After her death, Emily Dickinson's editors marketed her as a children's poet, believing it would be the best way to have her work published.

How Dickinson's reputation changed in the 20th century

In 1955, Thomas Johnson edited the first complete edition of Dickinson's poetry, using the original handwritten manuscripts as his guide. Unlike previous editors, Johnson allowed Dickinson's unique choices to remain. The collection established her as a singular, innovative voice, a reputation that only continued growing through the decades.

The significance of Emily Dickinson's many personal letters

The first editors of Dickinson's posthumous collection of poetry heavily amended her work, making her private letters and drafts more valuable for what many perceive to be her more raw, unadulterated voice. Cristanne Miller, the editor of "The Letters of Emily Dickinson," discusses their importance and why so many of them were destroyed after Dickinson's death.

Characterizing Emily Dickinson's distinctive poetic style

Dickinson's poems are generally short, untitled works that are lyrical, which means they seek to express feelings rather than narrate stories. They're also infused with common meter, a rhythm used in much popular music, and deploy frequent dashes as both punctuation and an idiosyncratic poetic device.

Why Emily Dickinson was once better known as a gardener than a poet

Dickinson published very few of her poems during her lifetime, but many in the town of Amherst, Massachusetts, knew that she tended to her family's massive garden. In this deep dive, Tom Christopher explores how Dickinson's interest in gardening and botany, including the assembly of a massive book of dried plants, influenced her work.

Read the poetry of Emily Dickinson

Dickinson wrote about 1,800 poems during her life, though the bulk of them weren't published until after her death in 1886. This collection from the Academy of American Poets brings together many of her most important (but untitled) works, which you can search by their first lines.

Listen to 3 scholars discuss the work of Emily Dickinson

Fiona Green, Linda Freedman, and Paraic Finnerty—three British academics who study Dickinson—discuss the poet's life, distinctive writing style, and impact on the generations who followed, illustrating that part of Dickinson's appeal lies in her open-ended verse, which invites readers' many interpretations.

Browse Emily Dickinson's original handwritten poems

Harvard's Emily Dickinson Archive offers free access to the poet's papers from over a dozen libraries, allowing you to see the original drafts of some of her most famous works, sometimes scribbled on envelopes and scraps of paper. (And, even better, you can search the database by typing in your favorite lines!)

Why Emily Dickinson's poetry remains popular in the 21st century

Dickinson remains widely read and is often considered one of American literature's greatest poets. This short documentary from PBS uses a 2017 museum exhibition on the writer to explore her long-lasting impact, with input from Barbara Howe, a contemporary poet, and Marta Werner, a Dickinson scholar.

Understanding the relationship between Dickinson and Thomas Wentworth Higginson

One of Dickinson's most significant pen pals was Thomas Wentworth Higginson, a minister, politician, and writer, who became a trusted creative adviser and, after her death, one of the editors of her first published volumes. Their relationship began after Dickinson sent him a letter asking, "Are you too deeply occupied to say if my Verse is alive?"

Breaking down how Dickinson viewed letters as an extension of her poetry

The poet's many correspondences were dashed with playful arrangements of text, offering her pen pals surprises once they opened their envelopes. Jana Dambrogio and Daniel Starza Smith explain how Dickinson even creatively used the 19th-century security technique of letterlocking in poetic ways.

Debunking the myth of Dickinson's antisocial seclusion

It's true that the poet largely kept to herself in her late-30s, spending nearly all her time at her father's house, and when she did venture out into the world, she'd wear white, facts that led American history to label her a strange, antisocial recluse. But, as this essay shows, that image is not entirely true, evident in the many relationships she maintained through her letters.

A comprehensive biography of Emily Dickinson, the influential American poet

This deep dive into Dickinson's biography includes a fascinating anecdote about her time at Mount Holyoke Female Seminary—where she was distinguished from the "established Christians" and deemed "without hope"—as well as the significance of her correspondence with close friend Susan Gilbert, one of her primary readers and eventual sister-in-law.

Emily Dickinson was a prolific baker

Dickinson scholars have collected her recipes for gingerbread, doughnuts, and more, noting that she often wrote poems on the backs of them. The Emily Dickinson Museum says that the kitchen "was a space of creative ferment for her, and that the writing of poetry mixed in her life with the making of delicate treats."

Browse Emily Dickinson's collection of plant life

The poet began collecting plant life as a teen and assembling a herbarium, a collection of dried and pressed plants. The original book is housed in Harvard's rare book collection, but you can view digital scans of every page through the university's digital library.

How Emily Dickinson poetically deployed the em dash

Dickinson had many purposes for dashes in her poems: Sometimes they serve rhythm, sometimes they reflect the naturally fragmented way we tend to speak, and sometimes they are a simple artistic choice. This quick explainer breaks down how dashes work grammatically and how they operate in some of Dickinson's verses.

Why one Emily Dickinson biographer believed she had epilepsy

Lyndall Gordon's "Lives Like Loaded Guns" points to a "handicap" referenced in several Dickinson poems. According to Gordon, the condition was so stigmatized during Dickinson's life that it made her reclusive. In this NPR interview, Gordon explains why she believes the theory is the best explanation for Dickinson's notorious isolation.

How Emily Dickinson and Walt Whitman grappled with the American Civil War

Whitman, whose brother was injured while fighting for the Union, was often overt in his pro-Union poems. Dickinson, whose brother paid to have someone enlist under his name, was more subtle, though equally as affected, as this comparative analysis makes clear.

A profile of Dickinson's ambiguous but close relationship with Susan Gilbert

Gilbert met Dickinson in 1850, and the two women quickly became very close, with Dickinson often pining for Gilbert in letters. In this essay, critic Maria Popova calls the relationship "beautiful, heartbreaking, unclassifiable," and details how it came to inspire Dickinson's writing, even after Gilbert married Dickinson's brother.

Ralph Waldo Emerson celebrated Walt Whitman, then regretted it

Emerson famously praised the first edition of Whitman’s “Leaves of Grass,” which Whitman used to promote the collection. In doing so, Whitman effectively created the modern book blurb, though he did so without Emerson’s permission, leading to a prolonged, passive beef between the two.

Many critics panned Emily Brontë's 'Wuthering Heights' when it was released

The 1847 novel, initially published under a pseudonym, was seen by some early readers as obscene and cruel. One particularly brutal review from Graham's Lady's Magazine read, "How a human being could have attempted such a book as the present without committing suicide before he had finished a dozen chapters, is a mystery."

The Library of America, a reissue series that began in 1982, repackaged classic works of American writers at a low cost to encourage readers to engage with what it considered the American literary canon.

Whitman revolutionized American poetry

Whitman was a groundbreaking force in American literature, legitimizing the national idiom, capturing the spirit of the evolving country, and inspiring younger generations of writers for centuries to follow.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

'The soul should always stand ajar, ready to welcome the ecstatic experience.'

- Poet Emily Dickinson (1830–1886)

Whitman published 'Leaves of Grass' 6 times before his death

Whitman first published his seminal poetry collection “Leaves of Grass” in 1855, but he continued revising it until he died in 1892, publishing six different versions during his lifetime.

Whitman’s lesser-known eulogy for Lincoln, ‘When Lilacs Last in the Dooryard Bloom’d'

In addition to "O Captain! My Captain!," Whitman wrote another poem for the slain Lincoln: the longer, more sullen elegy, “When Lilacs Last in the Dooryard Bloom’d.”

How Taylor Swift is related to poet Emily Dickinson

In 2024, genealogy site Ancestry.com claimed that the pop star and the poet were descended from a 17th-century English immigrant, Swift's ninth great-grandfather and Dickinson's sixth great-grandfather. That would make Swift and Dickinson sixth cousins, three times removed.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

Charles Dickens legally separated from his wife, then tried to have her committed to a mental asylum.

Translations of 'The Odyssey' can differ greatly, with translators often focusing on different aspects of its language.

Five books edited by Toni Morrison

Early in her literary career, Toni Morrison was an editor for Random House, where she acquired titles and worked with their writers to fine-tune their manuscripts. In 1983, Morrison left to focus on her own books, but she still managed to work on several excellent books. This list of five of those titles helpfully offers some context to highlight the ways Morrison acquired and assisted the writers through publication.

Jane Austen's books were published anonymously during her life

In 19th-century England, novel-writing was considered unseemly, especially for women. Considering that, Austen's father and brother dealt directly with Jane's publishers. The author's name, meanwhile, was not attached to her books: "Sense and Sensibility," her first published novel, was simply labeled as being "By a Lady."

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Allen Ginsberg on how Walt Whitman changed poetry

In this 1992 appearance on "Charlie Rose," Beat Generation icon Ginsberg articulates why Whitman mattered not only to the Beats but to all of poetry, arguing that he forever changed the possibilities of the form.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

'Hope is the thing with feathers that perches in the soul—and sings the tunes without the words—and never stops at all.'

- Emily Dickinson (1830-1886)