Motown had plenty of singles that flopped experience a second life in England, where the Northern Soul subculture turned them into underground classics.

Motown Records used an assembly-line approach to songwriting, inspired by founder Berry Gordy's time at Ford Motor Company.

'Where Did Our Love Go' was the first of 12 No. 1 singles for the Supremes, one of the most successful groups of all time.

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

Before they found fame as solo artists, Rick James and Neil Young both played in a band that was signed to Motown Records.

Barrett Strong's 'Money (That's What I Want)' was Motown's first hit record, reaching both Billboard's R&B and pop charts in 1960.

The Beatles' labels released almost twice as many of the band's records in the US to capitalize on the band's popularity.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

How underground radio revitalized rock 'n' roll

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.

2 Tone ska aimed to counteract a segregated England

The 2 Tone record label, spearheaded by the Specials, popularized second-wave ska in the late ‘70s, which married British punk with Jamaican rhythms. The music—intentionally multicultural and performed by multiracial bands—was a response to England’s growing nativism.

American blues music provided the framework for rock 'n' roll, jazz, and other American forms.

The Beatles' appearance on 'The Ed Sullivan Show' in 1964 launched Beatlemania in the US after the band struggled to break through to American audiences.

Prolific Nigerian funk musician William Onyeabor left music in the mid-1980s, but was rediscovered by record collectors decades later.

An early Sex Pistols show is credited with inspiring other influential acts

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

The artists with the most No. 1 singles

Scoring a No. 1 single is a difficult task—less than 4% of the songs that have made Billboard's Hot 100 chart have ever reached the top spot. This list breaks down the most elite hitmakers in Billboard history, including the Supremes, Taylor Swift, and the Beatles, who released an incredible 20 No. 1 singles.

Both British and American pop art took inspiration from US culture

Pop art emerged in the mid-1950s in Britain and the late 1950s in America. American pop art focused on representational art and was directly inspired by living within American popular culture, using hard edges and distinct forms. Its British sibling, on the other hand, took a more academic approach, viewing American culture from a distance and employing irony and parody.

The Clash's breakthrough hit wasn't listed on ‘London Calling’

“Train in Vain” was a hit in the US, something that hadn’t yet happened for other first-wave punk acts. But the song was added to “London Calling” at the last minute, after the record jackets were already printed, making it one of the more popular “hidden tracks” in popular music.

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

Rock 'n' roll's history in 60 seconds.

In the late 1940s, rock 'n' roll emerged from a mix of blues, country, gospel, and jazz. It gained traction through radio, rebellious icons, and evolving sound. This overview traces the genre's roots, rise, and lasting influence—from early pioneers to the British Invasion and beyond.

Blur, Oasis, Pulp, and Suede are widely considered the four defining bands of the 1990s Britpop genre.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Marvin Gaye's soulful take on 'The Star-Spangled Banner' at the 1983 NBA All-Star Game turned the national anthem into a slow jam.

The electric microphone led to a country music boom

The electric microphone provided enhanced audio and greater portability, saving the fledgling record industry and making recording outside of New York and Camden, New Jersey, possible. This proved critical for capturing early country and rock ‘n’ roll.

As disco grew more popular, country star Dolly Parton experimented with the genre.

Watch James Brown perform several songs in 1964 during one of rock 'n' roll's most legendary sets.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Southern rap redefined the sound of hip-hop in the '90s

In the 1980s, most attention focused on New York, the birthplace of hip-hop, and Los Angeles, the epicenter of its burgeoning gangsta variant. By the mid-90s, though, artists like Outkast, Master P, and Missy Elliott shifted the focus to the south.

Explore a list of the 40 best obscure albums of the past 40 years, featuring lost classics from Talk Talk, King Sunny Ade, Linda Ronstadt, and more.

The news feature that broke grunge

The Sub Pop label paid for journalist Everett True, then writing for Melody Maker, to fly to the sleepy northwestern city to check out the scene, which was breeding a curious mix of punk rock and heavy metal. The gambit worked. "The most vibrant, kicking music scene encompassed in one city for at least 10 years," Everett wrote.

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Bruce Springsteen was initially so unhappy with his album 'Born to Run' that he threw it in a swimming pool.

Watch Diana Ross star in 'Lady Sings the Blues,' a biopic about Billie Holiday produced by Motown.

Prince pioneered what would come to be known as 'the Minneapolis Sound'

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach No. 1

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

Tour the iconic Sun Studio in Memphis, the studio responsible for hundreds of hours of American music history.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Minnelli collaborated with Pet Shop Boys on an album in the 1980s

Her 1989 album "Results" was a rare venture into contemporary pop. Produced by the British pop duo, the tracks are dark and synthy, infused with Minnelli's show-tune background. Music videos that resulted, like for the song "Losing My Mind," are also shot in a style reminiscent of the Pet Shop Boys. (Some readers may experience a paywall.)

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

Prince wrote numerous hits for other artists

Prince is renowned as a performer, but he's also one of the great American songwriters, having penned career-defining songs for acts like Sinead O'Connor ("Nothing Compares 2 U"), the Bangles ("Manic Monday"), and many others.

The Winstons' 'Amen, Brother' has the most famous break in music

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

A DJ helped popularize the term 'rock 'n' roll' to resell rhythm and blues to a broad audience.

Performance artist Laurie Anderson had an unexpected pop hit with 'O Superman'

Anderson was a working performance artist in New York through the 1970s and pressed a small run of the song—an idiosyncratic, vocoder-driven piece that sounded unlike anything on pop radio. Thanks to a push from influential British DJ John Peel, the song became an unexpected hit, propelling Anderson (and her art) into the mainstream.

Fifty backstage photos of musicians in the 1970s

Elton John, James Brown, Cher, Diana Ross, and many others all have famous photos seen multiple times on album covers, iconic images from events, and more. Rare is the unseen backstage photo of the greats, lounging or rocking out or, like Bo Diddley, frying up some chicken pre-show at the Garden. Peruse this incredible collection of candid shots of 1970s stars waiting in the wings to come on stage.

Bruce Springsteen's song 'Born to Run' took six months to record, with the singer-songwriter desperately trying to perfect it to save his career.

The surprising and strange sources behind 12 famous songs

Britney Spears's "Toxic" borrowed strings from a 1981 Bollywood film, Billie Eilish sampled The Office, and one duo made an entire album using only the sounds of their Whirlpool washing machine. Explore how sampling can pull from pretty much anywhere.

1984's 'Born in the USA' was a sensation, due in part to its music videos

The album was Springsteen's most pop-focused, with blaring synths and a pumping backbeat. It was a pop culture sensation, with five singles that reached the top 10, a massive arena tour, and several iconic music videos coinciding with MTV's rise. The record would eventually become one of the best-selling albums of all time.

Traditional bands largely disappeared from the Billboard charts in the 21st century, mostly replaced by solo artists.