Watch 21st-century musicians try to recreate Motown's classic 1960s sound.

You know it when you hear it: the distinct snare drum of songs like Phil Collins' "In the Air Tonight" or Bruce Springsteen's "Born in the USA." It's called "gated reverb," and it's something most people associate, for better or worse, with the sound of the '80s. This Vox explainer breaks down how it was discovered by accident, thanks to a microphone typically used for communication that picked up additional sounds.

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

Legend has it that the rectangular pies were originally baked in blue steel pans intended to hold nuts and bolts in auto factories. The sauce poured across the top of the pies, meanwhile, is done so in straight lines called "tire tracks."

There are few names in hip-hop more revered than J Dilla, a producer who’s credited with redefining the feel of the music by playing with its timing.

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

The Detroit band is often considered “proto-punk” because their loud, dark, and distorted music helped establish a template for the punk explosion that came later. In 1970, rock writer Lester Bangs even used the word “punk” to describe the band’s frontman, Iggy Pop.

Elton John, James Brown, Cher, Diana Ross, and many others all have famous photos seen multiple times on album covers, iconic images from events, and more. Rare is the unseen backstage photo of the greats, lounging or rocking out or, like Bo Diddley, frying up some chicken pre-show at the Garden. Peruse this incredible collection of candid shots of 1970s stars waiting in the wings to come on stage.

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.

As country music leaned towards the slick Nashville Sound in the 1950s, several artists operating outside that city reacted with rougher sounds more reminiscent of honky tonk and early rock ‘n’ roll. It came to be known as the Bakersfield Sound, reflecting the California agricultural region.

The singer-songwriter self-released cassettes in the early '80s that were not fit for the radio—their sound quality was poor, and the songs were often little more than an organ and Johnston's high-pitched voice, singing about things like Casper the Friendly Ghost. The tapes eventually found their way to alternative tastemakers, who lauded the songs' brilliance and inspired a cult following that has admired Johnston's music for decades.

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

The essential hip-hop label was founded by Rick Rubin in 1984. At the time, Rubin was a New York University student and converted his dorm room into the label’s original office. Along with Russell Simmons, Rubin would release landmark albums from LL Cool J, the Beastie Boys, Public Enemy, and many others.

This two-part podcast traces the halftime show's evolution from early marching band performances to star-driven productions, beginning with Michael Jackson's 1993 performance, and explains how it became one of the most influential music stages of the year.

The King Crimson guitarist placed markings on the studio floor that instructed him where to get the particular sounds he was seeking. Producer Brian Eno then ran the signal through a synthesizer and bent the sound waves with a joystick.

The show follows a 1970s rock band while they're in the studio, tracking a new album, and mirrors many of the internal conflicts that led to Fleetwood Mac's 1977 record, "Rumours." The play was a massive hit, earning 13 Tony nominations (the most ever for a play). It won five, including best play.

Hip-hop celebrated its 50th birthday in 2023, a genre with humble origins that now dominates playlists and charts worldwide. A major, lesser-known feature of hip-hop is its artful use of samples from older records, a technically complex method that forms the unique soundscape of each hip-hop song. To honor the anniversary, sampling company TrackLib created a half-hour video showcasing both visually and auditorily the process used in hits over the last 50 years.

For some people, DJing is nothing more than pressing play on a few songs, but for hip-hop DJs, it’s a precise art form that requires real skill. Need proof? Watch this 1983 tutorial from Grandmaster Flash, one of the genre’s pioneering DJs, as he walks you through beatmatching and mixing on his spartan set-up of two turntables and a basic mixer.

Roland's TR-808 is one of the most consequential pieces of gear in the history of popular music, providing the framework for innovative hip-hop, dance, and pop records in the early 1980s.

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

The music’s “Golden Era,” between 1987 and 1994, saw producers and DJs developing more sophisticated approaches to sampling, or repurposing existing sound, by crafting elaborate collages. Many of them used the same references, thanks to a popular bootleg compilation called “Ultimate Break Beats.”