Art History

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

The Montana artist, known for his realistic portrayals of cowboys and Native American life, began to gain national attention after traveling to New York and establishing connections in the art world. Still, he spent most of his time in Great Falls, Montana, where he completed approximately 4,000 works.

Picasso’s artistic legacy remains lucrative 50 years after his death. His output was immense, and several individual works have sold at auction for over $100M. Those sales were not only jaw-dropping but also historic, leading to Picasso’s place as the top-grossing artist of all time.

Picasso is one of history’s most famous painters. He redefined the standards of artistic beauty and forged a unique, revolutionary modern style. Today, he inspires artists looking to challenge the status quo. The Museu Picasso in Barcelona, the artist’s hometown, holds nearly 5,000 of Picasso’s early works, making it the perfect place to glimpse the ideas and range of his artistic practice. Below is 1917's "Fruit Bowl."

Picasso's friend Casagemas, a poet he met in Barcelona, died by suicide in 1901. The event shook the young Picasso, leading to what would later be called his Blue Period. The work from this time reflected the loss of Casagemas and others, as well as broader themes of suffering and marginalization in society, portraying their faces and other outcasts of society in elegiac hues of blue and other cold colors. The era is one of the artist’s most famous bodies of work, including several iconic paintings, such as "The Death of Casagemas," pictured below.

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

On August 22, 1911, the world was stunned by the theft of the "Mona Lisa" from the Louvre in Paris. As an international investigation searched for the culprit, a young Picasso was suspected to be part of a group of its thieves. While innocent in the disappearance of the Mona Lisa, he found himself on trial with reasonable suspicion: He was in possession of two Iberian statues that were the property of the same museum.

Picasso was known for his ever-evolving style, which art historians have often divided into his artistic periods. Warmer color palettes and subjects characterized his Pink Period (sometimes called the Rose Period). Other phases focused on neoclassical, surrealist, and mythological art and subjects. Below is Family of Saltimbanques from the Pink Period.

Picasso never stopped experimenting, moving through new and familiar styles and materials throughout his life. Despite that, most people only associate Picasso with painting. But in 1949, a chance encounter with Albanian-American photographer Gjon Mili brought yet another medium into Picasso’s world: light.

Columbia University undergrad Emma Sulkowicz became an overnight sensation with their senior thesis performance art piece "Carry That Weight." Emma developed the piece after reporting having been sexually assaulted by another Columbia student to the school, which declined to find that student responsible. In "Carry That Weight," Emma carried her mattress everywhere with her for the entirety of her senior year, calling it an “endurance performance art piece.”