Jimi Hendrix's performance of 'The Star-Spangled Banner' at the original Woodstock was considered an artistic protest of the Vietnam War.

How the Vietnam War changed rock 'n' roll

This short video essay analyzes how rock music responded to US involvement in Vietnam, from the protest folk of Phil Ochs and Bob Dylan to the popularity of rock and soul records with soldiers stationed abroad.

Marvin Gaye's soulful take on 'The Star-Spangled Banner' at the 1983 NBA All-Star Game turned the national anthem into a slow jam.

'The Star-Spangled Banner' became associated with sports at the 1918 World Series thanks to an impromptu rendition during the 7th inning stretch.

Boston police told renowned conductor Igor Stravinsky that he had 'tampered' with 'The Star-Spangled Banner' at a performance in 1944.

Dylan's 1965 electric set at the Newport Folk Festival was viewed by some as a betrayal

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Sri Swami Satchidananda gave the opening remarks at the first Woodstock

The yoga guru was invited to begin the legendary 1969 festival and told the massive crowd he believed music “is a celestial sound and it is the sound that controls the whole universe, not atomic vibrations.” The speech leaned into yoga as a philosophy, one that the many concertgoers in attendance could use to guide their collective desire for peace.

The enduring relevance of ‘The Star-Spangled Banner’

Some critics have argued that Key’s past as a slaveholder and his lyrics demeaning slaves mean the country should select a new national anthem. Mark Clague, a professor of musicology, understands that perspective, but suggests Key’s song, despite its warts, is still a fitting anthem.

'Blowin' in the Wind' became a rallying cry for the Civil Rights Movement

The song is based on a spiritual titled "Many Thousand Gone," whose melody Dylan reworked. The result was popularized by the folk trio Peter, Paul, and Mary and from there became an anthem for the growing Civil Rights Movement, culminating in Dylan's appearance at the March on Washington.

The US lacked a national anthem for the first 8 Olympics, with 'The Star-Spangled Banner' technically an unofficial anthem until 1931.

The time Bob Dylan was accused of plagiarizing ‘Blowin’ in the Wind’

“Blowin’ in the Wind” is a defining song of the Civil Rights Movement, one that Dylan openly acknowledged was based on a traditional African spiritual. But when Newsweek accused Dylan of stealing the song in 1963, they weren’t talking about influence. They suggested he’d jacked the tune from a helpless high school student. This article breaks down the falsehood and why it was given so much attention while Dylan was becoming a household name.

In 2004, Prince paid tribute to George Harrison with a surreal solo

The 2004 Rock and Roll Hall of Fame ceremony paid tribute to the recently deceased Beatle with a rendition of one of his most famous songs by Tom Petty, Jeff Lynne, Steve Winwood, and George Harrison's son, Dhani. Several minutes into the performance, Prince suddenly appeared center stage for a virtuosic solo. He ended it by tossing his guitar into the crowd. Tom Petty's drummer would later say, "Everybody wonders where that guitar went, and I gotta tell you, I was on the stage, and I wonder where it went, too."

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

A 2020 poll found that 60% of Americans want 'The Star-Spangled Banner' to remain the national anthem.

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In 1968, two American Olympians raised their fists during the anthem to show solidarity with the burgeoning Black Power movement, sparking controversy.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

Prince's Super Bowl halftime show is widely considered one of the best

The 2007 performance was idiosyncratic, featuring a handful of songs by other artists (including Foo Fighters' "Best of You" and Jimi Hendrix's rendition of "All Along the Watchtower" and a torrential rainstorm. Its differences, along with Prince's legendary stage presence, have led many critics to call it the best Super Bowl halftime performance ever.

Read the lyrics for 'The Star-Spangled Banner,' annotated by historians.

The 'Star-Spangled Banner' is based on a poem written by Francis Scott Key in 1814, while witnessing a battle during the War of 1812.

Professional and amateur athletes have used the anthem as an opportunity to protest

Colin Kaepernick’s protests during NFL games weren’t the first instances of athletes using the pregame tradition to make a political statement. This history walks through several similar instances, highlighting several lesser-known instances.

Francis Scott Key initially opposed the War of 1812, the war that eventually inspired him to write the national anthem.

James Brown was considered one of rock's greatest performers

"The T.A.M.I. Show" is a 1964 film featuring live performances from the biggest names in rock 'n' roll: Chuck Berry, the Beach Boys, and the Supremes. The most memorable performance from James Brown and his band the Famous Flames, is regarded as one of the greatest performances in pop music.

Listen to the history of the Super Bowl halftime show

This two-part podcast traces the halftime show's evolution from early marching band performances to star-driven productions, beginning with Michael Jackson's 1993 performance, and explains how it became one of the most influential music stages of the year.

Andy Warhol’s 'Exploding Plastic Inevitable' shows were multimedia performance art

If you wandered into one of Andy Warhol’s "Exploding Plastic Inevitable" events in the 1960s, you might have encountered a Velvet Underground performance, go-go dancers, strobe lights, guerrilla filmmakers asking very personal questions, and mimes. Warhol was on the cutting edge of many art forms, and performance art was no exception.

Billie Holiday ensured performances of 'Strange Fruit' had the right context

In the song's earliest performances at Cafe Society in New York, one of a few truly integrated nightclubs in the society, the song was always performed last, after bar service had stopped, with a single spotlight on Holiday so audiences would pay close attention to the lyrics. Later, Holiday included her ability to perform the song in her concert contracts, allowing her to sing it even if venue owners were nervous about its protest message.

The first Super Bowl halftime show featured marching bands and two men on jetpacks

At Super Bowl I, the halftime show featured college marching bands, a rifle drill team, and two performers flying jetpacks, in an era before music stars and spectacle defined the break.

The US never formally declared war in Vietnam

Instead of formally declaring war, Congress passed the Gulf of Tonkin Resolution in 1964, granting President Johnson broad authority to use military force. The resolution became the legal basis for escalating US involvement without an official declaration of war.

The Supreme Court ruled that burning the American flag is protected speech

In Texas v. Johnson (1989), the court held, 5-4, that flag burning is a form of symbolic political expression protected by the First Amendment—one of the most controversial free-speech rulings in American history.

Janet Jackson's 2004 halftime show sparked a broadcast backlash

During Super Bowl XXXVIII, Justin Timberlake tore part of Janet Jackson's costume during the halftime finale, exposing her breast. The moment triggered widespread controversy, negative career repercussions for Jackson, FCC fines, and stricter standards for live television broadcasts.

The Star-Spangled Banner was the name of a massive flag at Fort McHenry that Francis Scott Key saw during the Battle of Baltimore.

The Kent State massacre sparked a nationwide student strike

In 1970, the Ohio National Guard opened fire on Kent State University students—peacefully protesting the Vietnam War—and killed four. The tragedy led to more widespread nationwide protests, shutting down more than 200 colleges and universities. The event led to a Pulitzer Prize-winning photo of a slain and grieving student.

Augusta Savage's masterpiece was destroyed after a limited exhibition

"Life Every Voice and Sing," sometimes called "The Harp," debuted at the 1939 New York World's Fair. Based on the James Weldon Johnson poem (and eventual unofficial Black national anthem) of the same name, the massive, 16-foot-tall sculpture depicted a kneeling Black man holding a bar of music in front of 12 chorus singers. After the fair ended in 1940, Savage was unable to pay to preserve it, so it was destroyed.

Printers changed the national anthem's name from 'Defence of Fort M'Henry' to 'The Star-Spangled Banner.'

Rockwell's 'Four Freedoms' raised millions for the US war effort

Rockwell initially pitched the "Four Freedoms" project to the US Ordnance Department, but was rejected. Rockwell's editor at the Saturday Evening Post, however, loved the idea and published the images across four consecutive issues. After they became a sensation, the Saturday Evening Post partnered with the US Department of the Treasury to send the paintings on a 16-date national tour, which raised $133M in war bonds and stamps. Meanwhile, the Office of War Information printed four million sets of the posters with "Buy War Bonds" emblazoned on them.

Poet Oliver Wendell wrote an unofficial fifth verse for the anthem

Francis Scott Key’s version features four verses, though only one is usually performed. American poet Oliver Wendell Holmes wrote an additional fifth verse during the Civil War, lamenting the country’s internal division.

How a 2025 Netflix documentary reveals the contested view of the Vietnam War

Brian Knappenberger created a five-part, seven-hour documentary on the war released on the streamer in 2025, the latest in a tradition of hundreds of documentaries covering the event. Expert Thomas Bass, the author of the essay, was invited to be interviewed for the documentary, arguing the conflict's origins are the most crucial aspects to understand. In turn, Bass interviewed Knappenberger—whose father fought in the war—on the Netflix production. Their discussion revealed how streamers mediate historical understanding to a generation that does not have a consensus on what the Vietnam War was.

The story behind the iconic flag-raising photo on Iwo Jima (1945)

The iconic image captured by AP photographer Joe Rosenthal went viral, as far as it could in the 1940s, showing six marines raising a flag atop Iwo Jima's Mount Suribachi. The shot was used for public relations by the military, but it would later be shrouded by controversy when it was revealed it was the second flag raising that day, inviting accusations it was staged.

The US national anthem borrows its melody from 'The Anacreon Song,' a bawdy British tavern song that was popular in the 19th century.

Michael Jackson's halftime show created the modern Super Bowl spectacle

In 1993, Michael Jackson's Super Bowl halftime performance prompted the NFL to extend the break and reimagine it as a must-watch event. It is widely regarded as the first modern halftime show built around a global superstar.

The Grateful Dead pioneered a massive 3-story, 75-ton, 600-speaker sound system that revolutionized live audio in the early 1970s.

Wind of Change investigates a Cold War rumor linking the CIA to a rock anthem

This hit podcast follows journalist Patrick Radden Keefe as he explores whether the Scorpions' 1990 power ballad "Wind of Change"—an anthem of the Cold War's end—was secretly written by the CIA as cultural propaganda.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

‘Dispatches’ by Michael Herr pushed the boundaries of war journalism

Straying from the typical protocol of reporting casualties and soldiers' whereabouts, Herr reported about the Vietnam War from the field while emphasizing its surreal and tragic nature. His account detailed the experiences of soldiers, while also expressing uncertainty about the meaning of the war.

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

Long before Coachella, Steve Wozniak attempted a similarly-minded festival

In 1982, Apple cofounder Steve Wozniak was on a hiatus from Apple after a near-fatal plane crash. In his spare time, he decided to throw a festival that would bring together cutting-edge music and technology—a Woodstock for the 1980s. The result was the US Festival, an early ancestor of Coachella that brought world-class acts like Tom Petty, Fleetwood Mac, Talking Heads, the Grateful Dead, and the Ramones to a rustic venue outside Los Angeles.

Rockwell's 'Murder in Mississippi (Southern Justice)' was a response to real events

The 1965 painting was inspired by the 1964 murders of three men—James Chaney, Andrew Goodman, and Michael Schwerner. The men were affiliated with the Council on Racial Equity and killed by the Ku Klux Klan in Philadelphia, Mississippi. The painting accompanied an article about the inequities of the justice system, which is why its title often includes the parenthetical "(Southern Justice)."

Michael Jackson didn't perform at the Grammys at the height of his career

In 1984, the Grammys faced a problem: Michael Jackson, the world's biggest star and nominated for 12 awards, did not want to perform at the ceremony. Like many artists before and since, Jackson felt that the Grammys had not treated him fairly in the past. Interestingly enough, the Jackson-less telecast became the most-watched Grammys ceremony ever.

Free speech has often been restricted in wartime, potentially unconstitutionally

From the Sedition Act of 1798 to the prosecution of anti-war activists during World War I, the US government repeatedly curtailed speech and dissent during wartime—actions widely criticized and, in some cases, later deemed unconstitutional.

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

The most famous lines of the 'I Have a Dream' speech were improvised

Though largely scripted, Martin Luther King Jr. shifted off text mid-speech after gospel singer Mahalia Jackson called out, “Tell them about the dream, Martin,” prompting the improvised passage that became the most iconic moment of his public legacy.

The Parents Music Resource Center criticized rock 'n' roll's lyrics in the 1980s

The group, spearheaded by Tipper Gore, the wife of then-Senator and eventual Vice President Al Gore, argued that rock music, especially heavy metal, was having an adverse effect on the country, particularly young children. One of the group's fiercest critics was musician Frank Zappa. In the video below, he appears on a 1986 episode of "Crossfire," arguing about the proposed ban of so-called obscene music.