Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

Made in 1929, the silent short film "Un Chien Andalou" ("An Andalusian Dog") marked Dalí's entrance into the surrealist movement. Dreamy and disturbing, the film projects images like a hand covered in ants and a razor slicing an eye, and follows no obvious structure. Watch it here.

Sigmund Freud's writings on dreams and the unconscious profoundly influenced Dalí and his work, and the artist came to idolize the Austrian psychoanalyst. When they met, Freud viewed Dalí as an odd curiosity, and the artist came away disappointed, significantly lowering his opinion of the psychoanalyst.

Salvador Dalí wasn’t just a famous surrealist painter, he was a master of spectacle. Known for leaving restaurant sketches as payment and believing he was his late brother’s reincarnation, Dalí blurred the line between art and persona. He even collaborated with Walt Disney on an experimental short, shelved for decades before its 2003 release.

Salvador Dalí reshaped modern art with surrealism, symbolism, and eccentricity. This snapshot covers his rise from Spanish prodigy to global icon, his Surrealist break, and his fascination with dreams and celebrity.

When it debuted in New York in 1932, "The Persistence of Memory" captured international audiences with its absurd, dream-like reflection on time. In his later works, Dalí's work evolved and became more of a self-parody. This video breaks down the great Spanish artist's works.

Salvador Dalí is known for his modernist paintings, but his surreal aesthetic has lived on long after his passing, with elements of his art making their way into fashion, film, and interior decorating. This incisive Artnet explainer unpacks the elements that make up Dalí's larger artistic vision and highlights the ways they still appear throughout popular culture.

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

In 1958, Salvador Dalí spoke in a TV interview with legendary journalist Mike Wallace about genius, the subconscious, weakness, old age, luxury, religion, and dreams, among a range of other topics. During this candid conversation, Dalí challenged American audiences to consider death and mortality. Watch the discussion here.

The movement's artists were interested in the ideas being explored in the burgeoning fields of psychology and psychoanalysis. Dalí, in particular, often created works that toyed with Freudian theories.

The most iconic Hitchcock Blondes from the director’s catalog include Kim Novak, Ingrid Bergman, and Grace Kelly. The roles they played contributed to the gothic and foreboding aesthetics that have come to be associated with Hitchcock’s work.

Dalí was known to dabble in the world of fashion and formed a bond with the bold Italian designer Elsa Schiaparelli. Their collaborations birthed iconic designs like a bureau-drawer suit and a lobster dress.

In this interview, Hitchcock explains why he doesn't like the term "cutting" because it implies "severing something." Instead, he believes cuts in film allow for a fuller picture and uses the famous shower scene from 1960's "Psycho," which he says uses over 78 different cuts, as an example.

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Long before Tarantino was born, Hitchcock was casting himself in his movies’ bit parts, allowing careful audience members to find the director walking through the fictional world he’d created. The history behind that decision was an accident.

Dalí had a fascination with Adolf Hitler and was also a fan of Spanish dictator Francisco Franco. It's unclear how serious Dalí was about it; regardless, his admiration for authoritarians got him expelled by the antiwar and progressive surrealists.

Dalí's parents found the miracle of his birth nine months after his brother died to be profound, telling him he was his brother's reincarnation. Dalí carried this belief into his adult life and often cited its deep influence on him, including his preoccupation with death and mortality.

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

Despite being at his peak, iconic director Alfred Hitchcock had many unrealized movie projects in the 1960s. The reasons are manifold, including difficulties with casting, budget limits, and controversies around project themes. This podcast breaks down the mysterious hurdles the director faced.

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques.

The Persistence of Memory was painted on a canvas roughly the size of a sheet of paper, depicting a desolate landscape with melting clocks, ants, and a distorted figure. The piece incorporates Freud and Einstein's ideas, resulting in a haunting composition symbolizing time's fluidity and Dalí's personal anxieties.

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

Movie nerds Adam Frost and Zhenia Vasiliev break down eight of the director’s “trademark obsessions,” including his penchant for killing blonde leading ladies, the way mothers are portrayed, and the various ways characters are killed.

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

In the late 1930s, Chanel hosted the eccentric artist to like and work in her home. Despite their differing styles, the two icons collaborated, and Chanel even inspired Dalí to mimic her perfume in his artwork.

Hitchcock influenced generations of filmmakers who came after him, but this article focuses on the films that influenced the master himself. Among the titles on the list are Lyman Howe’s “A Ride on a Runaway Train,” which allegedly inspired the sexually charged ending of “North by Northwest,” and Henri-Georges Clouzot’s “Les Diaboliques,” which many people believe is responsible for the pivotal shower scene from “Psycho.”

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

Dalí pursued commercial work throughout his career. In 1948, Hallmark released a set of Christmas cards designed by the artist. A decade later, he created images for additional holidays, including Valentine's Day, Easter, and Mother's Day.

Nearly 60 years after beginning in the silent film era in 1919, Hitchcock produced his last film, "Family Plot," in 1976. Over his decades-long career, Hitchcock brought a literary sensibility to previously maligned genres like thrillers and innovated numerous camera techniques.

"Alfred Hitchcock Presents" was a television series that aired from 1955 to 1965, offering viewers weekly bites of the director's unnerving storytelling. Hitchcock acted as host, framing the short films with his haunting voice and gothic language.

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

Hitchcock flouted convention for “Psycho,” which many consider his masterwork. Hitchcock broke new ground with the 1960 film, with risqué imagery and shocking twists. The film was the most commercially successful in his long and illustrious career.

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

The Museum of Modern Art in New York City hosts some of Dalí's most recognizable works, including "The Persistence of Memory," pictured below, and its famous melting clocks. MoMA acquired the painting in 1934, after it became a sensation in 1932.

A quirky story often told about Salvador Dalí claims that in 1969, Yoko Ono offered him $10,000 for one of his famous mustache hairs. Allegedly wary of occult intentions, Dalí instead sent her a blade of grass. While the tale is debated, it fits neatly into Dalí's eccentric public image and his later-life reputation for turning playful stunts into profitable moments.

Years after Dalí’s death in 1989, fortune teller Pilar Abel filed a suit claiming she was the child of an affair Dalí had with her mother. In 2017, Dalí’s body was exhumed for testing. Dalí was not the father, but the artist’s mustache remained intact decades after his passing.

Punk poet John Cooper Clarke and art historian Professor Dawn Ades explore Dalí's enthralling life and decipher whether he was an artistic genius, a marketing genius, or both. Listen to the full podcast here.

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.

There may be no more obvious heir to Alfred Hitchcock’s throne than M. Night Shyamalan, the director known for suspenseful films like “The Sixth Sense,” “Signs,” and “The Village.” It should come as no surprise that Shyamalan says he’s a big fan of “the Master of Suspense,” going so far as to cite Hitchcock’s “Rebecca” as a major influence, one he called “epic and haunting.”