Performance art is art created through the actions of the artist, the viewers, or both. It is often exhibited live and typically designed to subvert normal assumptions about life and art. These artworks prioritize concepts over technical skill and differ from dance or theater by presenting their work as an art exhibit. They often incorporate spontaneity and improvisation rather than rehearsal and consistency.
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The five performances, which included an invitation for the audience to use 72 objects as they pleased, helped put her on the map as a fearless artist, but they also caused her physical harm.
As the performer became more tied to A-listers like Jay-Z, Lady Gaga, and James Franco, culture critics began to consider the commercialization of performance art and how audiences may have flocked to see the “brand” of Abramović more than her actual work.
Abramović’s willingness to mainstream transgressive and symbolic work has inspired many, but some have also interpreted that same work as ridiculous, pretentious, or even Satanic.
The medium’s emerging popularity in 1990s China is a perfect example of this. Many Chinese artists incorporated the practice of meditation into their works, combining the Buddhist tradition with various modes of endurance art to comment on divisions within Chinese society and the power of the government.
Anderson was a working performance artist in New York through the 1970s and pressed a small run of the song—an idiosyncratic, vocoder-driven piece that sounded unlike anything on pop radio. Thanks to a push from influential British DJ John Peel, the song became an unexpected hit, propelling Anderson (and her art) into the mainstream.
In this in-depth interview with Bomb magazine, she discusses her motivations and inspirations for pieces like Recorte Por La Línea, in which she invited a plastic surgeon to mark everything he would change on her body to make it “ideal.”
The artist programmed the camera to capture one image per minute of his daily life. He explained that the project was meant to document his past—in a rather literal way—as it slipped away from him, in a mode that gestured at both surveillance and the radically objective nature of photos. Viewers can expect an immersive installation featuring thousands of mundane images transmitted to a website, challenging traditional photography and exploring the intersection of public and private information.
Columbia University undergrad Emma Sulkowicz became an overnight sensation with their senior thesis performance art piece "Carry That Weight." Emma developed the piece after reporting having been sexually assaulted by another Columbia student to the school, which declined to find that student responsible. In "Carry That Weight," Emma carried her mattress everywhere with her for the entirety of her senior year, calling it an “endurance performance art piece.”
Through centering on the human body, performance art can surprise and shock us. This rundown of 30 of its practitioners highlights their individual art and selects an image to showcase their specific style. While some are more clever or conceptual, many are viscerally shocking, including artistic nudity and, in some cases, graphic violence.
When you see someone slathering themselves in maple syrup or sitting silently in the corner of a gallery surrounded by yogurt containers, it’s easy to wonder whether there’s anything that can’t be considered performance art. This Artsy piece speaks to various performance artists and attempts to define some guardrails for the medium. The main takeaway? Intention and interpretation are what separate real performance art from people who are just covered in syrup.
Art, music, sports, entertainment, movies, and many other subjects—these elements define who we are as a society and how we express ourselves as a culture. Take a deep dive into the topics shaping our shared norms, values, institutions, and more.