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'Einstein on the Beach,' often considered a groundbreaking experimental work, is structured like a classical opera.
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Director Robert Wilson says the performance has four acts, each with three themes, in a classical structure that he calls "theme and variation."
Wilson notes that the number three was significant in both painting and music, with three kinds of perspectives and a three-count throughout much of Glass' music for the performance, making it an ideal number for the opera's themes.
Glass and Wilson first met while Wilson was directing a 12-hour play called “Life and Times of Josef Stalin," and the two bonded over how their works, according to Wilson, "share a common sense of time."
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