He signed to Columbia Records in 1972

Springsteen had been performing solo at various venues, including some famous folk spots in Greenwich Village. Columbia executives saw this performance of “Growing Up”—which would later appear on his first album, “Greetings from Asbury Park, NJ”—and invited him to formally audition for the label before signing him.

DJ Alan Freed was eventually charged in a 'payola' scandal

After popularizing rock 'n' roll, both as a genre and as a culture, Freed became an industry power player, producing movies, hosting concerts, and minting superstars. By the end of the 50's, Freed was charged with 26 counts of commercial bribery, for a scheme they called "payola," and investigated by the House subcommittee on Legislative Oversight.

The album 'Born to Run' sold 9 million copies

Encouraged by the strength of the title track, Columbia allowed Springsteen to record another album. After completing it, he was so unhappy with how it sounded that he threw the record into a swimming pool. Despite his objections, it would sell 9 million copies, saving Springsteen’s career and turning him into a superstar.

Paul Simon recorded his landmark album 'Graceland' in South Africa, in defiance of a UN-approved cultural boycott.

Jon Landau reviewed a Springsteen show, then became his manager

Jon Landau reviewed a Springsteen show, then became his managerJon Landau, a writer for a Boston newspaper, saw Springsteen and his recently-named E Street Band perform in 1974 and wrote, "I saw rock and roll future, and its name is Bruce Springsteen." He would go on to coproduce "Born to Run" and work as Springsteen's manager for decades.

1984's 'Born in the USA' was a sensation, due in part to its music videos

The album was Springsteen's most pop-focused, with blaring synths and a pumping backbeat. It was a pop culture sensation, with five singles that reached the top 10, a massive arena tour, and several iconic music videos coinciding with MTV's rise. The record would eventually become one of the best-selling albums of all time.

In 1988, Bruce Springsteen inducted Dylan into the Rock & Roll Hall of Fame

Bob Dylan was one of the earliest inductees to the Rock & Roll Hall of Fame, joining the third class in 1988. A Dylan devotee (and eventual Rock and Roll Hall of Fame inductee), Bruce Springsteen, did the honors of inducting the legendary musician, offering a tribute that makes the case for Dylan as the catalyst for decades of innovative music.

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

Dylan influenced many of his contemporaries

Dylan's groundbreaking approach to songwriting didn't just change his career; it changed the trajectory of American popular music. This podcast from the National Association of Music Merchants' oral history project features interviews with several Dylan compatriots and fans–including Pete Seeger, Emmylou Harris, and Robbie Robertson–who detail how Dylan changed their careers and how they viewed songwriting.

Springsteen's first band was called the Castiles

Springsteen joined a local garage rock band at 16. The band was influenced by British Invasion acts like the Beatles and the Rolling Stones, as well as the burgeoning American psychedelic scene.

Bob Dylan asked Patti Smith to perform in his place at the Nobel Prize ceremony

Dylan didn't attend the ceremony, citing "other commitments," and asked Patti Smith, the legendary poet and punk pioneer, to perform in his place. Smith sang "A Hard Rain's A-Gonna Fall," accompanied by an orchestra, though she had to request to restart one verse after stumbling over Dylan's dense lyrics.

Bruce Springsteen's song 'Born to Run' took six months to record, with the singer-songwriter desperately trying to perfect it to save his career.

Sun Records was responsible for some of rock 'n' roll's biggest artists

Memphis' Sun Records was one of the most important labels in American musical history, releasing pivotal records by Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, and countless others.

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Springsteen is considered one of rock's greatest songwriters

Springsteen is considered one of rock's greatest songwritersThe New Jersey native has sold over 150 million albums, won 20 Grammy Awards, and influenced several generations of heart-on-sleeve songsmiths. In 1999, he was inducted into the Rock and Roll Hall of Fame.

In 1984, Bob Dylan reimagined himself as the front man of a punk band for a performance on David Letterman's late-night talk show.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

1982's ‘Nebraska’ was recorded alone at home, a rarity at the time for a major artist

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.

Def Jam’s first office was Rick Rubin’s NYU dorm room

The essential hip-hop label was founded by Rick Rubin in 1984. At the time, Rubin was a New York University student and converted his dorm room into the label’s original office. Along with Russell Simmons, Rubin would release landmark albums from LL Cool J, the Beastie Boys, Public Enemy, and many others.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

Watch a 1965 press conference with Bob Dylan where he mocks the media's focus on celebrity.

Read a 1984 interview with Dolly Parton, conducted by artist Andy Warhol.

The song 'Hungry Heart' was written for punk icons the Ramones, but Bruce Springsteen's manager convinced the singer to record it himself.

Bob Dylan, explained

Bob Dylan has never had a Billboard No. 1 hit—but his influence on music is unmatched. This overview looks at his early protest songs, his shift to electric rock, and the cultural impact of his lyrics, performances, and legacy across generations.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

The legendary jazz beef of Miles Davis and Wynton Marsalis

Miles Davis might be the most recognizable name in jazz history, renowned for his landmark albums "Kind of Blue" and "Bitches Brew," and his unceasing artistic experimentation. By the 1980s, however, Davis was a pariah in jazz circles, causing him to set his sights on the poster child for the genre's purists: the much younger Wynton Marsalis. This overview of the rivalry by journalist James Kaplan details the origins—and the apex—of this now legendary beef.

Chris Lighty represented some of New York's biggest rappers

Lighty founded Violator—a record label and management firm—in 1996 and went on to represent Busta Rhymes, A Tribe Called Quest, Nas, 50 Cent and others. In 2012, he was found dead on the patio of his apartment. The death was ruled a suicide, though many close to Lighty believed otherwise.

Prince pioneered what would come to be known as 'the Minneapolis Sound'

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

A research study found that Springsteen's popularity is due to his lyrics' authenticity

The Penn State study compiled lyrics from 18 albums and analyzed the words that "convey genuineness and honesty" and those that suggest cognitive activity. They found that Springsteen's songs are often focused on the present and "tend to express positive emotion," which they believe might explain why his fans are so devoted.

A teenage Springsteen struggled with his father

Springsteen's father didn't understand why his son was interested in pursuing a music career, leading to a tense relationship that was often exacerbated by his father's struggles with mental illness.

Dylan's 1965 electric set at the Newport Folk Festival was viewed by some as a betrayal

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Bob Dylan wrote and recorded songs that later became hits when they were covered by artists like Jimi Hendrix, Adele, and Guns N' Roses.

Phil Spector's Philles Records was home to several definitive girl group singles

The label, formed by Spector and Lester Sill, released most of Spector's early "wall of sound" recordings, including the Crystals' "Then He Kissed Me" and the Ronettes' "Be My Baby." This 1963 compilation, "Philles Records Presents Today's Hits," collects some of the label's early hits.

Daniel Johnston's home recordings have inspired countless rock legends

The singer-songwriter self-released cassettes in the early '80s that were not fit for the radio—their sound quality was poor, and the songs were often little more than an organ and Johnston's high-pitched voice, singing about things like Casper the Friendly Ghost. The tapes eventually found their way to alternative tastemakers, who lauded the songs' brilliance and inspired a cult following that has admired Johnston's music for decades.

Dylan was called 'the voice of his generation,' but rejected the title

By the mid-60s, Dylan made it clear he had no desire to be a spokesman for anyone but himself. He found the title stifling and believed it would prevent him from creating authentic art.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.