Satire

“The Posthumous Papers of the Pickwick Club” was a series of illustrations and accompanying stories serialized in newspapers from 1836 to 1837. Dickens drew on his previous experiences as a Parliamentary reporter to flesh out the story of Samuel Slumkey, a politician running for office. He wins the election thanks to a well-timed bribe.

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women’s limited options and challenged popular notions that women were subservient and passive.

The writer’s 1873 book “The Gilded Age: A Tale of Today” (cowritten with newspaper editor Charles Dudley Warner) satirized the speculative investing and greed that took place following the Civil War. That era is now known as the Gilded Age, a term derived from the novel. This resource will be paywalled for some readers.

The 1901 essay was a response to the Philippine-American War as well as Rudyard Kipling’s poem, “The White Man’s Burden,” which argued that Western nations had a moral duty to rescue non-Western nations from ignorance. Twain’s essay ironically encouraged lecturing citizens of the countries being invaded: “for the sake of the Business we must persuade him to look at the Philippine matter in another and healthier way. We must arrange his opinions for him.”

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

Senryu is a Japanese poetic form that is similar to the haiku, though its aim is often satirical and its composition is often collaborative. At California’s Tule Lake Segregation Center, interred citizens met to write senryu together, often composing verse that criticized their surroundings.

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

The writer fought in World War II and witnessed the firebombing of Dresden, which he recounted in 1969's satirical "Slaughterhouse Five." Six years earlier, though, he wrote about the bombing of Hiroshima in "Cat's Cradle," channeling some of the horror he witnessed in Dresden to write about the dropping of the atomic bomb.

Stanley Kubrick’s satire about nuclear war came just two years after the Cuban Missile Crisis and spoke to Americans still coming to terms with the possibility of nuclear annihilation. In 1989, the Library of Congress included it among the first 25 films preserved in the National Film Registry, a repository for the greatest achievements in cinema.

This list of satires from the silver screen runs the gamut: There’s a send-up of the music industry (“This is Spinal Tap”), a zombie-filled treatise on consumerism (“Dawn of the Dead”), and an oft-misunderstood analysis of masculinity (“Fight Club”), among several other classic critiques.