Charles Dickens' stories were often adapted for the 'magic lantern,' a projector that anticipated cinema's visual storytelling.

There have been over 300 screen adaptations of Dickens' works, including 50 of "A Christmas Carol" alone. This list breaks down the best of the bunch, with nods to the Gen X "Great Expectations," the musical rendition of "Oliver Twist," and Dev Patel's take on "David Copperfield."

When Charles Dickens published "A Christmas Carol" in 1843, its story of an old man's redemption helped reshape the holiday, popularizing themes of generosity, reflection, and family that transformed the Christmas season.

Dickens, like many Victorian writers, published his novels as serials that were released piecemeal, over an extended period. Unlike most of his contemporaries, though, Dickens wrote the story as it was released, allowing him to respond to public reactions.

The writer began performing readings of his works in 1853 and chose 'A Christmas Carol' for the inaugural event. In the 16 years that followed, he performed it over 100 times, using different voices for his characters and consistently revising the text for the stage.

After his father was imprisoned, Dickens took up work in a shoe-blacking factory. His novels often featured hardscrabble protagonists, many of them children, forced to navigate the grim realities of the Industrial Revolution. Today, stories that follow in that model are described as "Dickensian."

Dickens planned to write a treatise on the day's social issues and had a particularly dry working title: "An Appeal to the People of England on behalf of the Poor Man's Child." After a week, though, he decided to rework the ideas into a fictional story, working at a quick pace so it could be released in time for Christmas. It worked: The story was published on December 19, 1843.

Much of Dickens' fiction concerns Victorian London and its people. This tour of the city, led by Dickens biographer Simon Callow, walks you through significant sites, like the place where Dickens' parents were married, the shoe-blacking factory where he worked as a boy, and the place where he created his first magazine.

"The Posthumous Papers of the Pickwick Club" was a series of illustrations and accompanying stories serialized in newspapers from 1836 to 1837. Dickens drew on his previous experiences as a Parliamentary reporter to flesh out the story of Samuel Slumkey, a politician running for office. He wins the election thanks to a well-timed bribe.

Rockwell is considered a narrative painter who tells stories through his portraits of everyday Americans. The interest in using images to tell stories began at a young age, when his father read Dickens aloud to him while the young Norman illustrated the books’ scenes.

Dickens began working as a journalist in 1829, publishing his portraits of modern life under a pseudonym. In 1834, he used the pen name "Boz," a reference to his brother's childhood nickname, and eventually published a collection of his stories called "Sketches by Boz." By the 1840s, he'd ditched the pseudonym, enjoying his rarefied literary celebrity.

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Dickens' work has long been in the public domain, meaning it's freely available to readers. Project Gutenberg's collection of Dickens' novels allows you to read classic novels like "Oliver Twist" and "A Tale of Two Cities," as well as early works like "Sketches by Boz," at no cost.

During Dickens' time, Christmas was primarily associated with celebration, but "A Christmas Carol" defined the holiday as an opportunity to give to others. Dickens hoped that the story—with the miserly Scrooge experiencing a change of heart when he realizes he should care for the less fortunate—would convince readers to recognize they should do the same.

Michael Slater, a professor of Victorian literature at Birkbeck College, notes that Dickens' anger at Parliament and social injustice never got in the way of his optimism. "There is a constant allegiance to the lives of ordinary people and their pleasures," he said in a 2001 interview with "In Our Time."

John Dickens was imprisoned at Marshalsea Debtors' Prison in London for failing to pay his debts. The experience forced the young Charles to leave school to help provide for his family. It also eventually informed his fiction, which often called for social reform, including the abolition of debtors' prisons.

Dickens made enough from "Sketches by Boz," "The Pickwick Papers," and "Oliver Twist," that he was able to work full time as a novelist. Still, he was still interested in journalism and decided to publish his own newspaper, the Daily News, in 1846. After 17 issues, he felt he no longer had time to focus on his novels and handed the operation off to a friend.

The author began writing professionally in his teens, first as a court reporter, then for many papers, penning op-eds, criticism, and other miscellany. While Dickens is often discussed as a novelist, he has a massive corpus of works situated in reality.

Dickens was a literary celebrity during his lifetime, but his popularity has endured over a century after his death. Publishers have kept his books in print to satisfy demand. It's paid off: "A Tale of Two Cities" alone has sold over 200 million copies.

Dickens' first serialized novel, "The Pickwick Papers," was selling modestly until he introduced the wisecracking Sam Weller, a cockney character that working-class readers instantly loved. In response to the attention, Dickens made Weller a central figure in the book, turning the series into a bestseller.

The 2012 Batman film makes several allusions to the Dickens novel, with one character even holding a copy of the book in a final scene. Director Christopher Nolan and his brother (and screenwriter) Jonathan Nolan frame Gotham as a place of inequity, much like Dickens does with London and Paris.

As literacy rates began to rise in the 19th century, so did the demand for reading materials. The only problem? Newspapers and books weren’t cheap, and newly literate middle-class families struggled to afford literature. That changed when booksellers began offering small fees for patrons who decided to borrow rather than purchase books. This was eventually called a circulating library, an innovation that would satisfy the burgeoning readership of novels and increase literacy rates further.

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.

The original 1900 book, ‘The Wonderful Wizard of Oz,’ has been adapted in various forms for various audiences. There’s been a Muppet-centric Oz, a 3D-generated Dorothy, and one that imagines an adult Dorothy living as a children’s author in New York, just to name a few.

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

The 1936 film thrust Chaplin's iconic Little Tramp character into the Industrial Revolution, satirizing how mass production was dehumanizing individuals. The movie was not only a hit, but it was also the product of a burgeoning Hollywood: Chaplin had founded his own company (United Artists) in 1919.

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

This 8-minute video explores how time travel influences the narrative arc of several movies, books and video games, from Harry Potter to A Christmas Carol. (Warning: it contains spoilers!) J.K. Rowling and Charles Dickens set myriad parameters as they’re worldbuilding to avoid paradoxes and create quasi-logical timelines. By drawing diagrams as he’s speaking, the video breaks down how time works in some of popular culture’s most beloved fictional universes.

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

In the 19th century, following technological advancements like the telegraph, phonograph, and others, efforts were made to capture proof of ghosts. These technologies seemed supernatural in their own right and emerged at the same time Spiritualism took off in the US, resulting in new approaches to connecting with the dead.

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

The writer’s live lectures looked a lot like modern stand-up comedy specials. Twain’s world tour in the 1890s featured 90-minute performances in which he stood alone on the stage, delivering long, comedic monologues with his hand perched on his chin.

The demon barber of Fleet Street made his first print appearance between the pages of penny dreadfuls, cheaply made serials filled with grisly tales and sold for a single penny. The tale of Sweeney Todd was published in 18 parts over the course of 18 weeks between November 1846 and March 1847. The series was expanded into 92 parts and later gathered into a single volume published in 1850.

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.