Hitchcock's career began shortly after World War I

Nearly 60 years after beginning in the silent film era in 1919, Hitchcock produced his last film, "Family Plot," in 1976. Over his decades-long career, Hitchcock brought a literary sensibility to previously maligned genres like thrillers and innovated numerous camera techniques.

Alfred Hitchcock's work continues to influence movie directors today

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

How Alfred Hitchcock changed cinema

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

Hitchcock struggled to make movies at his peak in the 1960s

Despite being at his peak, iconic director Alfred Hitchcock had many unrealized movie projects in the 1960s. The reasons are manifold, including difficulties with casting, budget limits, and controversies around project themes. This podcast breaks down the mysterious hurdles the director faced.

Hitchcock uses recurring images, themes, and tropes in his films

Movie nerds Adam Frost and Zhenia Vasiliev break down eight of the director’s “trademark obsessions,” including his penchant for killing blonde leading ladies, the way mothers are portrayed, and the various ways characters are killed.

10 films that influenced Alfred Hitchcock

Hitchcock influenced generations of filmmakers who came after him, but this article focuses on the films that influenced the master himself. Among the titles on the list are Lyman Howe’s “A Ride on a Runaway Train,” which allegedly inspired the sexually charged ending of “North by Northwest,” and Henri-Georges Clouzot’s “Les Diaboliques,” which many people believe is responsible for the pivotal shower scene from “Psycho.”

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

A number of Hitchcock's most celebrated films are based on novels

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.

Hitchcock believed film editing was a form of mosaic

In this interview, Hitchcock explains why he doesn't like the term "cutting" because it implies "severing something." Instead, he believes cuts in film allow for a fuller picture and uses the famous shower scene from 1960's "Psycho," which he says uses over 78 different cuts, as an example.

Spielberg was inspired by Hitchcock, Kubrick, and other visionary directors

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

Famed director Brian De Palma idolizes 'Vertigo'

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

'Alfred Hitchcock and the Three Investigators' featured 'Hitch' as a character

The young adult detective novels, which ran from 1964 to 1987, prominently featured Hitchcock's name on their covers and included introductions supposedly written by the author. Hitchcock was also a character in the books, working with the young detectives. His name was removed after the 30th book was released.

Alfred Hitchcock influenced the way Spielberg shot 'Jaws'

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

Hitchcock created his own archetype with the 'Hitchcock Blonde'

The most iconic Hitchcock Blondes from the director’s catalog include Kim Novak, Ingrid Bergman, and Grace Kelly. The roles they played contributed to the gothic and foreboding aesthetics that have come to be associated with Hitchcock’s work.

Hitchcock's 'Psycho' broke many established rules in film

Hitchcock flouted convention for “Psycho,” which many consider his masterwork. Hitchcock broke new ground with the 1960 film, with risqué imagery and shocking twists. The film was the most commercially successful in his long and illustrious career.

Alfred Hitchcock influenced modern horror director Jordan Peele

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

Alfred Hitchcock influenced thriller filmmaker M. Night Shyamalan

There may be no more obvious heir to Alfred Hitchcock’s throne than M. Night Shyamalan, the director known for suspenseful films like “The Sixth Sense,” “Signs,” and “The Village.” It should come as no surprise that Shyamalan says he’s a big fan of “the Master of Suspense,” going so far as to cite Hitchcock’s “Rebecca” as a major influence, one he called “epic and haunting.”

Alma Reville was Alfred Hitchcock's wife, but she was also a screenwriter, consultant, and secret weapon for the Master of Suspense.

Hitchcock's TV show emphasized the director's playful yet suspenseful tone

"Alfred Hitchcock Presents" was a television series that aired from 1955 to 1965, offering viewers weekly bites of the director's unnerving storytelling. Hitchcock acted as host, framing the short films with his haunting voice and gothic language.

A Hitchcock film has been adapted for a new demographic: smartphone users

Hitchcock's "The Lodger," a silent film from 1927, has been adapted for Tattle TV, a video app featuring "vertical microdramas" aimed at smartphone users looking for bite-sized stories.

Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

Memorabilia from Hitchcock's career is archived and known as the 'Alfred Hitchcock Papers'

The Alfred Hitchcock Papers are part of the Academy of Motion Picture Arts and Sciences Academy Collection, the world’s largest film-related archive. The collection consists of more than 52 million items, including photographs, posters, screenplays, costumes, props, and the films themselves.

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Watch Alfred Hitchcock's 1940 film noir, 'Rebecca'

"Rebecca" was Hitchcock's first American film and is the only Hitchcock film to win the Academy Award for best picture. The story, based on a 1938 novel by Daphne du Maurier, is about a widower (played by acting legend Laurence Olivier) and the haunting direction his life takes in her wake.

The inaugural Cannes Film Festival featured legendary directors

The festival’s first year was 1946. It featured 11 films from some of the world’s best filmmakers, including Jean Cocteau, Alfred Hitchcock, George Sydney, and Billy Wilder.

'Rear Window' was based on a short story by Cornell Woolrich

Hitchcock's 1954 film, which many consider among the director's greatest, was based on Woolrich's 1942 short story "It Had to Be Murder." The story is characteristic of his dark, claustrophobic work.

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

Spielberg wrote ‘Poltergeist,’ and some say he directed it, too

Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.

An ‘auteur’ is another name for the chief creative mind of a film

“Auteur” is French for author. In film studies, the word refers to a film director who is considered the principal creative mind, or author, behind a film. Directors like Alfred Hitchcock, Akira Kurosawa, Steven Spielberg, and Greta Gerwig are often considered auteurs.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

A blend of brilliance and humor made Stephen Hawking's cameos unforgettable

Throughout his life, he appeared in numerous pop culture moments—from "The Simpsons" to "The Big Bang Theory"—showing his talent for comedy and his love of science outreach. He was the only person to play himself on "Star Trek: The Next Generation," even writing some of his own lines.

Why Christopher Walken is so eccentric

Cultural icon and actor Christopher Walken has attained a unique status in Hollywood as a beloved eccentric, inspiring countless hilarious stories. This quick write-up dives into some of the elements that mixed to form his unusual personality and style, from growing up around immigrants to his embrace of improvisation.

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

The art of miniature sets in Hollywood

Many films utilize meticulously designed miniature sets to produce scenes that would otherwise be too big to film. While artsy filmmaker Wes Anderson is well-known for reviving this technique in an idiosyncratic style, more mainstream films like "Star Wars" and "Inception" rely heavily on small-scale sets filmed in such a way as to make them appear normal-sized. This nine-minute video breaks down how it all works.

The first horror movie is believed to be George Méliès' 1896 short 'The Haunted Castle,' which pioneered special effects.

Many of Spielberg's films were inspired by childhood experiences

Steven Spielberg was inspired to make “Saving Private Ryan” after seeing the toll war took on his father’s generation. Similarly, he felt called to direct “Schindler’s List” by the Holocaust survivors he met when he was only three years old.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.