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After her death, Emily Dickinson's editors marketed her as a children's poet, believing it would be the best way to have her work published.

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Thomas Wentworth Higginson and Mabel Loomis Todd were left to handle Dickinson's work, which Dickinson had been hesitant to publish while she was alive.
In an effort to promote the posthumously published volumes of Dickinson's poetry, her editors positioned the work as children's literature, sometimes even amending the rhyme schemes to be more elementary.
Todd said she altered some of Dickinson's poems to be more lullaby-like, changing them “in order to have the rhyme perfect.”
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