Watch several Motown stars—including Stevie Wonder, Marvin Gaye, and the Supremes— perform at the Apollo Theater in 1962.

Elton John, James Brown, Cher, Diana Ross, and many others all have famous photos seen multiple times on album covers, iconic images from events, and more. Rare is the unseen backstage photo of the greats, lounging or rocking out or, like Bo Diddley, frying up some chicken pre-show at the Garden. Peruse this incredible collection of candid shots of 1970s stars waiting in the wings to come on stage.

The 1978 film, produced in part by Motown Productions, starred several popular stars: Diana Ross, Michael Jackson, Richard Pryor, Nipsey Russell and Lena Horne. The music—composed by Charlie Smalls and Luther Vandross, and overseen by Quincy Jones—mirrored songs from the 1939 film.

Hall began performing magic as a child and at 15 appeared on "Soul!," the first American late-night show hosted by a Black man (Ellis Haizlip). When Hall got his own show in 1989, he was always on the lookout for young talent. That eventually led him to a young Elvis impersonator from Hawaii who'd later go by Bruno Mars.

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

A live recording of the legendary funk band in 1967—shortly before their mainstream breakthrough—was found in 2002 by two of the band's unofficial archivists. However, the full recording, "The First Family: Live at Winchester Cathedral 1967," wasn't released until 2025.

The comic's act was based on a classic archetype: the fed-up mother who was going to tell it to you straight. She perfected her craft on the Chitlin Circuit, where she became a cultural icon in the Black community, and then had significant mainstream success starting in the 1960s.

Prince appeared on "The Midnight Special" on Jan. 11, 1980, and played two songs from his self-titled album, "I Wanna Be Your Lover" and "Why You Wanna Treat Me So Bad." It's a goofy, lip-synced performance, as was not uncommon for music on TV at the time, but the 21-year-old, clad in thigh-high boots and leopard print, made the most of the performance, offering a preview of the over-the-top persona he'd refine over the next few decades.

This two-part podcast traces the halftime show's evolution from early marching band performances to star-driven productions, beginning with Michael Jackson's 1993 performance, and explains how it became one of the most influential music stages of the year.

The Boss is as renowned for his songwriting as his live performances, especially those backed by the E Street Band. Check out some of the most significant cuts from his career on the road, including a legendary 1975 set from London's Hammersmith Odeon credited with breaking Springsteen on the world stage.

A big part of the Tony Awards ceremony is the selection of live performances from that year's nominated musicals. This Time Out list pulls together 35 of the best songs from over six decades of broadcasts, complete with videos of each. Catch the savannah-themed spectacle of 1998's "Circle of Life" from "The Lion King," the classic "Tomorrow" from "Annie," and many legendary Patti LuPone performances, among others.

This video features stories from people who attended the 1963 March on Washington—the largest demonstration in US history at the time—capturing what it felt like to witness a pivotal moment in the Civil Rights movement as it unfolded.

This resource includes photos and videos from each performance and has a top five, including Prince (2007), Madonna (2012), Beyoncé (2013), Dr. Dre & Snoop Dogg (2022), and the 2001 ensemble led by Aerosmith with NSYNC, Britney Spears, Mary J. Blige, and Nelly.

The 1957 CBS special, part of its series "The Seven Lively Arts," was a landmark broadcast that brought some of jazz's biggest names—including Holiday, Thelonious Monk, and Count Basie—to a national audience. Watch Holiday offer a stirring rendition of "Fine and Mellow" below.

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

Black musicians and comedians regularly toured the Chitlin Circuit, an informal entertainment network that developed performers like Tina Turner and Redd Foxx during the Jim Crow era.

In 1968, the 21-year-old Martin was a writer for the Smothers Brothers, who had a popular variety show. He appeared on “The Dating Game” as one of the bachelors, attempting to impress the twin sister of his childhood crush. (Spoiler: It worked.)

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

Called "The Ultimate Event," the three legendary singers joined for a rare concert tour in the late 1980s. The show was released as a TV special shortly before Davis died from cancer.

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.