Watch Philip Glass perform several pieces from 'Einstein on the Beach.'

The landmark opera 'Einstein on the Beach' was around 5 hours long with no intermissions, and the audience was encouraged to come and go as they pleased.

'Einstein on the Beach,' often considered a groundbreaking experimental work, is structured like a classical opera.

Philip Glass drove a taxi in his 30s and 40s, something he continued even after his critical breakthrough, 'Einstein on the Beach.'

Philip Glass was once an assistant to Ravi Shankar, the Indian music legend who introduced the Beatles to Eastern music.

Philip Glass composed music for the 1998 film 'The Truman Show,' and even briefly appeared in it.

Watch an interview with Philip Glass about his career and theory of creativity, which he believes needs to be consistently deconstructed and reinvented.

Watch a performance of the influential ballet 'Appalachian Spring,' with music by Aaron Copland and choreography by Martha Graham.

Making an opera is expensive and requires many people to reach the stage

Bringing an opera to the stage is a detailed, demanding, and costly process. Following the lead ​​of Phillip Glass’s “Akhnaten” before its performance at the Metropolitan Opera House in Manhattan, this Vox video displays the rehearsals, vocal lessons, intricate costumes, and even juggling involved in putting on a show.

Philip Glass' collaboration with electronic producer Aphex Twin found the two music icons bonding over their desire to push the limits of modern music.

Steve Martin and Robin Williams once starred in Samuel Beckett's 'Waiting for Godot,' one of the most well-regarded examples of the existential movement called 'Theater of the Absurd.'

Exploring Oskar Schlemmer's 'Triadic Ballet,' a Bauhaus-inspired performance piece

The "symphonic dance of threeness" brought together Bauhaus' varied artistic interests and offered a fable in which collectivism wins. This history and timeline of the work details its origins as well as its near-destruction at the hands of the Nazis, who considered it profane.

Albert Einstein taught courses in Davos

This silent video from the 1920s shows footage of Einstein at Davos. The famous scientist spent time there, delivering public lectures on his theory of relativity as part of the town’s university courses.

How Martha Graham's 'The Rite of Spring' imposed order on chaos

Stravinsky's "The Rite of Spring" is famously chaotic, making it an odd choice for Graham's highly precise style. Her 1984 choreography for it, however, redefined how people saw the ballet's score. Graham's version is still performed today; below is an excerpt from a 2018 performance in Paris.

Disillusioned mid-century playwrights, such as Samuel Beckett and Eugène Ionesco, brought existentialist ideas to the stage through the Theater of the Absurd.

How the Martha Graham Dance Company experiments with technology

The dance company was the first major group to livestream rehearsals and has collaborated with Google on a version of Graham's "Lamentation" that superimposes past performances on the present-day dancer.

Martha Graham refused to perform at the 1936 Berlin Olympics because she believed doing so would be a tacit endorsement of the Nazis

Zurich's Cabaret Voltaire was the epicenter of early performance art

In early 20th-century Zurich, one nightclub was the epicenter of avant-garde art and performance: Cabaret Voltaire. Night after night, crowds of artists, writers, philosophers, and others would gather to watch—or participate in—wild, unrehearsed performances that could include anything from sound poems to traditional folk dance. The atmosphere at Club Voltaire was the ideal breeding ground for outside art movements, and it is thought to be the birthplace of Dada, a precursor to performance art.

Francis Ford Coppola once directed an episode of 'SNL' featuring experimental composer Philip Glass as musical guest.

Watch Martha Graham perform 'Heretic'

The 1929 piece features Graham in white, expressively dancing on her own, flanked by 12 dancers in black who follow a more rigid choreography. Some critics have argued the piece was an allegory for Graham's rebellion against ballet's strict traditions.

'Barbenheimer' resulted in a historic box-office event

The cultural sensation that erupted when Christopher Nolan's "Oppenheimer" and Greta Gerwig's "Barbie" shared an opening night was something that no one could have predicted. "Barbenheimer," as the pairing was called, became a semiserious litmus test for relationships: Who wanted to see which film, and in what order? The viral moment led to box-office gold for both movies, as well as a few Oscars.

Andy Warhol’s 'Exploding Plastic Inevitable' shows were multimedia performance art

If you wandered into one of Andy Warhol’s "Exploding Plastic Inevitable" events in the 1960s, you might have encountered a Velvet Underground performance, go-go dancers, strobe lights, guerrilla filmmakers asking very personal questions, and mimes. Warhol was on the cutting edge of many art forms, and performance art was no exception.

Marina Abramović wanted to create a shared consciousness between audience and performer in ‘The Artist Is Present’

The HBO documentary follows the preparation and execution of Abramović’s 2010 MoMA show, taking a deeper look into the emotional experience. Performing was both physically and emotionally taxing for the artist, and visitors were often moved to tears while connecting with her. (This resource contains some artistic nudity.)

'Waiting for Godot' was inspired by a Friedrich painting

Samuel Beckett was an admirer of art and, while touring German art galleries in 1937, saw Caspar David Friedrich’s Two Men Contemplating the Moon. A directorial notebook for the original production of “Waiting for Godot” notes that the end of the play’s first act was inspired by the 19th-century work.

Listen to Arnold Schoenberg's Holocaust tribute, 'A Survivor from Warsaw.'

Performance art, explained

Performance art defies traditional boundaries, existing as a dynamic, live medium where the artist's actions—and sometimes the audience's—become the work itself. Emerging in the early 20th century with movements like Dadaism, performance art has continually evolved to provoke reflection and challenge cultural norms.

‘The Artist Is Present’ was inspired by an earlier performance titled ‘Nightsea Crossing’

In the ‘80s, partners Abramović and Ulay sat across from each other in public without moving or speaking. Ulay was unable to continue after a certain point, but Abramović kept going. “The Artist Is Present” marked Abramović continuing the performance without him.

Experimenting with space-time

Einstein's theory of general relativity—that mass literally bends space and time—can be difficult for the human brain to imagine. This interactive resource lets you create celestial objects, imagine their effect on space-time, and see how they interact with each other (best viewed on desktop).

Watch the director's cut of the award-winning documentary about LIGO

Production on the film began in August 2015, shortly before the facilities detected gravitational waves for the first time on September 14. Those interviewed, including future Nobel Laureates Kip Thorne and Barry Barish, provide their accounts of the discovery as events unfold in real time.

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

In 2026, Timothée Chalamet suggested 'no one cares' about opera

In a February 2026 conversation with fellow actor Matthew McConaughey, Chalamet noted that he wanted movie theaters to remain vital and commercially relevant, unlike other areas of the arts that he felt had become charity cases, specifically mentioning ballet and opera. The comment sparked a backlash from other celebrities and artists working in ballet and opera, who said he was out of touch.

‘The Artist Is Present’ is one of the most famous performance pieces in history

The exhibit at the Museum of Modern Art invited visitors to sit in silence in the company of a master performer. Many shed tears or gestured affectionately, claiming to have felt a profound connection with Abramović. (This resource contains some artistic nudity.)

A theater group staged 'Waiting for Godot' at San Quentin prison in 1957

The play, about being stuck, resonated with inmates. Critics noted that the incarcerated audience empathized with its hopeless characters much more than those at the show's North American premiere in Miami, who'd walked out in disgust.

View a gallery of vintage photos of Martha Graham's performances

Graham's choreography was as visual as it was physical, complemented by the modernist set design of Isamu Noguchi. That's on display in this collection of artful photos from classic productions of shows like "Night Journey" and "Appalachian Spring."

The ideas of Einstein and Freud combined in 'The Persistence of Memory'

The Persistence of Memory was painted on a canvas roughly the size of a sheet of paper, depicting a desolate landscape with melting clocks, ants, and a distorted figure. The piece incorporates Freud and Einstein's ideas, resulting in a haunting composition symbolizing time's fluidity and Dalí's personal anxieties.

'Dead Man Walking' (2000) is the most-performed new American opera

Based on a true story, Jake Heggie's modern masterpiece tells the story of a Catholic nun who fights for the life of a man on death row. The opera has been staged over 70 times worldwide since its premiere.

The complex production machine behind Eurovision

This short Wall Street Journal documentary goes behind the scenes at Eurovision to show how the elaborate stage show—which features a production manager, speedy run crews, and a digital floor outlining the location of every prop for every performance—hums along so smoothly.

Samuel Beckett's 'Waiting for Godot' dramatizes existential absurdity

The play, originally staged in 1953, is notorious for its lack of action. For the most part, its two principal characters, Vladimir and Estragon, spend the majority of the play wondering whether a mysterious Godot will ever appear. By the end, Godot has still not arrived, yet Vladimir and Estragon do not move, a choice that reflects the existential notion that humans often hope in vain for meaning that does not exist.