The first horror movie is believed to be George Méliès' 1896 short 'The Haunted Castle,' which pioneered special effects.

Georges Méliès directed what many consider the first science fiction film

The French director was behind 1897's "Gugusse and the Automaton," a silent film that scholars believe features the first appearance of a robot in cinema and one of the earliest films to feature scientific experimentation.

German expressionism produced some of horror’s earliest classics

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

The ‘Universal Monsters’ series solidified horror as a film genre

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

Watch Walt Disney's early innovative film, 'Alice's Wonderland,' which innovated the use of animated characters in the real world.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

How one silent movie came to define science fiction

Fritz Lang's 1927 epic "Metropolis" set the template for much of the science fiction that followed, establishing themes that would come to define the genre through films like "Star Wars" and novels like "Brave New World." This short documentary from DW digs into the history of the film and its long-lasting impact.

Watch 'The Cabinet of Dr. Caligari'

Robert Wiene’s 1920 film remains a significant film for the horror genre, illustrating the power that relatively simple visual choices, like shadows and jagged angles, can have on an audience.

'Special effects' have evolved alongside Hollywood

Since the early days of moviemaking, directors have played with perspective to create incredible effects on the screen. From Buster Keaton to contemporary CGI, this 30-minute documentary details the amazing evolution of Hollywood's special effects.

The best jump scares in horror history

Ever since the first jump scare in 1942’s “Cat People,” directors have been using the technique to terrify (and delight) audiences. This list of 25 classic instances of the move includes scenes from “Get Out,” “Psycho,” “Candyman,” and more.

'Steamboat Willie' was the first film to feature Mickey Mouse

This short film introduced Mickey Mouse, the character who would define the Disney brand, to the world. It might be almost 100 years old, but you'll be surprised at how much humor still holds up.

Watch Salvador Dalí and Luis Buñuel's landmark surrealist short film

Made in 1929, the silent short film "Un Chien Andalou" ("An Andalusian Dog") marked Dalí's entrance into the surrealist movement. Dreamy and disturbing, the film projects images like a hand covered in ants and a razor slicing an eye, and follows no obvious structure. Watch it here.

'The Wizard of Oz' wasn't the first film to use Technicolor

Technicolor provided warm color to films. it was first used in 1917. But the 1939 film used Technicolor in such an intentional way—by having Dorothy exit a dull, sepia-toned world before entering the Technicolor Oz—it popularized the technology, even though audiences had likely seen it used before then.

The theory behind Dalí's 'Un Chien Andalou'

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

A young Spielberg was changed by DeMille’s ‘The Greatest Show on Earth’

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

The inaugural Cannes Film Festival featured legendary directors

The festival’s first year was 1946. It featured 11 films from some of the world’s best filmmakers, including Jean Cocteau, Alfred Hitchcock, George Sydney, and Billy Wilder.

Dickens' live readings sometimes used visual projectors that predated cinema

Dickens was interested in adapting his work in various forms. With his live readings, he sometimes used a 'magical lantern,' a popular tool that projected moving slides. In addition, some stage plays of Dickens' work that included ghost scenes used the magical lantern to cast apparitions on stage.

Edwin Porter's 1903 adaptation of 'Uncle Tom's Cabin' was one of the earliest American full-length narrative films.

Walt Disney’s Laugh-O-Gram Studio featured his earliest innovations in animation

Before he founded his iconic film company, Walt Disney was a young animator in Kansas City, Missouri. After scoring a contract to create animated newsreels for local movie theaters, Disney formed Laugh-O-Gram Studio, where he created innovative animated shorts that set the path for his later work.

Pixar's first animated film was 1986's short 'Luxo Jr.,' featuring characters still used by the studio today.

'The Jazz Singer,' the first film with synchronized sound, changed Hollywood

Movies changed forever in 1927, when Warner Bros. released "The Jazz Singer," the first feature film with integrated dialogue. Based on a Broadway musical, the movie starred Al Jolson as the son of a Jewish cantor who wants to be a popular singer.

19th-century Americans used technology to try to prove the existence of ghosts

In the 19th century, following technological advancements like the telegraph, phonograph, and others, efforts were made to capture proof of ghosts. These technologies seemed supernatural in their own right and emerged at the same time Spiritualism took off in the US, resulting in new approaches to connecting with the dead.

Movie trailers used to air after the film, hence why they’re called ‘trailers’

These in-theatre advertisements used to “trail” the movie rather than precede it. The first movie trailer shown at the movies dates back to 1913, when marketer Nils Granlund put together rehearsal footage of an upcoming Broadway musical to drive ticket sales.

'Steamboat Willie' was inspired by 'The Jazz Singer'

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

Thomas Edison inadvertently spurred the film industry's move to Hollywood

The inventor's patent on the motion picture camera included several stipulations that required independent movie studios to work with Edison's Motion Picture Patents Co., making the East Coast undesirable for aspiring filmmakers.

The 1939 ‘Wizard of Oz’ reimagined Baum’s book for a new age

Technological breakthroughs brought high-quality, synchronized sound to films by the end of the 1920s. By the 1930s, the movie-musical, a genre that blended artful cinematography and Broadway-style musicals, became more popular. “The Wizard of Oz” evolved the form further by structuring the plot into episodes anchored by memorable, revelatory songs.

'Labyrinth' initially flopped

The fantasy movie, directed by Henson and starring David Bowie, exited theaters less than a month after its release. Later, though, the movie would become a cult classic and would inspire many writers and artists to create similarly whimsical worlds.

The 1925 ‘Wizard of Oz’ predates the classic 1939 film

The film differs significantly from the 1900 book and the later 1939 film adaptation: Dorothy is 18 years old, the Tin Woodman is a villain, and the entire story of Oz is framed by a toy-maker reading the original Baum book to his granddaughter.

Pixar's earliest days began with a handful of academics developing the technologies they thought might make fully animated movies possible.

'Plan 9 from Outer Space' gained an audience after it was trashed by critics

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.

'The Wonderful Wizard of Oz' was the first major American fantasy novel

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.

The origins of our fascination with time travel

Humans have been captivated by the prospect of leaping forward and backward in time for thousands of years. Georgia Institute of Technology Science Fiction Studies Professor Lisa Yaszek recounts how the concept has been utilized by storytellers from 400 BCE to modern-day to explore our relationship with the supernatural, technology, and the past. In a way, this historical recounting is a journey through time.

Classic movies are prone to decomposition because they're captured on nitrate film

Nitrate film was the standard in early Hollywood and is prone to decomposition over time. It's led to an estimated 75% of early American films being lost to history.

The origins and evolution of the movie sequel

Sequels have long leveraged the financial success of a first installment into a second, or third, part, as far back as the earliest novels in the 18th century, like Jonathan Swift's "Gulliver's Travels," which inspired countless spin-offs. The film...

Pixar's RenderMan software, which turned code into graphics, changed the way Hollywood produced special effects.

'Tin Toy,' the predecessor to 'Toy Story,' was the first fully computer-generated film to win an Academy Award

Before it was acquired by Disney, Pixar was a small studio exploring the possibilities of computer animation. "Tin Toy," a 1988 short film that would inspire 1995's "Toy Story," was one of its most successful experiments, earning Pixar's first Academy Award for best animated short film and becoming the first fully computer-generated film to win an Oscar. Although you won't find Woody or Buzz, it's fascinating to observe the seeds for what would come later.

The word 'vampire' appeared in the English-speaking world in the 1730s

However, earlier mentions of creatures with similar characteristics existed throughout Medieval Europe. For example, people often spoke of revenants—restless dead creatures who tormented the living. Historians believe these stories grew in popularity in part because of influence from the Catholic Church, which was emphasizing the idea of purgatory. These older revenant stories eventually influenced modern vampire folklore.

Thomas Edison, eager to communicate with ghosts, tinkered with an apparatus called the 'spirit phone'

The inventor was interested in developing a scientific method for communicating with the dead. He was not interested, though, in the occult figures who believed the dead could be reached through Spiritualism, which he found childish. He believed those kinds of people "permit themselves to become, in a sense, hypnotized into thinking that their imaginings are actualities."

Charlie Chaplin's 'Modern Times' blended slapstick and satire

The 1936 film thrust Chaplin's iconic Little Tramp character into the Industrial Revolution, satirizing how mass production was dehumanizing individuals. The movie was not only a hit, but it was also the product of a burgeoning Hollywood: Chaplin had founded his own company (United Artists) in 1919.

Jim Henson's 1986 film 'Labyrinth,' an attempt to break out of children's entertainment, was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

The art of miniature sets in Hollywood

Many films utilize meticulously designed miniature sets to produce scenes that would otherwise be too big to film. While artsy filmmaker Wes Anderson is well-known for reviving this technique in an idiosyncratic style, more mainstream films like "Star Wars" and "Inception" rely heavily on small-scale sets filmed in such a way as to make them appear normal-sized. This nine-minute video breaks down how it all works.

Ghost hunting in the 19th century

This 40-minute podcast explores what it meant to hunt ghosts during the 19th century, when studying the paranormal was considered a mainstream scientific field. In 1847, a pair of sisters reportedly communicated with the spirit of a dead man...

The magazine competition that pitted Houdini against the author of 'Sherlock Holmes'

In 1922, Scientific American magazine launched a contest to prove, or disprove, the existence of ghosts and define the limits of Spiritualism. This article details how this competition furthered the growing ideological split between escapologist...

'Tin Toy,' Pixar's 'Toy Story' predecessor, was the first fully computer-generated film to win an Academy Award.

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

Fantasy is heavily influenced by myths, legends, and folk tales

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

The 31 best science fiction films ever

This list refreshingly starts off with the best first—1968's "2001: A Space Odyssey," Stanley Kubrick's cerebral, futuristic icon. Coming in at 31st is Disney's "Wall-E."

The first robot in literature may have been a 'mechanical man' in 1907's 'Ozma of Oz,' a book in L Frank Baum's 'Wizard of Oz' series.

How Spielberg changed film

Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.

‘Jaws’ was the first modern blockbuster

“Jaws” earned $70M in its first month and eventually grossed $476M worldwide, breaking box office records. It would be surpassed two years later by another legendary blockbuster: “Star Wars.”

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.