Performance art depends on the actions of the artist

Performance art, explained

Performance art defies traditional boundaries, existing as a dynamic, live medium where the artist's actions—and sometimes the audience's—become the work itself. Emerging in the early 20th century with movements like Dadaism, performance art has continually evolved to provoke reflection and challenge cultural norms.

Performance art differs from other performances, like dance and theater

While performance art is a very flexible genre, it is defined by several core elements: time, space, the body, and the relationship between the artist and the audience. These elements may be manipulated in infinite ways to convey the artist’s message, such as how endurance performances challenge the limits of the body over long periods of time.

Can anything be performance art?

When you see someone slathering themselves in maple syrup or sitting silently in the corner of a gallery surrounded by yogurt containers, it’s easy to wonder whether there’s anything that can’t be considered performance art. This Artsy piece speaks to various performance artists and attempts to define some guardrails for the medium. The main takeaway? Intention and interpretation are what separate real performance art from people who are just covered in syrup.

The 30 most important performance artists

Through centering on the human body, performance art can surprise and shock us. This rundown of 30 of its practitioners highlights their individual art and selects an image to showcase their specific style. While some are more clever or conceptual, many are viscerally shocking, including artistic nudity and, in some cases, graphic violence.

Jackson Pollock and others developed 'action painting,' highlighting the creative process

A subcategory of performance art, action painting emerged in 1945 as a way to capture a moment-by-moment view of the creative process through painting. For these pieces, the physical act of painting is as important as the finished product. This short explainer video covers the philosophy behind action painting, as well as exploring the works of several well-known action painters, including Jackson Pollock, Franz Kline, and Mark Rothko.

Is the pandemic performance art?

Interdisciplinary artist Kristina Wong sees parallels between the early days of the COVID-19 pandemic and some of the “worst performance art” she’s encountered in her career. Wong’s sharp sense of humor and clever writing mean that she gets in some good digs at the more ridiculous side of performance art, but don’t let her funny fool you: this is an incisive piece on the role of performance, empathy, trauma, and art in all our lives.

Non-Western performance art developed in its own political context

The medium’s emerging popularity in 1990s China is a perfect example of this. Many Chinese artists incorporated the practice of meditation into their works, combining the Buddhist tradition with various modes of endurance art to comment on divisions within Chinese society and the power of the government.

Andy Warhol’s 'Exploding Plastic Inevitable' shows were multimedia performance art

If you wandered into one of Andy Warhol’s "Exploding Plastic Inevitable" events in the 1960s, you might have encountered a Velvet Underground performance, go-go dancers, strobe lights, guerrilla filmmakers asking very personal questions, and mimes. Warhol was on the cutting edge of many art forms, and performance art was no exception.

Revolution and performance art in Russia

In the wake of Vladimir Putin’s 2011 announcement that he would run for office for a fourth consecutive term, a group of Russian women formed a “punk protest art collective” called Pussy Riot. Their performances were largely staged in public stages representative of repressive political forces like the Orthodox Church. The group became a household name when three members were convicted of “hooliganism motivated by religious hatred,” inspiring displays of support from across the world.

Zurich's Cabaret Voltaire was the epicenter of early performance art

In early 20th-century Zurich, one nightclub was the epicenter of avant-garde art and performance: Cabaret Voltaire. Night after night, crowds of artists, writers, philosophers, and others would gather to watch—or participate in—wild, unrehearsed performances that could include anything from sound poems to traditional folk dance. The atmosphere at Club Voltaire was the ideal breeding ground for outside art movements, and it is thought to be the birthplace of Dada, a precursor to performance art.

Gutai was performance art’s Japanese predecessor

Works by the post-WWII Japanese artist collective Gutai are widely considered a precursor to Western performance art of the 1960s and 1970s. The word “Gutai” means “concrete” in Japanese, referring to the concrete ways the artists’ bodies were used to create their works. Gutai members like Kazuo Shiraga, who painted with his feet to express the movement of his process, are thought to have influenced later artists like Jackson Pollock.

The theory behind public art

Proponents of public art, including graffiti, argue that its free access and visibility breaks down the elitism and financial barriers of galleries and museums, allowing people to interact or ignore the work as they see fit.

‘Rhythm’ 0 was a performance piece that exposed human nature

By inviting the audience to do as they please without repercussions, Abramović showed the public both the beauty and hideousness of human nature. Playful interactions eventually turned into assault, and the performance left her with scars she still wears decades later.

Theater of the Absurd brought existentialist ideas to the stage

In the 1950s, playwrights horrified by the events of World War II and inspired by existentialism’s response to it began staging plays that brought many of the philosophy's ideas to center stage. Critic Martin Esslin coined the term “Theater of the Absurd” in 1960, citing the plays of Samuel Beckett, Arthur Adamov, and Eugene Ionesco as indicative of a new theatrical style that rejected realism and standard plot.

Appropriation is a common feature of pop art

Many of pop art’s most famous works appropriate objects or (more controversially) artwork and photography with new techniques and contexts, a practice that extends beyond pop into movements like readymade and Dada. Some pop artists, like Elaine Sturtevant, even made copies in partnership with the help of their targets.

At its core, stand-up is about a comic making a crowd laugh

The performance style typically features a single performer who aims to make an audience laugh. It evolved from 19th and 20th-century American comedy traditions and has since grown into an influential—and commercially successful—international artistic form.

Postmodernism is a cultural movement that valued pluralism

Postmodernism is an artistic movement (in architecture, fashion, music, literature, and more) that embraced fragmentation, eclecticism, pastiche, and pluralism. The movement's practitioners reacted against modernism, which valued Enlightenment ideals, high culture, and clean aesthetics.

Operas can be serious, comedic, or both

Opera is a complex art form that includes a range of genres. The most commonly presented types are opera seria, opera buffa, opera semiseria, opéra comique, and grand opéra. Each genre varies in its philosophy and approach, with differences in subject matter, tone, and display.

Fan fiction implies art is an ongoing, communal practice

Although some serious literary types disregard fan fiction, other academics consider it a fascinating development in art and communication, one that allows everyday people to participate in worldbuilding and storytelling.

Burning Man is more than a decadent hippie festival

Burning Man is often associated with lawlessness, debauchery, and controversies, but the actual festival has many complex parts, including an ethos that promotes radical self-acceptance and caring for your community.

Experimental duo Suicide used the word 'punk' to describe their music in 1970

The New York act was inspired by free jazz, electronic music, and performance art, playing loud, frenetic, and often abrasive music that reckoned with the horrors of the Vietnam War. On the hand-drawn poster for their first gig, they described the sound with four words: “Punk Music by Suicide.”

Watch a performance of the influential ballet 'Appalachian Spring'

This performance of the American ballet—choreographed by Martha Graham, with music composed by Aaron Copland—about a small community in 19th-century Pennsylvania, aired in 1959 on Pittsburgh's WQED.

The 1974 anarchist protest in Denmark that later inspired SantaCon

An interview with one of the participants explains what the performance art group that planned the event was hoping to achieve. Hordes of Santas walking down the street with a giant goose, attacking buildings with backhoes and pickaxes, handing out “presents” stolen from department stores, and eventually being arrested.

American dance legend Martha Graham, sometimes called 'the Picasso of dance,' refused to perform at the 1936 Olympics in Berlin and conceived the piece 'Chronicle' in response to the experience.

Critics often use the word ‘Shakespearean’ to describe a dramatic story

Calling something “Shakespearean” often denotes a high-quality work of art or a story that recalls one of the Bard’s plays.

The gray area that makes PEDs seem like leveling up to hardcore athletes

Doping in sports is broadly condemned as unsafe and unfair. Significant controversies in major sports, including baseball and cycling, have been prompted by the widespread use of performance-enhancing drugs, which are described as clear-cut dangers and abuses of the rules. But to many competitors, the line between a PED and the next smart technique to adopt is unclear. This podcast episode explores that gray reality.

Graffiti dates back to at least ancient Pompeii, where citizens scrawled messages to one another on public walls

Existentialist writer Jean-Paul Sartre coined the famous phrase 'Hell is—other people' in his play 'No Exit'

Art theft is the third-largest source of criminal revenues worldwide, thanks in part to the subjective nature of valuing a work of art.

See these 16 pieces of art evoking phobias of snakes, flying, spiders, and more. 

A 2019 Facebook event called on attendees to "Storm Area 51, They Can't Stop All of Us," resulting in countless memes, the creation of a music festival, and eventually the arrests of those who did try to approach the area.

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Chaos theory—informally known as the butterfly effect—is the reason why weather forecasts are presented with probabilities rather than certainties.

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