Legendary dancer and choreographer Martha Graham refused to perform at the 1936 Berlin Olympics because she believed doing so would be a tacit endorsement of the Nazis.

Watch Martha Graham perform 'Heretic'

The 1929 piece features Graham in white, expressively dancing on her own, flanked by 12 dancers in black who follow a more rigid choreography. Some critics have argued the piece was an allegory for Graham's rebellion against ballet's strict traditions.

How Martha Graham challenged ballet's rigidity

Ballet prized lightness, but Graham's choreography emphasized weight. This essay explores how her work broke from European influences to embrace American idioms, much as her American contemporaries in jazz and literature did.

Martha Graham's revolutionary approach to choreography

The dancer and choreographer created a uniquely American form of ballet that brought together stories from the country's history, abstract expressionism, modern psychological ideas, and collaborations with other major artists.

Listen to an interview with Martha Graham from 1974

This interview, from the "Bernard Gabriel Views the Music Scene" program, features a candid conversation in which Graham discusses how her career did not take off until her 30s and how she learned to ignore criticism.

View a gallery of vintage photos of Martha Graham's performances

Graham's choreography was as visual as it was physical, complemented by the modernist set design of Isamu Noguchi. That's on display in this collection of artful photos from classic productions of shows like "Night Journey" and "Appalachian Spring."

Why the US State Department sponsored Martha Graham Dance Company tours

The Graham company toured the globe several times on cultural exchange campaigns throughout the 1950s. Some believe that the Graham Company, in particular, was chosen because it was the first integrated dance company in the US, thereby countering international perceptions of American segregation and racism.

Watch Martha Graham perform 'Lamentation,' an influential piece on grief

Graham choreographed and performed the piece about grief, which premiered in 1930. The dance is performed while seated, with Graham's character attempting to free herself from an all-encompassing purple jersey.

Martha Graham on preparation and discipline

This clip from the 1957 documentary "A Dancer's World" features the dancer explaining why she's committed all of her energy to her art. "Spontaneity … is something arrived at over years and years of training," she says, "it is not a mere chance."

The Martha Graham Dance Company was the first integrated Broadway dance company

In 1951, Graham hired Mary Hinkson and Mattie Tierney, two Black dancers who started in the company's dance corps and eventually took on lead roles in productions. The move broke color barriers that were the norm for the time.

A visual biography of Martha Graham

This history of the modern dancer's life uses archival photos and videos to illustrate how Graham's childhood, especially her upbringing by a psychiatrist and her early dance performance, set the stage for her career.

Listen to the last-known interview with Martha Graham

Reporter Michael Small interviewed the influential choreographer and dancer in 1989 for People magazine, two years before she died, and features the 95-year-old looking back on her life and career. If you want to skip ahead to the raw audio, jump to 26:40.

Martha Graham's philosophy of creativity

The influential choreographer and dancer once said that creative people will never be satisfied with their work. Instead, "There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others."

Exploring Martha Graham's 'love of the body'

The innovative choreographer encouraged her dancers to tune into their bodies' natural movements. According to Dr. Kimerer L. LaMothe, author of "What the Body Knows," that kind of mindfulness made them better able to communicate a piece's symbolic meaning.

How Martha Graham's 'Rite of Spring' imposed order on chaos

Stravinsky's "Rite of Spring" is famously chaotic, making it an odd choice for Graham's highly precise style. Her 1984 choreography for it, however, redefined how people saw the ballet's score. Graham's version is still performed today; below is an excerpt from a 2018 performance by the Paris Opera.

How the Martha Graham Company experiments with technology

The dance company was the first major group to livestream rehearsals and has collaborated with Google on a version of Graham's "Lamentation" that superimposes past performances on the present-day dancer.

The Martha Graham Technique, explained

It's considered the first codified modern dance technique and a foundational pillar of American dance. In this 1975 instructional film, its namesake explains how the Graham Technique works. "As you can see," she notes, "the body is capable of almost endless variations and combinations once it is trained."

Unpacking 'Night Journey,' Martha Graham's take on a Greek myth

The dance piece was inspired by the story of Oedipus, as well as by more contemporary psychoanalytic theories from Sigmund Freud and Carl Jung. This JSTOR article explores how Graham's show merged those texts with her singular approach to movement to explore gender and identity.

Watch Helen Keller visit Martha Graham's studio

The two women were friends, and Keller eventually visited Graham's studio while her company was rehearsing. In this footage of that encounter, Graham shows Keller the shape of her choreography.

A step-by-step guide to the Martha Graham Technique

This BBC explainer walks you through Martha Graham's famous approach to dance, offering you six moves you can work into your exercise regiment—or Graham-inspired routine.

Roosevelt resigned from a prominent women's organization after it barred a Black singer from performing

When the Daughters of the American Revolution refused to allow Marian Anderson to perform at their Washington hall in 1939 because she was Black, Roosevelt publicly cut ties with the group. She worked to arrange an alternative outdoor concert for Anderson at the Lincoln Memorial, which drew a crowd of 75,000.

Watch a performance of the influential ballet 'Appalachian Spring'

This performance of the American ballet—choreographed by Martha Graham, with music composed by Aaron Copland—about a small community in 19th-century Pennsylvania, aired in 1959 on Pittsburgh's WQED.

Exploring Oskar Schlemmer's 'Triadic Ballet,' a Bauhaus-inspired performance piece

The "symphonic dance of threeness" brought together Bauhaus' varied artistic interests and offered a fable in which collectivism wins. This history and timeline of the work details its origins as well as its near-destruction at the hands of the Nazis, who considered it profane.

Olympic track runner Jesse Owens recounts his win in Hitler's Germany in 1936

Jesse Owens won four gold medals at these Games, but nearly failed to qualify for the long jump event. Despite the polarizing political climate, German athlete Luz Long offered advice and encouragement to Owens—his direct competitor—resulting in a lasting friendship Owens later called his "greatest Olympic prize."

Marina Abramović subjected herself to pain and humiliation in her ‘Rhythm’ series

The five performances, which included an invitation for the audience to use 72 objects as they pleased, helped put her on the map as a fearless artist, but they also caused her physical harm.

Dada artists satirized the horrors of World War I

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

Why the Nazis hated the Bauhaus style

The Nazis viewed the Bauhaus internationalist and collectivist philosophy to be communist and considered its modernist aesthetic as an affront to the more classical German identity they wished to project. This article from the Conversation explores the history behind that conflict, which forced the Bauhaus to move several times before ultimately closing.

The story behind Copland and Graham's 'Appalachian Spring'

The ballet, which premiered in 1944, was conceived by the composer and choreographer through the mail, with the two corresponding about how the music might fit the dancing. Later, designer Isamu Noguchi would design a set that whittled the western Pennsylvanian pioneer town down to its core elements.

Watch archival footage of Jesse Owens in the 1936 Berlin Olympics

The 1936 Berlin Games were the first Olympics to be shown live on television (though not broadcast). The Germans used a closed circuit television network to bring the Games to 25 viewing halls in black and white. View footage of American Olympic hero Jesse Owens winning his four gold medals, and his historic interaction with German long jumper Luz Long in Nazi Germany.

The Bauhaus artists who became Nazi collaborators

The Nazis deplored the Bauhaus style, until they found a way to use it for themselves. This deep dive explores the connection between the Nazis and three Bauhaus-affiliated designers—Franz Ehrlich, who was sent to Buchenwald and forced to design the camp's gates (seen below), Fritz Ertl, who designed the shower rooms at Auschwitz, and Herbert Bayer, who helped design Third Reich propaganda.

Musician Gladys Bentley defied gender norms during the Harlem Renaissance and was openly gay, even though homosexuality was still widely considered taboo.

Marina Abramović helped popularize performance art

Working across continents for over five decades has made Abramović one of the most recognizable and prolific performance artists in history. Her shocking oeuvre has involved self-harm, public nudity, exotic animals, and fire.

The landmark opera 'Einstein on the Beach' was around 5 hours long with no intermissions, and the audience was encouraged to come and go as they pleased.

Some critics view Marina Abramović as more of a brand than an artist

As the performer became more tied to A-listers like Jay-Z, Lady Gaga, and James Franco, culture critics began to consider the commercialization of performance art and how audiences may have flocked to see the “brand” of Abramović more than her actual work.

Marina Abramović continues to shock audiences in her 70s

Growing older did not limit Abramović from continuing to work or stir controversy. Reenactments of her older performances continue to generate strong responses from viewers, especially in a cultural atmosphere that she views as increasingly hostile and regulated. (This resource contains some artistic nudity.)

In 1968, two American Olympians raised their fists during the anthem to show solidarity with the burgeoning Black Power movement, sparking controversy.

Marina Abramović wanted to create a shared consciousness between audience and performer in ‘The Artist Is Present’

The HBO documentary follows the preparation and execution of Abramović’s 2010 MoMA show, taking a deeper look into the emotional experience. Performing was both physically and emotionally taxing for the artist, and visitors were often moved to tears while connecting with her. (This resource contains some artistic nudity.)

Watch a 2014 performance of Philip Glass' and Robert Wilson's opera 'Einstein on the Beach.'