Horror evolved from Gothic literature

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

Horror stories often rely on tropes

All literary genres use tropes, a word used to describe established plot devices, character types, and themes. Horror has many of them, like the "Creepy Child" and the "Evil Mask." Some are based on folklore, like the "Deal with the Devil."

Ghost stories across cultures often trace back to traumatic events

From a bat-like demon in Tanzania to a malevolent woman figure hovering above your sleeping body, the four disturbing tales outlined in this NPR article offer a glimpse into how happenings from WWII or the Aztec Empire haunt people’s memories.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Contemporary horror novelists on their favorite scary stories

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

The perception of haunted places is influenced by psychology, setting and suggestion

Gothic architecture and tragic histories contribute to the perception of hauntings. Infrasound and black mold can cause experiences reminiscent of paranormal phenomena. Although paranormal investigators use technology to seek natural explanations, many paranormal experiences remain non-falsifiable.

Body horror is a subgenre that uses anxieties about appearance

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

Ten of the most horrifying moments in film

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

The scarecrow isn't an effective tool for farms, but it is a potent symbol in horror

Scarecrows are no longer the best way for farmers to prevent birds from messing with their crops, but the humanlike figures are still found in horror movies. Folklorists say that's because they recall an agrarian past that makes modern viewers uneasy.

Shirley Jackson is one of horror’s most important writers

The author of 20th-century classics like “The Haunting of Hill House” and “Hangsaman” was a master of domestic horror, though she was often minimized during her life for writing horror. Since her death in 1965, Jackson’s work has proven to be influential to horror and literary writers alike.

Researchers say that the horror genre offers opportunities to safely experiment with fear.

'Friday the 13th' kicked off a summer camp-themed trend

When it was released in 1980, “Friday the 13th” was panned by critics, but it established a lasting horror trope: the unsafe summer camp. The setting made for a natural fit: vulnerable children exiled from normal society, isolated in the dark woods.

Horror is an artistic genre aimed at scaring its audiences

Whether it's a movie, novel, comic book or any of the genre's other terrifying incarnations, horror's primary purpose is to scare its audiences. Throughout its history, the style has evolved and splintered, and now includes many subgenres, like the slasher flick, the found footage film, and even the horror comedy.

German expressionism produced some of horror’s earliest classics

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

The ‘Universal Monsters’ series solidified horror as a film genre

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

Ancient ghost stories appeared in texts like 'The Odyssey'

Sharing ghost tales has been around for centuries. Ancient Mesopotamia, Rome, and Greece each had their own chilling stories about encountering spirits. Find mentions of specters in some of history’s most famous writings like the "Epic of Gilgamesh" and "The Odyssey."

Ghost stories can help us process death

Scholar Coya Paz’s research into ghost stories indicated that people often use them to grieve and remember tragic histories. Paz notes that specters in stories almost always demand to be acknowledged. She also shares the three most common types of ghosts we hear about are either vengeful, unwelcoming, or comforting.

Fantasy is heavily influenced by myths, legends, and folk tales

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

'The grotesque' describes a feature of Gothic literature

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

'Creepypasta' is a meme that has its roots in folklore

The genre of crowdsourced, horror folklore comes from copypasta, a term that refers to snippets of content copy-and-pasted online ad nauseam. These memes' allure stems at least partly from how they seemingly rise from nowhere, with tales crafted by many hands over many iterations.

What ghosts eat around the world

This Thrillist article compiles a rich assortment of cultural beliefs and practices surrounding food for the dead. From Bengali folklore to Ancient Greek mythology, peruse through the different ways in which cultures around the world use food to maintain connected to the deceased.

Fantasy is a genre that relies on the supernatural

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

The best horror movies of all time

The genre has been scaring audiences for over a century, in many different forms and through many other methods. While any list is subjective, this Rotten Tomatoes list is based on the films' aggregate critical scores. We're sure it'll inspire some additions to your watch list—along with some spirited conversations.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

The best jump scares in horror history

Ever since the first jump scare in 1942’s “Cat People,” directors have been using the technique to terrify (and delight) audiences. This list of 25 classic instances of the move includes scenes from “Get Out,” “Psycho,” “Candyman,” and more.

The most haunted locations in the US

This TimeOut guide presents some of the most notorious places in the United States, profiling the creepy histories of Eastern State Penitentiary in Philadelphia, the Waverly Hills Sanitorium in Louisville, Kentucky, and the lingering effects of the witch trials in Salem, Massachusetts.

The horror hotlines of the 1990s

Before the internet, 900-number hotlines were the way to retrieve instant information over the phone, whether for weather reports, movie information, or spooky horror stories. Callers could dial the number and hear ghost stories, experience interactive horrors, and more. This article reminisces about this extinct technology and how it paved the way for the internet.

Why are humans hooked on horror?

A haunted horror attraction in Denmark is regularly stalked by researchers of the world's only laboratory dedicated to understanding fear's good side. Fear is one of many human emotions that correspond to a physiological response. As fear rises, so do adrenaline, cortisol, and heart and breath rates. As it ebbs, the body is flooded with dopamine, a hormone and neurotransmitter associated with desire, learning, and motivation.

Jackson's 'The Lottery' inspired a trove of angry letters to The New Yorker

The writer's short story "The Lottery" is widely taught in American schools and with good reason—it's a masterful and horrifying story about the dangers of blind tradition. After its initial publication in The New Yorker, 150 readers wrote letters calling the story "outrageous," "gruesome," and "utterly pointless." Listen to a reading of the story below and a discussion of why it provoked such outraged responses.