'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

Watch a 1934 short film starring Cab Calloway

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

'Show Boat' redefined the American musical

The 1927 musical—penned by Oscar Hammerstein II, who would go on to create, with Richard Rodgers, other titanic shows like "Oklahoma!" and "Carousel"—used its songs to advance the plot and build character rather than simply entertain.

The Great Migration spread jazz to various parts of the country

The large-scale migration of Black Americans looking to escape Jim Crow laws in the South began in 1915 and helped bring New Orleans music to other parts of the country, including Chicago, New York, Kansas City, Detroit, and Los Angeles.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

'The Jazz Singer,' the first film with synchronized sound, changed Hollywood

Movies changed forever in 1927, when Warner Bros. released "The Jazz Singer," the first feature film with integrated dialogue. Based on a Broadway musical, the movie starred Al Jolson as the son of a Jewish cantor who wants to be a popular singer.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

'Lift Every Voice and Sing' was written to celebrate Abraham Lincoln's birthday, but would go on to become the 'Black national anthem' and a Juneteenth tradition.

The Harlem Globetrotters played their first game in 1927

Black players were not permitted on the existing professional basketball teams, but Abe Saperstein—the team's original coach, owner, manager, and sometimes player—leaned into the team's all-Black roster, nodding to New York's historically Black neighborhood even though the team didn't play there until the late 1960s.

Duke Ellington's 'Harlem' takes listeners on a stroll through the neighborhood

"Sir Duke" was one of the Harlem Renaissance's major musicians, recording several songs that would become jazz standards. 1950's "Harlem" is an ode to the neighborhood, alternating styles (including a Latin groove and a New Orleans funeral dirge) to pay homage to the diverse cultures that populate it.

Broadway's songwriters began experimenting in the 1920s

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

Hughes' 'Black Nativity' reworked the Christmas story through jazz improvisation

Although he’s primarily known as a poet, Langston Hughes was also a popular playwright. One of his most inventive works is the 1961 stage show “Black Nativity,” which told the story of Christ’s birth with an all-Black cast. Hughes’ original script encourages improvisation, calling on his love of jazz, and includes 27 songs.

Buddy Bolden assembled the first jazz ensemble

The New Orleans cornetist was a legend in the city, sometimes referred to as "king," for his electrifying performances, which captivated local dance halls by blending ragtime, blues, and gospel music. Unfortunately, recording technology was limited at the time, so there are no recordings of Bolden, though the song "Buddy Bolden's Blues" remains a standard to this day.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

See a timeline of jazz's history

Jazz began in 19th-century New Orleans, though its roots go back even further. This timeline situates the music's evolution alongside American and world history, offering an illuminating exploration of the genre.

'Hair' helped redefine Broadway theater

"Hair" rewrote the rule book, bringing politics, race, and, yes, nudity to Broadway. Plenty was going on backstage, too, with the young, revolutionary cast embracing the countercultural life they portrayed onstage.

The word 'jazz' evolved from slang for 'energy'

Linguists believe the word came from "jasm," which referred to vitality. Its earliest known appearance in print dates back to 1912, referring to a baseball pitcher's curveball. It began being used to describe music a few years later.

Take a look at an early rock 'n' roll artifact

This 1956 jukebox musical, "Rock, Rock, Rock!," is an early example of the burgeoning rock 'n' roll culture—with performances from Chuck Berry, Frankie Lymon and the Teenagers, D.J. Alan Freed, and several others. It was also a catalyst, sending the new youth culture into theaters around the country.

The Great Migration helped transform Harlem into the epicenter of Black culture

Starting in 1910, millions of Black Americans moved from the South to escape segregation, violence, and dismal work opportunities. They moved to urban areas in the North, Midwest, and West. Chief among them was Manhattan's Harlem neighborhood, which became an especially desirable location for Black people around 1910.

The NAACP encouraged and accommodated the early Harlem Renaissance

The National Association for the Advancement of Colored People, a civil rights organization better known as the NAACP, recognized the disenchantment Black soldiers who served in World War I experienced when returning home to a segregated country and began advancing, and, in many ways, funding a "New Negro Movement," which would lead to the Harlem Renaissance.

Watch Billie Holiday's screen debut in 1935's 'Symphony in Black'

The singer appeared alongside Duke Ellington in Paramount's "Symphony in Black," a musical short released by Paramount Pictures in September 1935, when Holiday was just 20 years old.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

The GI Bill helped expand formal jazz education

Berklee School of Music (then known as the Schillinger House) and a program at the University of North Texas (then known as Texas State University) established academia's earliest jazz programs in 1945. The GI Bill provided World War II veterans with educational funding, which helped the programs proliferate: By the end of the 1960s, there were 450 college jazz ensembles.

Alain Locke's 'The New Negro' anthology helped define the Harlem Renaissance

The 1925 collection of poetry, drama, short fiction, lyrics, and essays by Black writers was intended to document what Locke, a Harvard-trained philosopher and the first Black Rhodes Scholar, believed was a burgeoning Black consciousness that was "vibrant with a new psychology." The book is now considered one of the major impetuses for the Harlem Renaissance.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

'Steamboat Willie' was inspired by 'The Jazz Singer'

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

The Black cultural renaissance happened in places other than Harlem

Although the Harlem Renaissance is often cited as the singular Black arts movement of the early 20th century, similar cultural movements were occurring concurrently in other American cities. Places like Kansas City, Washington, DC, and Roanoke, Virginia, also had innovative Black cultural scenes.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

How baseball shaped Black America during Reconstruction

A cornerstone of the budding Black culture following the Civil War was baseball, with several clubs springing up in Black neighborhoods and leaders like Frederick Douglass cheering on the players, including his son, who played for a team in Washington. This detailed history of the early Black leagues unpacks how the game enhanced the upwardly mobile community—and why that fact led to the segregation of what would become Major League Baseball.

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.