1951 by a young Ike Turner and performed by his band the Kings of Rhythm, is widely considered the genre’s starting point. While late-40s R&B singles have similar elements, “Rocket 88” included distorted electric guitar, which would define the genre for decades.

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

Brian Wilson said 'Be My Baby' is 'the greatest record ever produced'

The legendary Beach Boy was shocked the first time he heard the Ronettes' song. "I was driving and I had to pull over to the side of the road — it blew my mind." He claims he spent his career trying in vain to do something as good. "It's the greatest record ever produced. No one will ever top that one." (Paywall may apply.)

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

Dolly Parton released her first recording at age 13, a rockabilly number she cowrote called 'Puppy Love.'

Take a look at an early rock 'n' roll artifact

This 1956 jukebox musical, "Rock, Rock, Rock!," is an early example of the burgeoning rock 'n' roll culture—with performances from Chuck Berry, Frankie Lymon and the Teenagers, D.J. Alan Freed, and several others. It was also a catalyst, sending the new youth culture into theaters around the country.

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

Maurice Williams and the Zodiacs' 'Stay' is the shortest song ever to hit No. 1 on the Billboard Hot 100 chart.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

After Warner Bros signed him at 18, Prince wrote a song to thank them

The label scooped the young artist in 1977, eager to ink a deal with the promising young savant. In response, Prince wrote a song called "I Hope We Can Work It Out," which suggested together they'd make "Music for the young and old, music bound to be gold." An official recording of the song was never released, but the Minnesota Historical Society acquired the original handwritten lyrics in 2017. You can see them below.

Diana Ross starred in a Motown-produced biopic about Billie Holiday

The 1972 film "Lady Sings the Blues" was loosely based on Holiday's autobiography and starred Ross, then pursuing her post-Supremes solo career. The Motown production had big names (including Billy Dee Williams and Richard Pryor) and was nominated for five Academy Awards, including one for Ross' performance. You can watch the film below.

Sun Records was responsible for some of rock 'n' roll's biggest artists

Memphis' Sun Records was one of the most important labels in American musical history, releasing pivotal records by Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, and countless others.

The Sugarhill Gang’s ‘Rapper’s Delight’ introduced hip-hop to the masses

While it’s not technically the first hip-hop song set to record—that’s Fatback Band’s “King Tim III (Personality Jock)”—1979’s ”Rapper’s Delight” is the song that proved rap was worth putting on wax and introducing the music to a broader audience by reaching the US top 40.

Stan Getz initially didn't want to release 'The Girl from Ipanema,' which would go on to become one of the most popular jazz recordings ever.

Dolly Parton and Kenny Rogers' 'Islands in the Stream' was written by the Bee Gees.

'The Wiz' reimagined Baum's story for Black America

The 1978 film, produced in part by Motown Productions, starred several popular stars: Diana Ross, Michael Jackson, Richard Pryor, Nipsey Russell and Lena Horne. The music—composed by Charlie Smalls and Luther Vandross, and overseen by Quincy Jones—mirrored songs from the 1939 film.

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

Carole King wrote—and later regretted—the song 'He Hit Me (And It Felt Like a Kiss),' which she now believes excuses domestic violence.

Chuck Berry was one of the genre's early innovators

A pioneer of rock ‘n’ roll, Berry redefined music in the 1950s with hits like "Maybellene" and "Johnny B. Goode." Drawing from blues and country, his signature riffs and storytelling influenced generations of artists.

'9 to 5' was Dolly Parton's first No. 1 pop hit.