Philip Glass wrote the score for the 1992 horror movie 'Candyman,' though he disliked the film and felt he'd been manipulated into providing music for it.

Philip Glass composed music for the 1998 film 'The Truman Show,' and even briefly appeared in it.

Philip Glass' collaboration with electronic producer Aphex Twin found the two music icons bonding over their desire to push the limits of modern music.

Philip Glass was once an assistant to Ravi Shankar, the Indian music legend who introduced the Beatles to Eastern music.

Watch an interview with Philip Glass about his career and theory of creativity, which he believes needs to be consistently deconstructed and reinvented.

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Spielberg wrote ‘Poltergeist,’ and some say he directed it, too

Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.

Watch 'The Cabinet of Dr. Caligari'

Robert Wiene’s 1920 film remains a significant film for the horror genre, illustrating the power that relatively simple visual choices, like shadows and jagged angles, can have on an audience.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

‘Halloween’ is one of the most profitable indie films of all time

The 1978 John Carpenter movie grossed $70M in its initial run despite a modest budget. It helped pioneer the “slasher flick” subgenre, though it wasn’t filled with cheap thrills. As Roger Ebert pointed out in his review of the movie, Carpenter’s filmmaking techniques—alongside his original score—were a work of art.

Philip Glass drove a taxi in his 30s and 40s, something he continued even after his critical breakthrough, 'Einstein on the Beach.'

'Plan 9 from Outer Space' gained an audience after it was trashed by critics

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.

How Hans Zimmer wrote the music for 'Dune'

Legendary composer Hans Zimmer—who scored "Lion King," "Gladiator," "Inception," and more—was tasked with writing the music for the science-fiction hit "Dune." In this entertaining and brilliant video, the German musician explains how he developed the otherworldly strangeness of the film's music, including the use of ultrarare instruments, guttural singing, and more.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

'Labyrinth' initially flopped

The fantasy movie, directed by Henson and starring David Bowie, exited theaters less than a month after its release. Later, though, the movie would become a cult classic and would inspire many writers and artists to create similarly whimsical worlds.

The Hays Code limited the ways horror films could scare audiences

Beginning in 1930, the Hays Code laid out a strict set of guidelines for Hollywood filmmakers to prevent films that might corrupt those with a “susceptible mind.” That meant no graphic violence, no sexual relations outside of marriage (or of a homosexual nature), and no interracial relationships, among other dictums.

Horror video games rely on terrifying sound design

Horror has become a popular gaming genre, which designers say is due, in large part, to the games' soundtracks. Don Veca, the audio director for the game Dead Space, said, “Sound and music prepare the player to be scared – it’s all about the buildup, the tension, and then the release when something jumps out at you.”

‘Fantasia’ initially failed at the box office

After finding success with “Snow White and the Seven Dwarfs,” Disney set out to prove he could make more sophisticated art. He collaborated with conductor Leopold Stokowski on “Fantasia,” an elaborate animated feature set to classical music that flopped to the tune of $15M and nearly bankrupted Disney’s company.

Body horror is a subgenre that uses anxieties about appearance

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

Famed director Brian De Palma idolizes 'Vertigo'

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

Stephen King's basement inspired a Ramones classic

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

Jim Henson's 1986 film 'Labyrinth,' an attempt to break out of children's entertainment, was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

The best jump scares in horror history

Ever since the first jump scare in 1942’s “Cat People,” directors have been using the technique to terrify (and delight) audiences. This list of 25 classic instances of the move includes scenes from “Get Out,” “Psycho,” “Candyman,” and more.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

The studio behind 'Rocky Horror' pulled promotion before its national release

Before its national release in 1975, the studio behind "The Rocky Horror Picture Show" decided the musical movie was too strange, campy, and unwieldy for most audiences and cut its promotional efforts, hoping to minimize its losses. That decision led to the film flopping commercially. It wasn't until a theater began screening the film at midnight that it caught on, attracting a devoted fanbase who attended weekly screenings and dressed as their favorite characters—a tradition that continues to this day.

Horror is an artistic genre aimed at scaring its audiences

Whether it's a movie, novel, comic book or any of the genre's other terrifying incarnations, horror's primary purpose is to scare its audiences. Throughout its history, the style has evolved and splintered, and now includes many subgenres, like the slasher flick, the found footage film, and even the horror comedy.

Francis Ford Coppola's first musical led him to bankruptcy

The ambitious (and expensive) 1981 movie musical had a budget of $26M, but earned under $1M at the box office. The flop led to a financially difficult period for the renowned director, who declared bankruptcy three times in the decade following the movie's release.

The Beatles tried to get the rights to make a 'Lord of the Rings' film starring the band members as Gollum, Frodo, Gandalf, and Samwise.

'Rear Window' was based on a short story by Cornell Woolrich

Hitchcock's 1954 film, which many consider among the director's greatest, was based on Woolrich's 1942 short story "It Had to Be Murder." The story is characteristic of his dark, claustrophobic work.

German expressionism produced some of horror’s earliest classics

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

The horror film 'Obsession' borrowed its premise from a 'Simpsons' episode, which was itself based on a classic British ghost story.

'The Wizard of Oz' was panned by some contemporary critics

A 1939 New Yorker review by Russel Maloney said the movie displayed ''no trace of imagination, good taste, or ingenuity.'' The New Republic's Otis Ferguson wrote, "It has dwarfs, music, Technicolor, freak characters, and Judy Garland. It can't be expected to have a sense of humor as well."

'Bonnie and Clyde,' the 1967 film starring Warren Beatty and Faye Dunaway, was the first major American movie to feature graphic violence.

Director Arthur Penn used the then-new Squibb technology, which triggered realistic and bloody bullet wounds, to portray graphic violence, at the time a taboo in American cinema.

Alfred Hitchcock influenced the way Spielberg shot 'Jaws'

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

Alfred Hitchcock influenced modern horror director Jordan Peele

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

'The Wiz' reimagined Baum's story for Black America

The 1978 film, produced in part by Motown Productions, starred several popular stars: Diana Ross, Michael Jackson, Richard Pryor, Nipsey Russell and Lena Horne. The music—composed by Charlie Smalls and Luther Vandross, and overseen by Quincy Jones—mirrored songs from the 1939 film.

The first horror movie is believed to be George Méliès' 1896 short 'The Haunted Castle,' which pioneered special effects.

The 1896 film short uses a series of camera tricks to depict supernatural experiences, including a bird turning into a man and a woman being summoned from a smoking cauldron. Its subject matter and surprising visuals have led scholars to call it the first horror film.

The studio behind 'Rocky Horror' pulled its promotion before the national release