Watch 'Hearts of Darkness: A Filmmaker's Apocalypse,' the documentary about Francis Ford Coppola's notorious production behind 'Apocalypse Now,' shot by Coppola's wife, Eleanor.

'The Empire Strikes Back' was influenced by Francis Ford Coppola's 'Apocalypse Now,' a movie George Lucas was originally supposed to direct.

Francis Ford Coppola began working on 'The Godfather' to bail his production company out of dire financial straits.

Francis Ford Coppola's 'One from the Heart' was a financial disaster, leading him to bankruptcy and taking more commercial work—like the children's movie 'Jack'—to pay off his debts.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.

Watch Francis Ford Coppola's debut feature film, the low-budget horror movie 'Dementia 13.'

Francis Ford Coppola spent years trying to adapt Jack Kerouac's Beat Generation novel 'On the Road' but ultimately handed it off to another filmmaker.

How American politics influenced 'Star Wars'

George Lucas believed that myths were how societies communicated notions of good and evil, and that modern myths were found on movie screens. This deep dive from the Los Angeles Review of Books explores how Lucas' disillusionment with the Vietnam War and his disgust with President Richard Nixon informed some of the themes in "Star Wars."

The Coppola family tree has many branches in Hollywood, including actors Nicolas Cage and Jason Schwartzman.

Francis Ford Coppola was not even close to being Paramount Pictures' first choice for director of 'The Godfather.'

A deep dive into the long road to making 'Star Wars'

In this podcast, Chris Taylor, author of "How 'Star Wars' Conquered the Universe," details the long road—lined with studio rejections, a dismissive crew, glacially slow special effects, and last-minute edits—George Lucas traveled to see "Star Wars" through to its release.

Legendary director Brian De Palma hated his first viewing of 'Star Wars'

The "Carrie" and "Mission: Impossible" director was invited by his friend George Lucas to watch an early cut of the first "Star Wars," a draft that lacked many of the special effects that would be added later. De Palma was highly critical, telling Lucas that "The Force" was an awful name for the spiritual power Luke Skywalker eventually comes to embrace.

'Bonnie and Clyde,' the 1967 film starring Warren Beatty and Faye Dunaway, was the first major American movie to feature graphic violence.

Director Arthur Penn used the then-new Squibb technology, which triggered realistic and bloody bullet wounds, to portray graphic violence, at the time a taboo in American cinema.

‘Shoah’ director criticized ‘Schindler’s List’ for its portrayal of the Holocaust

“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

Marlon Brando used his 1973 Oscar win to protest the US government's treatment of Native Americans

Brando declined his best actor award at the Academy Awards, sending Chiricahua Apache activist Sacheen Littlefeather in his place to read a statement protesting Hollywood's depiction of Native people and the federal siege underway at Wounded Knee, South Dakota.

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Read a 1971 magazine feature on Lucas' debut film, the sci-fi 'THX 1138'

Almost a decade before the arrival of "Star Wars," George Lucas directed "THX 1138," a grim science fiction film about a dystopian future in the vein of George Orwell's "1984." This article from the October 1971 issue of American Cinematographer features a young George Lucas, who developed the film from a short he worked on while a student at the University of Southern California just a few years earlier.

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

Journalism's real drama made 'All the President's Men' irresistible for Robert Redford

Robert Redford was drawn to Watergate not by Nixon, but by the partnership of two contrasting journalists—Woodward and Bernstein. In the interview, he explains how he shaped the film's documentary style to spotlight the story rather than the scandal.

Sartre wrote an 8-hour screenplay for a Freud biopic

Sartre was hired to write the screenplay for what would eventually become John Huston's 1962 film "Freud: The Secret Passion," about the life of the psychoanalyst. Sartre, however, had trouble sticking to the parameters of Hollywood. An early draft was estimated to be five hours long. Rather than shortening it, as Huston suggested, Sartre extended it to eight hours and was eventually removed from the production.

Watch Christopher Nolan—director of 'The Odyssey' and 'Oppenheimer'—pick some of his favorite films from the Criterion Collection's closet, including works by Orson Welles, Spike Lee, and others.

Movies that killed these 17 actors' careers

Hollywood's history is checkered with flubs and successes, and many actors have suffered from portraying specific roles, even if the films were successful. This list goes into 17 acting careers that took a nosedive after a specific role, including Elizabeth Berkley in "Showgirls" and Sofia Coppola in "The Godfather: Part III." Read the rest here.

What is 'Spielberg Face'?

Spielberg's career is filled with a consistent technique: zooming in on a significant character's face as they process some essential element of the story. One of the most famous is from "Jaws," when Brody first witnesses the shark.

Actors on 'All the President's Men' immersed themselves in real-world reporting

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

Oscar snubs and losses can generate controversy

Comedian Bruce Vilanch's podcast "The Oscars: What Were They Thinking?" takes listeners behind the scenes at the Academy Awards to get the inside scoop on everything from the nominating process to the celebrity spats backstage. For example, "This One Hurts!" is about the 2010 Oscars battle for best picture between "The Hurt Locker" (directed by Kathryn Bigelow) and "Avatar" (directed by James Cameron, her ex-husband).

Spielberg improvised most of the iconic D-Day scene from 'Saving Private Ryan'

Although action sequences are often tightly choreographed, one of cinema's most famous war scenes was mostly shot on the fly. Spielberg wrote seven pages (or approximately seven minutes of screen time) for the scene, though the final cut of the sequence was 25 minutes long.

‘Dispatches’ by Michael Herr pushed the boundaries of war journalism

Straying from the typical protocol of reporting casualties and soldiers' whereabouts, Herr reported about the Vietnam War from the field while emphasizing its surreal and tragic nature. His account detailed the experiences of soldiers, while also expressing uncertainty about the meaning of the war.

Christopher Nolan's 'Odyssey' is the first full-length feature film shot entirely on IMAX, which required him to use 2 million feet of the film.

A bootleg video of a 1966 conversation between Bob Dylan and John Lennon has long been a cryptic text for the artists' superfans.

Joaquin Phoenix's bizarre 2009 interview on Letterman was part of an elaborate performance

The actor appeared humorless and pouty in the late-night appearance. Host Dave Letterman seemed put off by his guest's behavior, but poked fun at him throughout the interview. Phoenix later returned and revealed he was playing a part in a mockumentary called "I’m Still Here," which satirized celebrity culture.

Shooting 'Jaws,' Spielberg went over budget and schedule

The shark flick was plagued with technical issues—many of them due to shooting on the open ocean—causing the director to go over budget by more than $4M. Shooting the film took much longer than anticipated, stretching more than 100 days past the anticipated end date.

'Dr. Strangelove' is widely considered the best satirical film

Stanley Kubrick’s satire about nuclear war came just two years after the Cuban Missile Crisis and spoke to Americans still coming to terms with the possibility of nuclear annihilation. In 1989, the Library of Congress included it among the first 25 films preserved in the National Film Registry, a repository for the greatest achievements in cinema.

The studio behind 'Rocky Horror' pulled its promotion before the national release

Famed director Brian De Palma idolizes 'Vertigo'

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.