Disney's 1940 film 'Fantasia,' now considered one of the greatest animated films of all time, initially flopped at the box office.

Producing war propaganda and training films helped the company towards solvency, but the military content wasn't a cure-all. Disney wasn't in the clear until 1950's "Cinderella," a much-needed hit. The movie's success was largely due to the return of the company's best writers and the work of Mary Blair, a watercolor artist who brought a more whimsical style to the film.

Disney’s “Snow White and the Seven Dwarfs” was a notoriously messy production—exceeding the budget by 400 hours—though it was also a massive success, grossing $75M and establishing Disney as a major Hollywood player. Disney’s animators, though, alleged they weren’t compensated for their overtime.

Walt Disney’s first studio went bankrupt, but he and his brother Roy started over in 1923, eventually building an entertainment empire. From "Snow White" to "The Little Mermaid," Disney shaped animation and expanded into TV, theme parks, and major acquisitions like Pixar and Marvel.

The film cost $2.7M to make—$1M more than the average production in 1939, but didn’t recoup it for almost two decades. Its success is mainly due to television. It aired annually from 1956 to 1965 and was watched by more than 49% of all television viewers.

Although it's now a holiday classic, Tchaikovsky's ballet "The Nutcracker" flopped when it debuted in 1892. It wasn’t until it was reimagined in 1954 as a Christmas season spectacular, aimed at families, that it became a hit.

Disney aficionados consider the late 1980s and 1990s to be the Disney Renaissance, a period that found the House of Mouse returning to its roots: animated musicals aimed at children and their families. This in-depth video essay argues that the end of the company’s most popular period was caused by shortsighted business decisions and changing technologies.

In 1923, brothers Walt and Roy formed what would later become The Walt Disney Co. They began by continuing to produce Walt's "Alice Comedies" and a series based on Oswald the Lucky Rabbit, a precursor to Mickey Mouse.

2024 was a banner year for Disney, with the global film studio finding success with "Inside Out 2," "Moana 2," and "Deadpool & Wolverine." While Disney has faced criticism for its reliance on sequels, reboots, and offshoots, the 2024 numbers suggest the public is still eager for its content.

Before he founded his iconic film company, Walt Disney was a young animator in Kansas City, Missouri. After scoring a contract to create animated newsreels for local movie theaters, Disney formed Laugh-O-Gram Studio, where he created innovative animated shorts that set the path for his later work.

The worldwide box office figure was $1.5B higher than 2025's take, propelled by movies like "Zootopia 2," "Lilo & Stitch," and "Avatar: Fire and Ash." The haul was the biggest from a studio since 2019.

This short film introduced Mickey Mouse, the character who would define the Disney brand, to the world. It might be almost 100 years old, but you'll be surprised at how much humor still holds up.

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.

Franchise flops like 1997's "Batman & Robin," 1983's "Jaws 3-D," and 2015's "Fantastic Four" were panned, though that didn't stop them from selling hundreds of millions of dollars in tickets.

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.

Disney seems to be an unstoppable force in the entertainment industry, but after an unprecedented high point in 2019, the company began losing money. In this podcast, two industry veterans discuss what they see as Disney's existential problems: an overreliance on preexisting material and an inability to innovate as it once did.

Technicolor provided warm color to films. it was first used in 1917. But the 1939 film used Technicolor in such an intentional way—by having Dorothy exit a dull, sepia-toned world before entering the Technicolor Oz—it popularized the technology, even though audiences had likely seen it used before then.

Walt Disney was determined to open a theme park, but had numerous issues with funding. A break came when ABC offered to cover a signifcant portion of the construction, though it came with a catch: Walt would host a weekly Disneyland TV show (and provide them part-ownership of the park).

Superfans break the company's animated films into chronological eras: the Golden Age, the Transitional Era, the Disney Renaissance, the Modern Era, and the Revival Era.

The number was a marked improvement from 2024, up 12% from a particularly sluggish year. Disney films—including "Lilo & Stitch" and "Zootopia 2"—were some of the year's biggest earners.

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

Before it was acquired by Disney, Pixar was a small studio exploring the possibilities of computer animation. "Tin Toy," a 1988 short film that would inspire 1995's "Toy Story," was one of its most successful experiments, earning Pixar's first Academy Award for best animated short film and becoming the first fully computer-generated film to win an Oscar. Although you won't find Woody or Buzz, it's fascinating to observe the seeds for what would come later.

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

The 1982 film relied heavily on computer animation, so much so that the Academy Awards disqualified the film from its special effects category because they considered the computer-assisted graphics "cheating."

October 16, 2023, marked the 100th anniversary of The Walt Disney Co. In that time, it has evolved from a modest animation studio called the Disney Brothers Cartoon Studio to a massive, billion-dollar conglomerate.

Walt Disney teased the amusement park a year in advance through his ABC show, "Walt Disney's Disneyland." This episode was from the park's opening day, an event that necessitated a news-like live broadcast and walked viewers through the park's attractions and amenities. One in three Americans watched the broadcast, despite its numerous technical difficulties.

Walt Disney has a legacy of ingenious innovation and undying creativity. This podcast walks listeners chronologically through the major events of his life, as reported in Neal Gabler's biography "Walt Disney: the Triumph of the American Imagination," and explains how they led to his groundbreaking work in film, storytelling, and business.

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

Warner Bros. launched the "Fantastic Beasts" prequel series in 2016 to explore the wizarding world’s earlier history. Despite strong openings, later films saw declining box office returns and lukewarm critical reception.

The 1999 film, and the first piece of the larger Skywalker storyline, was supposed to be a grand event. It did well commercially, but it was mocked by critics and fans, who felt the story, dialogue, and the off-putting comic relief of Jar Jar Binks were a disgrace to the franchise. This NPR retrospective unpacks that reaction, and how much has changed in the decades since.