Watch Salvador Dalí's surreal appearance on 'The Dick Cavett Show,' in which he brings out an anteater on a leash.

Known for his adept and weird public relations stunts, Dalí kept exotic pets, such as an ocelot named Babou, as well as anteaters. The insectivorous mammal accompanied him on walks (though it may have just been for a photo op) and on talk show appearances.

In 1958, Salvador Dalí spoke in a TV interview with legendary journalist Mike Wallace about genius, the subconscious, weakness, old age, luxury, religion, and dreams, among a range of other topics. During this candid conversation, Dalí challenged American audiences to consider death and mortality. Watch the discussion here.

Salvador Dalí wasn’t just a famous surrealist painter, he was a master of spectacle. Known for leaving restaurant sketches as payment and believing he was his late brother’s reincarnation, Dalí blurred the line between art and persona. He even collaborated with Walt Disney on an experimental short, shelved for decades before its 2003 release.

Made in 1929, the silent short film "Un Chien Andalou" ("An Andalusian Dog") marked Dalí's entrance into the surrealist movement. Dreamy and disturbing, the film projects images like a hand covered in ants and a razor slicing an eye, and follows no obvious structure. Watch it here.

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

Salvador Dalí reshaped modern art with surrealism, symbolism, and eccentricity. This snapshot covers his rise from Spanish prodigy to global icon, his Surrealist break, and his fascination with dreams and celebrity.

A quirky story often told about Salvador Dalí claims that in 1969, Yoko Ono offered him $10,000 for one of his famous mustache hairs. Allegedly wary of occult intentions, Dalí instead sent her a blade of grass. While the tale is debated, it fits neatly into Dalí's eccentric public image and his later-life reputation for turning playful stunts into profitable moments.

When it debuted in New York in 1932, "The Persistence of Memory" captured international audiences with its absurd, dream-like reflection on time. In his later works, Dalí's work evolved and became more of a self-parody. This video breaks down the great Spanish artist's works.

Writer George Orwell took offense at the disturbing actions described in Dalí's salacious autobiography "The Secret Life of Salvador Dalí." In a 1944 essay, Orwell described the cruelty and moral degradation of Dalí—while also admitting the artist's undeniable talent.

Salvador Dalí is known for his modernist paintings, but his surreal aesthetic has lived on long after his passing, with elements of his art making their way into fashion, film, and interior decorating. This incisive Artnet explainer unpacks the elements that make up Dalí's larger artistic vision and highlights the ways they still appear throughout popular culture.

Dalí was known to dabble in the world of fashion and formed a bond with the bold Italian designer Elsa Schiaparelli. Their collaborations birthed iconic designs like a bureau-drawer suit and a lobster dress.

Dalí often drew on the back of restaurant checks as a form of payment to avoid spending actual cash. He even ripped off his friend, Yoko Ono. Ono reportedly asked for a strand of his mustache. Dalí feared occult activity and sent a blade of grass, receiving $10,000 for it.

In the late 1930s, Chanel hosted the eccentric artist to like and work in her home. Despite their differing styles, the two icons collaborated, and Chanel even inspired Dalí to mimic her perfume in his artwork.

Years after Dalí’s death in 1989, fortune teller Pilar Abel filed a suit claiming she was the child of an affair Dalí had with her mother. In 2017, Dalí’s body was exhumed for testing. Dalí was not the father, but the artist’s mustache remained intact decades after his passing.

Dalí had a fascination with Adolf Hitler and was also a fan of Spanish dictator Francisco Franco. It's unclear how serious Dalí was about it; regardless, his admiration for authoritarians got him expelled by the antiwar and progressive surrealists.

Sigmund Freud's writings on dreams and the unconscious profoundly influenced Dalí and his work, and the artist came to idolize the Austrian psychoanalyst. When they met, Freud viewed Dalí as an odd curiosity, and the artist came away disappointed, significantly lowering his opinion of the psychoanalyst.

The Museum of Modern Art in New York City hosts some of Dalí's most recognizable works, including "The Persistence of Memory," pictured below, and its famous melting clocks. MoMA acquired the painting in 1934, after it became a sensation in 1932.

Production for "Destino," a surreal short by Salvador Dalí and Walt Disney, began in 1945 but stalled when the Walt Disney Company ran into financial trouble due to the commercial failure of "Fantasia" and the economic downturn of World War II. It was finally released in 2003, after Disney animators completed it based on Dalí's original storyboards.

Dalí left a complicated legacy, including controversies around his reported sympathy for fascists, abuse, and even necrophilia. Further, Dalí lost respect from people within the art world for being a sellout. His 1989 obituary captures the public ambivalence felt toward the surrealist superstar.

The movement's artists were interested in the ideas being explored in the burgeoning fields of psychology and psychoanalysis. Dalí, in particular, often created works that toyed with Freudian theories.

Punk poet John Cooper Clarke and art historian Professor Dawn Ades explore Dalí's enthralling life and decipher whether he was an artistic genius, a marketing genius, or both. Listen to the full podcast here.

David Sedaris may be known for his writing now, but when he was in college, he thought his future was in the art world. Specifically, the performance art world. In this episode of NPR’s This American Life, Sedaris shares a selection of moments from his career as an artist, each more embarrassing than the last. The kicker? Being heckled from the audience—by his own father.

Dalí's parents found the miracle of his birth nine months after his brother died to be profound, telling him he was his brother's reincarnation. Dalí carried this belief into his adult life and often cited its deep influence on him, including his preoccupation with death and mortality.

The actor appeared humorless and pouty in the late-night appearance. Host Dave Letterman seemed put off by his guest's behavior, but poked fun at him throughout the interview. Phoenix later returned and revealed he was playing a part in a mockumentary called "I’m Still Here," which satirized celebrity culture.

Dalí pursued commercial work throughout his career. In 1948, Hallmark released a set of Christmas cards designed by the artist. A decade later, he created images for additional holidays, including Valentine's Day, Easter, and Mother's Day.

If you wandered into one of Andy Warhol’s "Exploding Plastic Inevitable" events in the 1960s, you might have encountered a Velvet Underground performance, go-go dancers, strobe lights, guerrilla filmmakers asking very personal questions, and mimes. Warhol was on the cutting edge of many art forms, and performance art was no exception.

"Vecchio Sultano," a 1966 work by Salvador Dalí, was sold in a house clearance sale in the UK in 2023.

The ubiquitous lollipop design actually comes from the mind of Salvador Dalí. Dalí had no problem creating commercial work for the right price and agreed to create the eye-catching logo. Dalí's skill for attracting attention explains why the logo is placed on top rather than the side.

The exhibit at the Museum of Modern Art invited visitors to sit in silence in the company of a master performer. Many shed tears or gestured affectionately, claiming to have felt a profound connection with Abramović. (This resource contains some artistic nudity.)

In early 20th-century Zurich, one nightclub was the epicenter of avant-garde art and performance: Cabaret Voltaire. Night after night, crowds of artists, writers, philosophers, and others would gather to watch—or participate in—wild, unrehearsed performances that could include anything from sound poems to traditional folk dance. The atmosphere at Club Voltaire was the ideal breeding ground for outside art movements, and it is thought to be the birthplace of Dada, a precursor to performance art.

Hall began performing magic as a child and at 15 appeared on "Soul!," the first American late-night show hosted by a Black man (Ellis Haizlip). When Hall got his own show in 1989, he was always on the lookout for young talent. That eventually led him to a young Elvis impersonator from Hawaii who'd later go by Bruno Mars.

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

The Persistence of Memory was painted on a canvas roughly the size of a sheet of paper, depicting a desolate landscape with melting clocks, ants, and a distorted figure. The piece incorporates Freud and Einstein's ideas, resulting in a haunting composition symbolizing time's fluidity and Dalí's personal anxieties.

G. Clifford Prout founded the Society for Indecency to Naked Animals, saying that animal nudity was rude and immoral. The campaign continued for years until CBS employees realized Prout was actually a comedian named Buck Henry.

Picasso often featured his photographer's dog, Lump, in paintings, due to an unusually close connection. George O'Keeffe adopted chow chows as companions and protectors in the New Mexico desert. See the pets of Lucian Freud, Frida Kahlo, and more.

Paul Reubens' character Pee-wee Herman would become a sensation with his 1986 children's show "Pee-wee's Playhouse," but in 1979 he appeared as the hilariously naive character on "the Dating Game." It's not clear if the show (or its audience) understood what they were seeing.

How did a raccoon intended for the Thanksgiving dinner table end up a beloved presidential pet? History teacher Sharon McMahon's podcast "Here's Where It Gets Interesting" takes an episode to delve into some of the more unusual Thanksgivings at the White House, including the Great Cranberry Scare of 1959 and the story of Calvin Coolidge and his "first raccoon," Rebecca.

In 1935, Sartre was injected with mescaline, a psychedelic drug that was then used to treat alcoholism and depression, by his friend at the Hôpital Sainte-Anne in Paris. It was not a good trip: Sartre saw nightmarish crabs for days and suffered a mental breakdown. For the rest of his life, crustaceans like the ones he saw during the hallucination appeared in his works.

Read the famous naturalist’s work from the late 1800s, detailing how he sought to draw comparisons between how animals and humans respond to fear. As part of that work, he exposed monkeys and a peccary to a stuffed snake and noted the animals’ hair-raising fear response.

At the Sequoia Park Zoo in California, a wild bear visited the bear enclosure to see three bears in captivity. Zookeepers referred to him as a "polite visitor," adding, "He stayed on the boardwalk path, kept two feet on the ground, and didn't try to climb over the railings!"

The HBO documentary follows the preparation and execution of Abramović’s 2010 MoMA show, taking a deeper look into the emotional experience. Performing was both physically and emotionally taxing for the artist, and visitors were often moved to tears while connecting with her. (This resource contains some artistic nudity.)

"SNL" obsessives are familiar with the show's cue cards, which occasionally appear on air in fourth-wall-breaking segments. They might even recognize Wally Feresten, the man who's been handwriting (and holding) them since 1990. This podcast interview delves into Feresten's curious life behind the scenes at "SNL" and his unexpected turns in front of the camera.

Humorist David Sedaris’s classic radio piece on his time working as Crumpet the Elf at Santaland in a Macy’s revealed a darker side of Christmas, filled with tantrums and fights. First broadcast in 1992, Santaland Diaries was Sedaris’s breakout story, and NPR has annually aired the story ever since.

Called "The Ultimate Event," the three legendary singers joined for a rare concert tour in the late 1980s. The show was released as a TV special shortly before Davis died from cancer.

After a 1909 pre-inauguration dinner for incoming President William Howard Taft featured possums and potatoes as the main course, Susie W. Allgood wanted to produce and market an alternative to the Teddy Roosevelt-inspired teddy bear: Billy Possum. Kids thought it looked too much like a rat.