Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

Brian Wilson said ‘Be My Baby’ is ‘the greatest record ever produced’

The legendary Beach Boy was shocked the first time he heard the Ronettes’ song. “I was driving and I had to pull over to the side of the road — it blew my mind.” He claims he spent his career trying in vain to do something as good. “It’s the greatest record ever produced. No one will ever top that one.”

The Ronettes’ ‘Be My Baby’ is a quintessential ‘wall of sound’ record

The 1963 single features one of the most recognizable drum beats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it’s a definitive example of both the classic girl group sound and Phil Spector’s ingenious ‘Wall of Sound.’

The American girl groups of the 1950s and '60s had a profound influence on the Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts, such as the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo. In the 1980s, 1990s, and 2000s, California pop-punk acts such as the Descendents, Green Day and Blink-182 continued the tradition.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts like the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

The 1960s Boston Celtics are among the NBA's best teams

The 1960s was a decade dominated by the Boston Celtics. They won nine championships in the decade and 11 titles in 13 seasons between 1957 and 1969, propelled by their coach and general manager "Red" Auerbach" and center Bill Russell.

Rock 'n' roll's history in 60 seconds

In the late 1940s, rock 'n' roll emerged from a mix of blues, country, gospel, and jazz. It gained traction through radio, rebellious icons, and evolving sound. This overview traces the genre’s roots, rise, and lasting influence—from early pioneers to the British Invasion and beyond.

Phil Spector’s Philles Records was home to several definitive girl group singles

The label, formed by Spector and Lester Sill, released most of Spector’s early “Wall of Sound” recordings, including the Crystals’ “Then He Kissed Me” and the Ronettes’ “Be My Baby.” This 1963 compilation, “Philles Records Presents Today’s Hits,” collects some of the label’s early hits.

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

Take a look at an early rock 'n' roll artifact

This 1956 jukebox musical, "Rock, Rock, Rock!," is an early example of the burgeoning rock 'n' roll culture—with performances from Chuck Berry, Frankie Lymon and the Teenagers, D.J. Alan Freed, and several others. It was also a catalyst, sending the new youth culture into theaters around the country.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

Listen to "Yesterday and Today," the 1966 Beatles album only released in the US.

The Beatles' 'Tomorrow Never Knows,' the final track from 1966's 'Revolver,' used innovative recording methods—including a rudimentary form of sampling—to redefine the sound of popular music.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Phil Spector’s ‘Wall of Sound’ revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

Hear the first classic girl group record: the Chantels’ ‘Maybe’

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

The Shaggs weren't good musicians, but they still made a classic

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

The classic girl group sound arrived with doo-wop

Doo-wop was a vocal-based pop music popular in the ‘50s that coincided with the rise of early rock ‘n’ roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

Watch a definitive girl group documentary

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

Listen to the 'Deep Six' compilation, one of the first collections of grunge

In the '80s, "grunge" was still not a widely used term, though there was a distinct sound coming from Seattle, one that blended punk and metal. C/Z Records decided to document the emerging sound in 1985 by releasing a compilation with six of the city's cutting-edge bands, including Green River, Melvins, and Soundgarden.

'Where Did Our Love Go?' was the first of 12 number-one singles for the Supremes

Motown brought more soul and R&B into the girl group formula with acts like the Marvelettes and Martha Reeves and the Vandellas. Its biggest success, though, was the Supremes, who scored their first hit in 1964 with “Where Did Our Love Go?” They would go on to be the most successful American group of all time.

James Brown was considered one of rock's greatest performers

"The T.A.M.I. Show" is a 1964 film featuring live performances from the biggest names in rock 'n' roll: Chuck Berry, the Beach Boys, and the Supremes. The most memorable performance from James Brown and his band the Famous Flames, is regarded as one of the greatest performances in pop music.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

Hear 2 jazz pianists analyze 'Getz/Gilberto'

The 1964 bossa nova classic won the Grammy for album of the year, a rare feat for a jazz record. According to jazz pianists Peter Martin and Adam Maness, that also makes it one of the last truly popular jazz albums. In this episode of their podcast "You'll Hear It," they break down the musicality of the songs in real time, offering technical insights into every quirk and nuance.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

The Six Gallery, and San Francisco at large, helped the Beats grow

The Six Gallery was located in the “Harlem of the West,” where jazz musicians, filmmakers, painters and poets experimented with no regard for commercial success. “If Ginsberg had broken new ground,” historian Rebecca Solnit writes, “the Six had made it possible to go public with it.”

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach number one

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

The surprising and strange sources behind 12 famous songs

Britney Spears's "Toxic" borrowed strings from a 1981 Bollywood film, Billie Eilish sampled The Office, and one duo made an entire album using only the sounds of their Whirlpool washing machine. Explore how sampling can pull from pretty much anywhere.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

The Beat Generation, explained

The Beat Generation challenged societal norms in the 1950s by embracing experimental writing and tackling taboo topics like drug use, spirituality, and nonconformity. Figures like Allen Ginsberg, Jack Kerouac, and Diane di Prima sparked a cultural movement that rejected traditional literary forms and explored the hidden struggles of American life.

'Getz/Gilberto' is considered bossa nova's peak

The 1964 album, featuring the American saxophonist Stan Getz and the Brazilian guitarist João Gilberto, along with accompaniment from Antônio Carlos Jobim, was a massive hit and won the Grammy for album of the year in 1965. In time, it'd become one of the bestselling jazz albums of all time.

Fearing the corruption of its youth, Santa Cruz, California, banned rock 'n' roll in 1956.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

The psychedelic playlist inspired by a Johns Hopkins experiment

Dating back to 1967, the playlist is over seven hours long and organized in such a manner as to echo users’ experiences as their trips rise, crest, and fall. According to the initial creator of the playlist, the music is a “nonverbal support system” that keeps users from prematurely returning to normal consciousness.

How the Vietnam War changed rock 'n' roll

This short video essay analyzes how rock music responded to US involvement in Vietnam, from the protest folk of Phil Ochs and Bob Dylan to the popularity of rock and soul records with soldiers stationed abroad.

Blues was a major influence on early rock

Early rock ‘n’ roll had a straightforward sound, relying mostly on guitar, bass, drums, piano, and saxophone playing up-tempo 12-bar blues. In subsequent decades, the form evolved and splintered into countless subgenres that used more diverse sounds, instruments, and lyrics.

Reader's Digest ranks the 100 best book of all time

Reader's Digest, first published in 1922 and ultimately becoming the most widely read periodical on the planet, created a list of the 100 best books of all time, compiling a list across genre, period, and form. The list includes classics,...

Maurice Williams and the Zodiacs' 'Stay' is the shortest song ever to hit No. 1

The single reached the top of Billboard's Hot 100 chart on November 21, 1960. At just 1:38, it's the shortest number one in Billboard's history. It also didn't last long at the top: It was replaced the following week by Elvis Presley's "Are You Lonesome Tonight?"

Keep track of how many of the '100 best films' you've seen

This list from the AFI, a nonprofit dedicated to the cinematic arts, ranks the 100 best films of the past 100 years. A jury of 1,500 film experts compiled the list and includes movies from nearly every genre. It’s also an interactive checklist, allowing you to keep track of how many of the films you’ve seen.

The legendary jazz beef of Miles Davis and Wynton Marsalis

Miles Davis might be the most recognizable name in jazz history, renowned for his landmark albums "Kind of Blue" and "Bitches Brew," and his unceasing artistic experimentation. By the 1980s, however, Davis was a pariah in jazz circles, causing him to set his sights on the poster child for the genre's purists: the much younger Wynton Marsalis. This overview of the rivalry by journalist James Kaplan details the origins—and the apex—of this now legendary beef.

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

The 100 best fantasy books

This is a comprehensive list of the genre’s most significant works, chosen by a panel of some of the genre’s leading writers, including NK Jemisin, Neil Gaiman, and George RR Martin. It runs the gamut, from “The Arabian Nights” to the present day and is sure to offer more than one new addition to your reading list.