Steven Spielberg is an American filmmaker who has directed some of the most influential blockbusters in movie history. Audiences have adored his films for generations, making him the highest-grossing filmmaker and an example of an American auteur.
Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”
“Auteur” is French for author. In film studies, the word refers to a film director who is considered the principal creative mind, or author, behind a film. Directors like Alfred Hitchcock, Akira Kurosawa, Steven Spielberg, and Greta Gerwig are often considered auteurs.
The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.
The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”
Steven Spielberg was inspired to make “Saving Private Ryan” after seeing the toll war took on his father’s generation. Similarly, he felt called to direct “Schindler’s List” by the Holocaust survivors he met when he was only three years old.
“Jaws” earned $70M in its first month and eventually grossed $476M worldwide, breaking box office records. It would be surpassed two years later by another legendary blockbuster: “Star Wars.”
Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.
Affectionately named after Spielberg’s lawyer, the elaborate underwater apparatus used to portray the shark in the film was constructed by Robert A. Mattey. He had previously constructed a giant squid for “20,000 Leagues Under the Sea,” a film Spielberg loved as a child.
The shark flick was plagued with technical issues—many of them due to shooting on the open ocean—causing the director to go over budget by more than $4M. Shooting the film took much longer than anticipated, stretching more than 100 days past the anticipated end date.
Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."
Both Peter Benchley, the author of the original 1974 novel, and Steven Spielberg, the director of the blockbuster film based on it, acknowledge that the film's popularity has led to the stigmatization of the mostly harmless creatures.
"The Movie Brats" is a name used to describe a generation of directors who blended classic cinema with the rebellious, crowd-pleasing spirit of rock ‘n’ roll. The figures most often associated with the tag are Steven Spielberg, Martin Scorsese, Francis Ford Coppola, George Lucas, and Brian De Palma.
“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”
After dropping out at 21, Spielberg reenrolled as a student at California State University, Long Beach in 2001, and earned a paleontology credit for “Jurassic Park.” His final project for an advanced film studies course was “Schindler’s List,” which won the Academy Award for best picture nearly 10 years earlier.
Spielberg’s career is filled with a consistent technique: zooming in on a significant character’s face as they process some essential element of the story. One of the most famous is from “Jaws,” when Brody first witnesses the shark.
Seemingly polar opposites, two of Steven Spielberg’s most popular movies were created in the same time period. Spielberg would shoot “Schindler’s List” during the day, then work on special-effects editing for “Jurassic Park” at night. The movies won a combined 10 Oscars at the 1994 Academy Awards.
Although action sequences are often tightly choreographed, one of cinema's most famous war scenes was mostly shot on the fly. Spielberg wrote seven pages (or approximately seven minutes of screen time) for the scene, though the final cut of the sequence was 25 minutes long.
By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.
A significant part of Spielberg’s style is how music is used. The overwhelming majority of that music is composed by John Williams. The duo first collaborated on 1974’s “The Sugarland Express.”
Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.
Art, music, sports, entertainment, movies, and many other subjects—these elements define who we are as a society and how we express ourselves as a culture. Take a deep dive into the topics shaping our shared norms, values, institutions, and more.