Spielberg was inspired by Hitchcock, Kubrick, and other visionary directors

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

How Spielberg changed film

Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.

How Alfred Hitchcock changed cinema

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

'Jaws' creators regret making sharks the monsters

Both Peter Benchley, the author of the original 1974 novel, and Steven Spielberg, the director of the blockbuster film based on it, acknowledge that the film's popularity has led to the stigmatization of the mostly harmless creatures.

Shooting 'Jaws,' Spielberg went over budget and schedule

The shark flick was plagued with technical issues—many of them due to shooting on the open ocean—causing the director to go over budget by more than $4M. Shooting the film took much longer than anticipated, stretching more than 100 days past the anticipated end date.

What is 'Spielberg Face'?

Spielberg's career is filled with a consistent technique: zooming in on a significant character's face as they process some essential element of the story. One of the most famous is from "Jaws," when Brody first witnesses the shark.

Alfred Hitchcock's work continues to influence movie directors today

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

Alfred Hitchcock influenced modern horror director Jordan Peele

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

Alfred Hitchcock influenced thriller filmmaker M. Night Shyamalan

There may be no more obvious heir to Alfred Hitchcock’s throne than M. Night Shyamalan, the director known for suspenseful films like “The Sixth Sense,” “Signs,” and “The Village.” It should come as no surprise that Shyamalan says he’s a big fan of “the Master of Suspense,” going so far as to cite Hitchcock’s “Rebecca” as a major influence, one he called “epic and haunting.”

10 films that influenced Alfred Hitchcock

Hitchcock influenced generations of filmmakers who came after him, but this article focuses on the films that influenced the master himself. Among the titles on the list are Lyman Howe’s “A Ride on a Runaway Train,” which allegedly inspired the sexually charged ending of “North by Northwest,” and Henri-Georges Clouzot’s “Les Diaboliques,” which many people believe is responsible for the pivotal shower scene from “Psycho.”

The best Steven Spielberg movies

Spielberg's impact on Hollywood is massive—so is his filmography. This list from the Guardian ranks every one of his film's from the forgettable, like "Indiana Jones and the Kingdom of the Crystal Skull" and "Always," to his essential flicks, including the science-fiction classic "Close Encounters of the Third Kind" and the first modern blockbuster, "Jaws."

Many of Spielberg's films were inspired by childhood experiences

Steven Spielberg was inspired to make “Saving Private Ryan” after seeing the toll war took on his father’s generation. Similarly, he felt called to direct “Schindler’s List” by the Holocaust survivors he met when he was only three years old.

The animatronic shark from 'Jaws' was a complex machine called 'Bruce.'

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Hitchcock regularly made cameos in his own films

Long before Tarantino was born, Hitchcock was casting himself in his movies’ bit parts, allowing careful audience members to find the director walking through the fictional world he’d created. The history behind that decision was an accident.

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

Hitchcock's 'Psycho' broke many established rules in film

Hitchcock flouted convention for “Psycho,” which many consider his masterwork. Hitchcock broke new ground with the 1960 film, with risqué imagery and shocking twists. The film was the most commercially successful in his long and illustrious career.

Famed director Brian De Palma idolizes 'Vertigo'

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

Spielberg wrote ‘Poltergeist,’ and some say he directed it, too

Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.

Ray Bradbury said Steven Spielberg was 'one of the most incredible young talents that's ever come into the world.'

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

Hitchcock believed film editing was a form of mosaic

In this interview, Hitchcock explains why he doesn't like the term "cutting" because it implies "severing something." Instead, he believes cuts in film allow for a fuller picture and uses the famous shower scene from 1960's "Psycho," which he says uses over 78 different cuts, as an example.

A young Spielberg was changed by DeMille’s ‘The Greatest Show on Earth’

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

Hitchcock uses recurring images, themes, and tropes in his films

Movie nerds Adam Frost and Zhenia Vasiliev break down eight of the director’s “trademark obsessions,” including his penchant for killing blonde leading ladies, the way mothers are portrayed, and the various ways characters are killed.

Spielberg worked on ‘Schindler’s List’ and ‘Jurassic Park’ at the same time

Seemingly polar opposites, two of Steven Spielberg’s most popular movies were created in the same time period. Spielberg would shoot “Schindler’s List” during the day, then work on special-effects editing for “Jurassic Park” at night. The movies won a combined 10 Oscars at the 1994 Academy Awards.

'Shark Week' began as a late-summer programming block dedicated to shark conservation and dispelling myths perpetuated by popular media like Steven Spielberg's 'Jaws', but over time, it began incorporating more sensationalized content.

Hitchcock struggled to make movies at his peak in the 1960s

Despite being at his peak, iconic director Alfred Hitchcock had many unrealized movie projects in the 1960s. The reasons are manifold, including difficulties with casting, budget limits, and controversies around project themes. This podcast breaks down the mysterious hurdles the director faced.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

‘Shoah’ director criticized ‘Schindler’s List’ for its portrayal of the Holocaust

“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

Spielberg improvised most of the iconic D-Day scene from 'Saving Private Ryan'

Although action sequences are often tightly choreographed, one of cinema's most famous war scenes was mostly shot on the fly. Spielberg wrote seven pages (or approximately seven minutes of screen time) for the scene, though the final cut of the sequence was 25 minutes long.

‘Jaws’ was the first modern blockbuster

“Jaws” earned $70M in its first month and eventually grossed $476M worldwide, breaking box office records. It would be surpassed two years later by another legendary blockbuster: “Star Wars.”

John Williams has scored 29 of Spielberg’s films

A significant part of Spielberg’s style is how music is used. The overwhelming majority of that music is composed by John Williams. The duo first collaborated on 1974’s “The Sugarland Express.”

Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

A number of Hitchcock's most celebrated films are based on novels

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.