Disney tried to adapt 'The Catcher in the Rye' for the screen, with plans to reimagine it as an animated film about German Shepherds.

JD Salinger, author of 'The Catcher in the Rye,' stopped publishing in 1965, though he continued writing until his death in 2010, with some estimates saying he completed 5 additional books.

Watch Dalí's surreal collaboration with Disney

Production for "Destino," a surreal short by Salvador Dalí and Walt Disney, began in 1945 but stalled when the Walt Disney Company ran into financial trouble due to the commercial failure of "Fantasia" and the economic downturn of World War II. It was finally released in 2003, after Disney animators completed it based on Dalí's original storyboards.

The first draft of the classic American novel 'Of Mice and Men' was torn to shreds by John Steinbeck's dog.

Disney initially pushed Pixar to make 'Toy Story' an edgy comedy that could appeal to adults.

Disney chipped away at its debt by creating propaganda during World War II

Disney began producing training videos for the Navy and propaganda films for US involvement in World War II, including the shorts "Der Fuehrer's Face," "The Spirit of '43," and "Donald Gets Drafted." The effort provided a much-needed cash injection, allowing Disney to continue producing films.

Disney was saved by 'Cinderella,' which brought the company out of debt

Producing war propaganda and training films helped the company towards solvency, but the military content wasn't a cure-all. Disney wasn't in the clear until 1950's "Cinderella," a much-needed hit. The movie's success was largely due to the return of the company's best writers and the work of Mary Blair, a watercolor artist who brought a more whimsical style to the film.

Watch the 1954 film adaptation of 'Animal Farm'

The animated feature was covertly funded by the CIA in an attempt to spread anti-Soviet media. The film simplified Orwell's beast fable by repackaging it as a family-friendly cartoon about the dangers of communism. It underperformed at the box office, though it is still sometimes shown in schools as students read the original text.

Disney was originally called the Disney Brothers Cartoon Studio

In 1923, brothers Walt and Roy formed what would later become The Walt Disney Co. They began by continuing to produce Walt's "Alice Comedies" and a series based on Oswald the Lucky Rabbit, a precursor to Mickey Mouse.

A young Spielberg was changed by DeMille’s ‘The Greatest Show on Earth’

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

How the CIA used 'Animal Farm' as Cold War propaganda

After Orwell's death in 1950, undercover agents bought the book's film rights from his widow and got to work creating a family-friendly version of the story that would reinforce its anti-Soviet themes and downplay its criticisms of capitalism and sympathetic portrayal of Snowball, the Trotsky analog.

‘Fantasia’ initially failed at the box office

After finding success with “Snow White and the Seven Dwarfs,” Disney set out to prove he could make more sophisticated art. He collaborated with conductor Leopold Stokowski on “Fantasia,” an elaborate animated feature set to classical music that flopped to the tune of $15M and nearly bankrupted Disney’s company.

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

Imagining if Disney films about animals were scientifically accurate

Then when Scar took over from Mufasa, he would have likely killed all of the existing cubs in the pride, including Nala. Or when Nemo's mom died, his dad would technically have become a female.

Disney animators went on strike in 1941, protesting unpaid overtime

Disney’s “Snow White and the Seven Dwarfs” was a notoriously messy production—exceeding the budget by 400 hours—though it was also a massive success, grossing $75M and establishing Disney as a major Hollywood player. Disney’s animators, though, alleged they weren’t compensated for their overtime.

Many of Spielberg's films were inspired by childhood experiences

Steven Spielberg was inspired to make “Saving Private Ryan” after seeing the toll war took on his father’s generation. Similarly, he felt called to direct “Schindler’s List” by the Holocaust survivors he met when he was only three years old.

'Jaws' creators regret making sharks the monsters

Both Peter Benchley, the author of the original 1974 novel, and Steven Spielberg, the director of the blockbuster film based on it, acknowledge that the film's popularity has led to the stigmatization of the mostly harmless creatures.

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

Watch Walt Disney's early innovative film, 'Alice's Wonderland,' which innovated the use of animated characters in the real world.

'Steamboat Willie' was inspired by 'The Jazz Singer'

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

The Beatles tried to get the rights to make a 'Lord of the Rings' film starring the band members as Gollum, Frodo, Gandalf, and Samwise.

The Hodag was a mythological animal—part reptile, part mammal, with spikes running down its back—invented by a 19th-century Wisconsin lumberjack-turned-con-artist who claimed he'd slain one after it attacked a child.

What killed the Disney Renaissance

Disney aficionados consider the late 1980s and 1990s to be the Disney Renaissance, a period that found the House of Mouse returning to its roots: animated musicals aimed at children and their families. This in-depth video essay argues that the end of the company’s most popular period was caused by shortsighted business decisions and changing technologies.

Walt Disney's 1957 corporate strategy document

From TV to music to amusement parks, Disney is widely regarded as one of the most successful American companies of all time. That's partly because Walt Disney was carefully building a corporate strategy from day one that accounted for the company's publications, merchandise licensing, comic strips, and more. See his 1957 corporate strategy document for yourself (spoiler alert, it's covered in Mickey Mouse illustrations).

Despite meeting as ambulance drivers in WWI, Ray Kroc and Walt Disney weren't the driving forces behind McDonald's and Disney's numerous business partnerships.

'Labyrinth' initially flopped

The fantasy movie, directed by Henson and starring David Bowie, exited theaters less than a month after its release. Later, though, the movie would become a cult classic and would inspire many writers and artists to create similarly whimsical worlds.

Spielberg submitted 'Schindler's List' and 'Jurassic Park' for college credit

After dropping out at 21, Spielberg reenrolled as a student at California State University, Long Beach in 2001, and earned a paleontology credit for “Jurassic Park.” His final project for an advanced film studies course was “Schindler’s List,” which won the Academy Award for best picture nearly 10 years earlier.

‘Shoah’ director criticized ‘Schindler’s List’ for its portrayal of the Holocaust

“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Read JK Rowling's original 'Harry Potter' pitch that a dozen publishers rejected

Rowling claims 12 publishing houses rejected the pitch first written in 1995—which contained this letter and the story's first few chapters—before Bloomsbury accepted it.

Jim Henson's 1986 film 'Labyrinth,' an attempt to break out of children's entertainment, was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

'Sesame Street' scrapped an episode about divorce because tests showed it deeply upset children

The 1992 episode, entitled "Snuffy's Parents Get a Divorce," left test audiences concerned rather than comforted, with many children left in tears. The show canned the episode before it aired and didn't address divorce until 20 years later, with a 13-minute online-only segment.

The Coen Brothers imagined 'O Brother Where Art Thou?' as a retelling of 'The Odyssey,' though neither had actually read Homer's epic.

How Spielberg changed film

Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.

The original ending to 'Rudolph the Red-Nosed Reindeer' was changed after viewers voiced their disappointment

The movie's TV premiere on December, 6, 1964, ended with Santa choosing Rudolph to help him deliver presents across the world. However, young viewers were disappointed that Rudolph never fulfilled his promise to rescue his friends from the Island of Misfit Toys, which he'd promised to do earlier in the film. The producers reworked the ending, correcting the plothole, before the movie was broadcast again in 1965.

Tove Jansson's illustrations for 'The Hobbit' rankled some of its diehard fans

The Nordic illustrator was asked to contribute illustrations for the 1960 Swedish translation of J.R.R. Tolkien's "The Hobbit." Some fans were critical, though, arguing that the images didn't accurately represent Tolkien's Middle-earth. One of their most convincing pieces of evidence was Jansson's portrayal of Gollum, which she turned into a massive beast. After seeing it, Tolkien realized he needed to specify that the character was "a small, slimy creature."

Walt Disney’s Laugh-O-Gram Studio featured his earliest innovations in animation

Before he founded his iconic film company, Walt Disney was a young animator in Kansas City, Missouri. After scoring a contract to create animated newsreels for local movie theaters, Disney formed Laugh-O-Gram Studio, where he created innovative animated shorts that set the path for his later work.

The opening chapters of bestselling novels are thousands of words shorter than they were in the 1950s

Novels like "The Catcher in the Rye" and "Lord of the Flies" averaged opening chapters with about 4,500 words. Titles from the 2020s, on the other hand, including "Fourth Wing" and "Lessons in Chemistry," are closer to 2,500 words.

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.