The Novel

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

The title has been bandied about since the 19th century, though its definition has only become more debated as time goes on. This list catalogs some of the texts critics have argued deserve the crown (like "The Great Gatsby," "To Kill a Mockingbird," and "Invisible Man") and, helpfully, includes those critics’ rationales. Think of it as your new “to read” list—or maybe just something to argue about at your next family gathering.

DH Lawrence was a 20th-century writer, known for his novel “Lady Chatterley’s Lover.” In his essay “Why the Novel Matters,” written in 1925, Lawrence argues that the novel, more than any other literary form, allows readers to experience the whole of human experience, writing that “only in the novel are all things given full play.”

The question of what counts as the “first novel” doesn’t have a simple answer. This explainer looks at early contenders—from ancient Roman satire to Japan’s "Tale of Genji"—and how different cultures shaped the rise of long-form fiction.

While the definition of a “novel” is sometimes disputed, most literary historians consider the first novel to be “The Tale of Genji,” an epic story written by Murasaki Shikibu in the 11th century that offered a psychological exploration of Hikaru Genji. Though not widely distributed outside of Japan until it was translated into English in 1925, Shikibu’s story had a profound impact on Virginia Woolf.

Widely considered one of the defining voices of modernist literature, Virginia Woolf was known for her experiments with stream-of-consciousness narration, nonlinear storytelling, and psychologically complex characters. In a 1925 essay about Murasaki Shikibu’s “The Tale of Genji,” largely considered the world’s first novel, Woolf explains how Shikibu’s style captures the intricacies of living in ways only the novel can.

The author behind "The Tale of Genji" is still unknown. The woman's diary and some details about her aristocratic life have been found, but scholars have not yet pinned down her identity.

Miguel de Cervantes’ “Don Quixote,” published in the early 17th century, isn’t the first long-form prose narrative. Still, many critics consider it the first “modern novel” because of its structure, approach to narration, and commentary on literature itself.

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.