Record scratching, a technique that came to define the sound of hip-hop, was invented by a 12-year-old.

DJ Kool Herc pioneered the use of breakbeats for hip-hop

Inspired by Jamaican dancehall culture and Manhattan's disco scene, Herc used a new style that used two turntables, seamlessly mixing and looping "breakbeats"—isolated drum breaks from funk, soul, and rock records—that kept dancers at the "back to school jam" moving. Herc's technique would be the basis for modern sampling and hip-hop's first few decades.

Grandmaster Flash’s DJing masterclass

For some people, DJing is nothing more than pressing play on a few songs, but for hip-hop DJs, it’s a precise art form that requires real skill. Need proof? Watch this 1983 tutorial from Grandmaster Flash, one of the genre’s pioneering DJs, as he walks you through beatmatching and mixing on his spartan set-up of two turntables and a basic mixer.

The word ‘hip-hop’ is often credited to DJ Lovebug Starski

The name was coined by Bronx DJ Lovebug Starski, who ad-libbed the term to match the rhythm of a beat while he was rapping. While it began as nonsense, the term went on to describe the music and multifaceted culture that surrounded it.

Hear 50 years of iconic hip-hop samples

Hip-hop music began with the looping of popular breakbeats, but it evolved with DJs and producers learning to chop and flip samples from obscure records and turn them into rap classics. This video illustrates how sampling evolved through the music's five-plus decades.

Rapping has roots in numerous aspects of the Black oral tradition

Although “rapping” began in New York with hip-hop in the early 1970s, it can be traced back to griots, who were storytellers in West Africa, and “toasting,” which was a similar talk-sing style practiced by dancehall DJs in Jamaica.

By the mid-1980s, rappers began developing complex techniques

Early hip-hop featured straightforward meter and rhyme, with rappers generally following the beat and using rhyming couplets in the style of nursery rhymes. MCs like Rakim, though, began pushing the limits of the form through varied stresses and dynamic, multisyllabic slant rhymes.

The 1973 ‘back to school jam’ was the night hip-hop was born

Hip-hop began in New York’s Bronx borough with the “back to school jam,” an August 1973 dance party hosted by Cindy Campbell and her brother, DJ Kool Herc, in their apartment building’s recreation room.

The sound of hip-hop's 'Golden Era' is thanks to a shared lexicon

The music’s “Golden Era,” between 1987 and 1994, saw producers and DJs developing more sophisticated approaches to sampling, or repurposing existing sound, by crafting elaborate collages. Many of them used the same references, thanks to a popular bootleg compilation called “Ultimate Break Beats.”

Basquiat produced an early hip-hop classic

The 1983 track “Beat Bop” features emcees Rammellzee and K-Rob rapping over a beat produced and arranged by Basquiat. Though it leans into several tropes from the early days of hip-hop, it’s also singular, with elements of dub, funk, and disco blending over its 10 minutes.

Jazz built the template for hip-hop

Hip-hop was born out of obscure samples, including many that were taken from the annals of jazz. That style was especially popular in rap's early eras, with the subgenre "jazz rap" becoming an accurate descriptor for New York groups like A Tribe Called Quest and Gangstarr.

Grandmaster Flash’s ‘The Message’ set the template for hip-hop composition

This 1982 single is one of the most recognizable beats in hip-hop history, thanks to some inspiration from popular disco and new wave records. The song’s bigger contribution, though, is that it pushed lyrics front and center, turning the rapper from a party-rocking master of ceremonies into a truth-telling MC.

Deconstructing the most popular hip-hop samples over the last 50 years

Hip-hop celebrated its 50th birthday in 2023, a genre with humble origins that now dominates playlists and charts worldwide. A major, lesser-known feature of hip-hop is its artful use of samples from older records, a technically complex method that forms the unique soundscape of each hip-hop song. To honor the anniversary, sampling company TrackLib created a half-hour video showcasing both visually and auditorily the process used in hits over the last 50 years.

The earliest known country recording is Louis Vasnier's 'Thompson's Old Gray Mule'

This BBC documentary offers a brief history of the recording, explaining how the wax cylinder recording was transferred to vinyl and how the singer was identified. Interestingly, it also suggests why this recording might have been overlooked for over a century.

The Sugarhill Gang’s ‘Rapper’s Delight’ introduced hip-hop to the masses

While it’s not technically the first hip-hop song set to record—that’s Fatback Band’s “King Tim III (Personality Jock)”—1979’s ”Rapper’s Delight” is the song that proved rap was worth putting on wax and introducing the music to a broader audience by reaching the US top 40.

Prince pioneered what would come to be known as 'the Minneapolis Sound'

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

The Winstons' 'Amen, Brother' has the most famous break in music

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

The Beastie Boys started as a punk band

Before they became a legendary rap group, the New Yorkers played fast, scrappy hardcore in the style of Bad Brains. Still, they were fans of the explosion of hip-hop culture in their city and recorded a jokey track in 1983, which led to a record deal and conversion to hip-hop.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

Sylvia Robinson is considered ‘the Godmother of Hip-Hop’

While hip-hop was soundtracking countless parties in the early ‘70s, Robinson saw the music’s potential. She began writing, producing, and releasing some of the music’s earliest singles through her Sugar Hill Records label and helped build a place in the music industry for the young music. Robinson’s groundbreaking work led to a 2022 induction into the Rock and Roll Hall of Fame.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

The history of the 808, the drum machine that changed pop music

Roland's TR-808 is one of the most consequential pieces of gear in the history of popular music, providing the framework for innovative hip-hop, dance, and pop records in the early 1980s.

Hip-hop producer J Dilla reimagined musical time

There are few names in hip-hop more revered than J Dilla, a producer who’s credited with redefining the feel of the music by playing with its timing.

Def Jam’s first office was Rick Rubin’s NYU dorm room

The essential hip-hop label was founded by Rick Rubin in 1984. At the time, Rubin was a New York University student and converted his dorm room into the label’s original office. Along with Russell Simmons, Rubin would release landmark albums from LL Cool J, the Beastie Boys, Public Enemy, and many others.

See nearly 500 early hip-hop flyers

The "back to school jam" may have been revolutionary, but it wasn't the only event that helped build hip-hop culture. This digital collection from Cornell University has hundreds of flyers for concerts from 1977 to 1984, offering a window into the burgeoning underground.

The Grateful Dead pioneered a massive 3-story, 75-ton, 600-speaker sound system that revolutionized live audio in the early 1970s.

A 'boombox' is the cool term for a Portable Radio Cassette Recorder

The technology debuted in the mid-1960s, revolutionizing portability of recording radio and playing music. As urban culture, especially hip hop, took advantage of the innovation, the "boombox" was born. See a gallery of old boomboxes and learn their history.

Hip-hop is both a music and a culture

While the word is often used to describe the popular genre, it’s historically been used to describe the culture that sprang up around the music in 1970s New York, including breakdancing and graffiti.

Prince was known as a genre-crossing polymath

The son of two Minneapolis jazz musicians, Prince was surrounded by music from a young age. His full name, Prince Rogers, was actually derived from his father's group, the Prince Rogers Trio. He eventually learned how to play his father's piano, teaching himself the themes to popular TV shows. Eventually, he learned other instruments and expanded his music tastes, indulging in records by Sly and the Family Stone, Jimi Hendrix, Joni Mitchell, and more. Below is his junior high school yearbook photo.

Champagne has a rich history in hip-hop

The drink is both aspirational and a bragging right. Famous artists name-check brands like Cristal, and up-and-comers long for the day when sparkling wine will flow like water. The trend traces back to the early 1990s and Branson B., “hip-hop’s unofficial sommelier.” The Harlem-based artist would bring bottles of his favorite bubbly to parties, celebrations, and, crucially, recording studios, where friends like the Notorious B.I.G. were laying down some of rap’s foundational tracks.

An early Sly and the Family Stone live recording was discovered in 2002

A live recording of the legendary funk band in 1967—shortly before their mainstream breakthrough—was found in 2002 by two of the band's unofficial archivists. However, the full recording, "The First Family: Live at Winchester Cathedral 1967," wasn't released until 2025.

Southern rap redefined the sound of hip-hop in the '90s

In the 1980s, most attention focused on New York, the birthplace of hip-hop, and Los Angeles, the epicenter of its burgeoning gangsta variant. By the mid-90s, though, artists like Outkast, Master P, and Missy Elliott shifted the focus to the south.

‘Moshing,’ an aggressive style of dancing, was initially called 'mashing'

The style, which involves audience members thrashing their bodies into one another, evolved from “pogoing,” a style popular in England where listeners jumped up and down in place. The term “moshing,” sometimes called “slam dancing” in California, is believed to come from HR, the lead singer of Bad Brains.

According to Kurt Cobain, Wipers invented grunge

Wipers began in Portland, Oregon in 1977, playing a form of punk rock that sounded darker and heavier than their contemporaries in New York, California, and England. The band remained an underground secret for years, influencing countless artists, including Nirvana's Kurt Cobain. "What more can I say about them?" he said in an interview. "They started Seattle grunge rock in Portland, 1977."

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Biz Markie's "Alone Again" changed the laws for sampling

Before 1991, there was no established legal standard for the gray area of sampling. That changed when Gilbert O-Sullivan sued Biz Markie for using his song "Alone Again (Naturally)." After the case, labels were required to clear all samples, and artists were discouraged from creating sample-heavy music.

Abbey Road Studios invented stereo recording (and was the site of most of the Beatles' recordings)

Built around 1830 and bought by the Gramophone Company in 1929, the St. John's Wood property became the world's first purpose-built recording studio. Its legacy spans stereo sound's invention, the Beatles' entire catalog, and blockbuster film scores from Star Wars to The Lord of the Rings.

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

Minor Threat inadvertently created the straight edge movement

The DC hardcore band released the song "Straight Edge" in 1981, which detailed singer Ian MacKaye's decision to abstain from alcohol, drugs and promiscuous sex. The track inadvertently inspired legions of young hardcore kids to similarly declare themselves "straight edge," which eventually grew into its own subgenre.

A 6-year-old Bruno Mars appeared on 'The Arsenio Hall Show'

Hall began performing magic as a child and at 15 appeared on "Soul!," the first American late-night show hosted by a Black man (Ellis Haizlip). When Hall got his own show in 1989, he was always on the lookout for young talent. That eventually led him to a young Elvis impersonator from Hawaii who'd later go by Bruno Mars.

Robert Fripp manipulated feedback to create his guitar part on David Bowie's 'Heroes'

The King Crimson guitarist placed markings on the studio floor that instructed him where to get the particular sounds he was seeking. Producer Brian Eno then ran the signal through a synthesizer and bent the sound waves with a joystick.

1982's ‘Nebraska’ was recorded alone at home, a rarity at the time for a major artist

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.

The Juke 8 was the world's first karaoke machine

Daisuke Inoue invented the machine in 1971 by combining an amplifier, microphone, and 8-track machine, though he never patented it and, as a result, never collected royalties from the billion-dollar industry.

The surprising and strange sources behind 12 famous songs

Britney Spears's "Toxic" borrowed strings from a 1981 Bollywood film, Billie Eilish sampled The Office, and one duo made an entire album using only the sounds of their Whirlpool washing machine. Explore how sampling can pull from pretty much anywhere.

Mel Brooks said that learning how to drum as a kid taught him important rules about comedy, including how to structure a joke.

The time Bob Dylan was accused of plagiarizing ‘Blowin’ in the Wind’

“Blowin’ in the Wind” is a defining song of the Civil Rights Movement, one that Dylan openly acknowledged was based on a traditional African spiritual. But when Newsweek accused Dylan of stealing the song in 1963, they weren’t talking about influence. They suggested he’d jacked the tune from a helpless high school student. This article breaks down the falsehood and why it was given so much attention while Dylan was becoming a household name.

As a girl, Billie Holiday fell in love with music while scrubbing the floors of a brothel

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

After the bitter breakup of the Beatles, John Lennon and Paul McCartney only played music together one more time—at an impromptu studio session in 1974, joined by Stevie Wonder.

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

World War II soldiers received specially-made vinyl records

"V-Discs" were vinyl records featuring popular folk, classical, and jazz songs. This was one of the first widespread uses of vinyl, rather than shellac, records.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.