How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

Explore a list of the 40 best obscure albums of the past 40 years, featuring lost classics from Talk Talk, King Sunny Ade, Linda Ronstadt, and more.

Rock expanded to Africa, where it was used as a political artform

The Nigerian rock scene began after Bill Haley’s "Rock Around the Clock" film premiered in the country, inspiring young people to take up electric guitars. The music was also an integral part of the country’s civil war, with conscripted bands entertaining soldiers on both sides of the conflict.

Beat Generation iconoclast William S. Burroughs once appeared in a Nike ad, singing the praises of 'new technology.'

Daniel Johnston's home recordings have inspired countless rock legends

The singer-songwriter self-released cassettes in the early '80s that were not fit for the radio—their sound quality was poor, and the songs were often little more than an organ and Johnston's high-pitched voice, singing about things like Casper the Friendly Ghost. The tapes eventually found their way to alternative tastemakers, who lauded the songs' brilliance and inspired a cult following that has admired Johnston's music for decades.

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Rick James and Neil Young both played in a band that was signed to Motown

The Mynah Birds were a short-lived Canadian rock group active before either artist's career took off. In 1966, the band signed to Motown Records and released a single. That same year, they were dropped by the label after it was revealed that James had settled down in Canada to avoid US military service.

After the bitter breakup of the Beatles, John Lennon and Paul McCartney only played music together one more time—at an impromptu studio session in 1974, joined by Stevie Wonder.

The Beatles' 'Tomorrow Never Knows,' the final track from 1966's 'Revolver,' used innovative recording methods—including a rudimentary form of sampling—to redefine the sound of popular music.

Record scratching, a technique that came to define the sound of hip-hop, was invented by a 12-year-old.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

A Harvard radio station once dedicated 24 hours to Jandek

The enigmatic singer-songwriter plays atonal dirges that are haunting or horrible, depending on your taste. He has self-released over 120 albums but rarely performs live, preferring to conceal his true identity. In 2003, a Harvard radio station aired the "Jandek Orgy," which included his fans debating his identity, lyrics, and philosophy.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

How Kurt Cobain was influenced by the Beats

Fresh off the success of Nirvana's "Nevermind," band frontman Kurt Cobain reached out to his literary idol, the Beat writer William S. Burroughs, suggesting a collaboration. The correspondence led to "The 'Priest' They Called Him," a hard-to-find recording featuring Burroughs reading a story and Cobain on dissonant guitar.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

An early Sly and the Family Stone live recording was discovered in 2002

A live recording of the legendary funk band in 1967—shortly before their mainstream breakthrough—was found in 2002 by two of the band's unofficial archivists. However, the full recording, "The First Family: Live at Winchester Cathedral 1967," wasn't released until 2025.

The Shaggs weren't good musicians, but they still made a classic

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

Clive Davis was responsible for signing influential artists and superstars, including Patti Smith, Bruce Springsteen, and Alicia Keys.

Guitarist Charlie Byrd brought bossa nova to the US after a government-sponsored tour

The Mutual and Cultural Exchange Act of 1961, also known as the Fulbright–Hays Act, sought to spread understanding through education and cultural exchanges. Its passage led to a government-sponsored music tour of South America featuring jazz guitarist Charlie Byrd. In Brazil, Byrd was introduced to the music of João Gilberto and returned to the United States eager to incorporate bossa nova into his own music.

Traditional bands largely disappeared from the Billboard charts in the 21st century, mostly replaced by solo artists.

In the late '70s, Dylan started a trilogy of Christian rock albums

Across his six decades making music, Bob Dylan’s gone through numerous artistic eras and reinventions, but among the most polarizing (and, for some, the most perplexing) is Dylan’s Christian period in the late '70s and early '80s.

The Winstons' 'Amen, Brother' has the most famous break in music

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

In the 2000s, Dylan began hosting a weekly radio show

Bob Dylan remained unpredictable, even 40 years into his career. Look no further than his satellite radio show from the 2000s, which found the legendary singer-songwriter riffing on a different theme every week. In this episode that theme is “Nothing.” He talks about Dr. Dre’s “Nuthin’ but a G Thang,” quotes several lines from Shakespeare, and speaks at length about his love for the musical “Porgy and Bess.” It’s a wild, unpredictable ride, just like the rest of his career.

Andy Warhol's presence continues to persist in pop culture

Warhol produced iconic album art for The Rolling Stones and The Velvet Underground. He also inspired rappers Jay-Z and Tyler, the Creator. Warhol’s immense influence on art and pop culture elevated him to celebrity status, and his identity and style continue to be referenced in sometimes unexpected corners of cultural consciousness.

Why one country legend embraced punk rock

Dwight Yoakam was among the most popular country music acts of the 1980s, praised for his upbeat rockabilly and neo-Bakersfield sound. In this interview, Yoakam explains why he left the Midwest for California and began playing in punk clubs, including with an iteration of the legendary LA punk outfit X.

Prince had an eclectic range of influences

Early in his career, Prince would sometimes claim in interviews that he didn't listen to much music outside of his own. In later years, he'd admit that was a lie born out of arrogance. In reality, he listened to a wide array of artists, with great admiration for people like the Cocteau Twins, D'Angelo, Led Zeppelin, Joni Mitchell, Miles Davis, De La Soul, and many others. This survey of his career's interviews collects all those mentions of other artists, creating a fascinating database of the music that inspired Prince.

Hip-hop producer J Dilla reimagined musical time

There are few names in hip-hop more revered than J Dilla, a producer who’s credited with redefining the feel of the music by playing with its timing.

João Gilberto was bossa nova's first major star

Antônio Carlos Jobim wrote songs and worked with the singer, whose quiet, melancholy crooning made him a star. The records he recorded between 1959 and 1961, combined with the success of Marcel Camus' film "Black Orpheus," helped bossa nova move from a Brazilian sound to an international fascination.

The most popular drum sound of the 1980s was discovered by accident

You know it when you hear it: the distinct snare drum of songs like Phil Collins' "In the Air Tonight" or Bruce Springsteen's "Born in the USA." It's called "gated reverb," and it's something most people associate, for better or worse, with the sound of the '80s. This Vox explainer breaks down how it was discovered by accident, thanks to a microphone typically used for communication that picked up additional sounds.

In 1984, Bob Dylan reimagined himself as the front man of a punk band for a performance on David Letterman's late-night talk show.

The history of the 808, the drum machine that changed pop music

Roland's TR-808 is one of the most consequential pieces of gear in the history of popular music, providing the framework for innovative hip-hop, dance, and pop records in the early 1980s.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova, the Brazilian fusion of samba and jazz, to the US.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

The Juke 8 was the world's first karaoke machine

Daisuke Inoue invented the machine in 1971 by combining an amplifier, microphone, and 8-track machine, though he never patented it and, as a result, never collected royalties from the billion-dollar industry.

The story behind David Bowie's failed '1984' musical

The musician hoped to adapt Orwell's dystopian novel for the stage, though the project floundered after Orwell's widow—who found Bowie's vision in poor taste—refused to grant him the rights. Several of the project's songs—including "Big Brother" and "1984"—eventually appeared on Bowie's 1974 album "Diamond Dogs."

Prince often used pseudonyms when working with other people

Prince was seemingly everywhere in the '80s, though his ubiquity wasn't always apparent on the surface, thanks to a number of pseudonyms he used when contributing to other artists' projects.

Every track from Moby's 'Play' was licensed

The electronic album was floundering on the charts before the artist began licensing its songs for advertisements and films. Eventually, all 18 of its tracks were sold for use in other media, a move that led to significant airplay and sales, with more than 12 million copies sold.