Stand-up Comedy

The performance style typically features a single performer who aims to make an audience laugh. It evolved from 19th and 20th-century American comedy traditions and has since grown into an influential—and commercially successful—international artistic form.

Vaudeville theaters featured family-friendly comics, often working in teams, to execute tightly written comedic back-and-forths. Burlesque, vaudeville’s bawdier offshoot, often featured single comics delivering rapid-fire, joke-filled sets.

Stand-up came into its own at burlesque shows, thanks to audiences who sought humor that reflected the hectic, urban settings where they lived. According to historian Joseph Boskin, “The tempo of the comedy, like the movement of city streets, was swift and jolting and possessed highly recognizable parameters.”

The University of Colorado at Boulder’s Humor Research Lab (which has the decidedly funny abbreviation “HURL”) posits that comedy thrives on relatively harmless violations of dignity or norms.

Vaudeville performer Case is believed to be the first modern stand-up. While others before him told jokes onstage, Case was the first to do it without props or costuming. This 1909 recording features one of his jokes. The content may be outdated, but the structure can still be found in stand-up sets today.

The writer’s live lectures looked a lot like modern stand-up comedy specials. Twain’s world tour in the 1890s featured 90-minute performances in which he stood alone on the stage, delivering long, comedic monologues with his hand perched on his chin.

Rogers got his start spinning ropes for circus shows and broke through his association with Florence Zeigfeld's Follies and Frolic. It was his humorous political commentary, though, that would solidify his celebrity status. His goodhearted ribbing of society's "big men" predated the common notion of stand-up comedians as truth-telling jesters.

The stock market crash of 1929 caused vaudeville theaters to shutter. Audiences were looking for lighthearted distractions from the country’s financial problems, though, and stand-up became more popular, albeit in very different venues.

Bob Hope’s 1930s variety shows featured comedic monologues. Unlike the tightly scripted and evergreen sets of vaudeville, Hope’s monologues leaned into topical and political humor, sometimes to the disapproval of his network.

New York’s Catskills region resorts were informally named after a dish popular with Ashkenazi Jews. The area offered affordable vacationing, as well as cutting-edge stand-up from future stars like Milton Berle, Mel Brooks, and Joan Rivers.