Mel Brooks served as an uncredited producer on David Lynch's film 'The Elephant Man' because he didn't want people to assume it was a lighthearted comedy.

Mel Brooks got his start in comedy by accidentally flubbing a scene in a play and turning it into a fourth-wall-breaking joke, something that would later become a hallmark of his humor.

Check out a list of some of the best Mel Brooks films, from 'The Producers' and 'History of the World' to 'Spaceballs' and 'Robin Hood: Men in Tights.'

Mel Brooks became an EGOT winner in 2001, meaning he's been awarded an Emmy, a Grammy, an Oscar, and a Tony.

Mel Brooks got his first big break in 1950 as a writer on Sid Caesar's 'Your Show of Shows,' a pioneering TV variety show.

George Lucas gave Mel Brooks his blessing to release his 'Star Wars' parody 'Spaceballs,' though he had one condition: 'Spaceballs' could not sell merchandise.

What it means to call something 'Lynchian'

David Lynch was one of American cinema's most influential directors. He brought a singular, unsettling vision to the silver screen. Critics, however, have trouble pinning down what it means when other artists try to recreate that vision. This essay untangles his influence, tracing the word "Lynchian" back to its earliest utterances and attempting to define a notoriously slippery term.

Mel Brooks served in World War II, including a stint clearing landmines at the Battle of the Bulge.

Mel Brooks wanted Richard Pryor, then a relatively fresh stand-up comic, to star in 1974's 'Blazing Saddles,' but Warner Bros worried that he was not reliable enough for a leading role.

‘Twin Peaks’ was David Lynch’s ode to the soap opera

In the 1980s, David Lynch was primarily known as the director of art films like “Eraserhead” and “Blue Velvet.” But “Twin Peaks,” his primetime ABC show with writer Mark Frost, was a take on the soap opera, leaning into the genre’s tropes: stilted dialogue, affairs, missing person, and melodrama.

Jim Henson's 1986 film 'Labyrinth,' an attempt to break out of children's entertainment, was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

Hitchcock regularly made cameos in his own films

Long before Tarantino was born, Hitchcock was casting himself in his movies’ bit parts, allowing careful audience members to find the director walking through the fictional world he’d created. The history behind that decision was an accident.

Joaquin Phoenix's bizarre 2009 interview on Letterman was part of an elaborate performance

The actor appeared humorless and pouty in the late-night appearance. Host Dave Letterman seemed put off by his guest's behavior, but poked fun at him throughout the interview. Phoenix later returned and revealed he was playing a part in a mockumentary called "I’m Still Here," which satirized celebrity culture.

The FBI was thrilled with 'The Silence of the Lambs' and its portrayal of the agency

The film's ultimate purpose was to terrify, but the FBI made it clear that they appreciated the accurate, professional portrayals of its agents. "It never hurts to see the organization we all care about and know to be good well-depicted on the big screen," special agent Walter B. Stowe, Jr., wrote in a letter to director Jonathan Demme.

'Harold and Maude' became a cult classic thanks to a one-screen theater in Minnesota

The 1971 movie flopped when it was first released, due in no small part to its bleak comedy and taboo subject matter. It became a cult hit, though, after the Westgate Theater, outside Minneapolis, ran the film on its single screen for over two years.

Eddie Murphy saved ‘SNL’ from getting canceled in the early '80s

A young Eddie Murphy kept "Saturday Night Live" afloat during the years Lorne Michaels left the show by turning even the most pedestrian material into something revelatory. Eventually, he pursued a wildly successful acting and stand-up career.

Read a 1971 magazine feature on Lucas' debut film, the sci-fi 'THX 1138'

Almost a decade before the arrival of "Star Wars," George Lucas directed "THX 1138," a grim science fiction film about a dystopian future in the vein of George Orwell's "1984." This article from the October 1971 issue of American Cinematographer features a young George Lucas, who developed the film from a short he worked on while a student at the University of Southern California just a few years earlier.

A bootleg video of a 1966 conversation between Bob Dylan and John Lennon has long been a cryptic text for the artists' superfans.

'Barbenheimer' resulted in a historic box-office event

The cultural sensation that erupted when Christopher Nolan's "Oppenheimer" and Greta Gerwig's "Barbie" shared an opening night was something that no one could have predicted. "Barbenheimer," as the pairing was called, became a semiserious litmus test for relationships: Who wanted to see which film, and in what order? The viral moment led to box-office gold for both movies, as well as a few Oscars.

Loving bad art isn't always about mockery

Dr. John Dyck, an assistant professor of philosophy at Mississippi State, says admirers of "so good they're bad" works like "The Room" do not do so ironically. "They love it as a gorgeous freak accident of nature, something that turned out beautifully—not despite, but because of the failure of its creators."

'Moby-Dick' was inspired by a real whale named Mocha Dick

A story in an 1839 issue of the Knickerbocker magazine detailed an encounter with Mocha Dick, named after his color and the generic name used at the time for whales. Melville read the account before starting his famous novel.

Sartre wrote an 8-hour screenplay for a Freud biopic

Sartre was hired to write the screenplay for what would eventually become John Huston's 1962 film "Freud: The Secret Passion," about the life of the psychoanalyst. Sartre, however, had trouble sticking to the parameters of Hollywood. An early draft was estimated to be five hours long. Rather than shortening it, as Huston suggested, Sartre extended it to eight hours and was eventually removed from the production.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O’Connor secured a publisher for “Wise Blood,” her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O’Connor biographer Brad Gooch elaborates on that advice.

'The Wiz' reimagined Baum's story for Black America

The 1978 film, produced in part by Motown Productions, starred several popular stars: Diana Ross, Michael Jackson, Richard Pryor, Nipsey Russell and Lena Horne. The music—composed by Charlie Smalls and Luther Vandross, and overseen by Quincy Jones—mirrored songs from the 1939 film.

Ralph Waldo Emerson celebrated Walt Whitman, then regretted it

Emerson famously praised the first edition of Whitman’s “Leaves of Grass,” which Whitman used to promote the collection. In doing so, Whitman effectively created the modern book blurb, though he did so without Emerson’s permission, leading to a prolonged, passive beef between the two.

Charlie Chaplin's 'Modern Times' blended slapstick and satire

The 1936 film thrust Chaplin's iconic Little Tramp character into the Industrial Revolution, satirizing how mass production was dehumanizing individuals. The movie was not only a hit, but it was also the product of a burgeoning Hollywood: Chaplin had founded his own company (United Artists) in 1919.

Liza Minnelli did all her own stunts on the cult sitcom 'Arrested Development'

Minnelli played the character of Lucille Austero, a frenemy to the show's matriarch, Lucille Bluth. Her character often fell from the sensation, and in this interview, Minnelli shares that she performed these stunts herself, thanks to tips she picked up from stuntmen in Hollywood as a child.

A collection of Prince's hilarious encounters with comedians

Charlie Murphy's story about Prince on "Chappelle's Show" became an oft-quoted touchstone in the 2000s, but it's not the only funny story a comedian has about the Purple One. This article collects some of the best from Conan O'Brien, David Alan Grier, and, yes, Charlie Murphy.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

Whitman's words have appeared in numerous shows and movies

Whitman's poems have had significant screen time in movies like “Dead Poets Society” and television shows like “Breaking Bad.”

Why Christopher Walken is so eccentric

Cultural icon and actor Christopher Walken has attained a unique status in Hollywood as a beloved eccentric, inspiring countless hilarious stories. This quick write-up dives into some of the elements that mixed to form his unusual personality and style, from growing up around immigrants to his embrace of improvisation.

The poem behind 'Strange Fruit'

"Bitter Fruit" was written by Abel Meeropol, a teacher, under the pseudonym Lewis Allen, after seeing a photograph of a lynching. Eventually, he set the words to music, and the song was then performed by his wife and other singers. In 1938, he played it for Holiday, who began performing it at the New York's Cafe Society. (Some users may experience a paywall.)

Jon Landau reviewed a Springsteen show, then became his manager

Jon Landau reviewed a Springsteen show, then became his managerJon Landau, a writer for a Boston newspaper, saw Springsteen and his recently-named E Street Band perform in 1974 and wrote, "I saw rock and roll future, and its name is Bruce Springsteen." He would go on to coproduce "Born to Run" and work as Springsteen's manager for decades.

Gary Panter's punk art defined the '70s and '80s counterculture

The artist got his start providing fliers and logos for early Los Angeles punk bands, but later took his psychedelic, Pop Art-vision to designing on "Pee-Wee's Playhouse," for which he won three Emmy Awards.

'Waiting for Godot' was inspired by a Friedrich painting

Samuel Beckett was an admirer of art and, while touring German art galleries in 1937, saw Caspar David Friedrich’s Two Men Contemplating the Moon. A directorial notebook for the original production of “Waiting for Godot” notes that the end of the play’s first act was inspired by the 19th-century work.

Stephen King's basement inspired a Ramones classic

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

Rob Reiner fell in love while working on the romantic comedy 'When Harry Met Sally'

The director was divorced when he began shooting the movie, which was loosely based on his own experiences dating. He was introduced to his eventual wife, Michele Singer, by a cameraman on the production, who told Reiner that he and Singer would wind up married.

Mark Zuckerberg and Jesse Eisenberg met during Eisenberg's 'Saturday Night Live' monologue

When Jesse Eisenberg hosted "SNL" in 2011 ahead of an Academy Awards appearance for his portrayal of Zuckerberg in "The Social Network," Zuckerberg actually came on stage. That was the first time the two met, and many viewers said the interaction was awkward. Eisenberg tried to meet Zuckerberg before filming "The Social Network," but his producers told him he couldn't for legal reasons.

The biopic 'Deliver Me From Nowhere' was inspired by a podcast episode

The film’s producers were inspired to pursue the project after hearing an episode of Marc Maron’s “WTF” podcast with Warren Haynes, who wrote the book the film was based on.

Warren Buffett once referred to David Ogilvy as a genius

Buffett also owned stock in Ogilvy & Mather, David Ogilvy's advertising agency. This podcast episode dives into an overview of one of Ogilvy's best-selling books, "Confessions of an Advertising Man," which he wrote in part to grow his agency business.

Six body doubles explain the hidden labor behind Hollywood's seamless performances

When actors faces are out of view in a film, it's likely you're seeing a body double. Six such actors describe their experiences: as a curvier set of legs in "Pretty Woman," Michael B. Jordan's double in "Sinners," Hermione when her face is out of view (to abide by child labor laws), pianist hands, and more. A rich behind-the-scenes look.

Pixar relies on a 'brain trust,' a candid group of the company's minds that works collectively to shepherd creative productions.

The theory behind Dalí's 'Un Chien Andalou'

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

A theory about Pink Floyd and 'The Wizard of Oz' was popularized by a 19-year-old

Pink Floyd’s seminal album “Dark Side of the Moon” eerily synchronizes with “The Wizard of Oz,” offering a psychedelic soundtrack for the movie. Journalist Charlie Savage popularized the phenomenon when he was 19. He’d go on to write for the Boston Globe and New York Times winning a Pulitzer Prize.

‘Shoah’ director criticized ‘Schindler’s List’ for its portrayal of the Holocaust

“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”

Why one theater critic believed Chalamet was wrong about opera

Actor Timothée Chalamet's comments that "no one cares" about ballet and opera led to a number of responses from people in the theater world, including critic Marianka Swain, who argued that Chalamet's statement was a predictable yet tone-deaf Hollywood evaluation of art forms that exist outside of the celebrity-centered industry.

Actors on 'All the President's Men' immersed themselves in real-world reporting

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

Pixar's first animated film was 1986's short 'Luxo Jr,' featuring characters still used by the studio today.

Georges Méliès directed what many consider the first science fiction film

The French director was behind 1897's "Gugusse and the Automaton," a silent film that scholars believe features the first appearance of a robot in cinema and one of the earliest films to feature scientific experimentation.

The story of serial killer Ed Gein who inspired pop culture

The creators of antagonists from "Silence of the Lambs" and "Texas Chainsaw Massacre" took notes from this horrifying Wisconsinite's story, known for body-snatching and creating keepsakes from corpses.

Lenny Bruce was arrested for obscenity seven times

The first was in 1961, after performing at the Jazz Workshop in San Francisco. Subsequent arrests were in Los Angeles, Chicago, and New York. He died of a morphine overdose in 1966, a year and a half after being found guilty of his New York charge.