Arnold Schoenberg's atonal music influenced generations of musicians who followed.

Arnold Schoenberg expanded the confines of music by abandoning traditional chords and embracing dissonance.

Browse the paintings of Arnold Schoenberg, the classical composer who also explored expressionist painting.

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

Arnold Schoenberg, a pioneer of modern music, and painter Wassily Kandinsky, a pioneer of abstract art, were close friends who inspired one another's work.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

Arnold Schoenberg designed a musical typewriter that transcribed complex compositions with a simple keyboard.

Listen to Arnold Schoenberg's Holocaust tribute, 'A Survivor from Warsaw.'

Fed up with difficult audiences, Arnold Schoenberg started a private concert club that prohibited audible reactions.

Arnold Schoenberg was superstitious about the number 13 and died on Friday the 13th, 1951.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

Arnold Schoenberg invented a variation of chess that mimicked geopolitics.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

Watch an interview with Philip Glass about his career and theory of creativity, which he believes needs to be consistently deconstructed and reinvented.

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

Jazz musicians use different melodic approaches to produce improvised performances

While jazz musicians are known for their improvisational skills, they rely on years of training and a complex understanding of compositions to inform their improvised solos, using a song's structure and chords to make their in-the-moment choices. Although jazz artists could, in theory, play whatever they wanted, musicians often employ common melodic approaches—such as scalar improvisation and arpeggios—to generate solos.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

Listen to a jazz composition triggered by the New York City Subway

A creative coder created a (synthetic) jazz ensemble that uses the locations of the city's trains to determine its performance. It's both a fascinating bit of internet culture and a fitting homage to New York, one of jazz's major hubs.

'Einstein on the Beach,' often considered a groundbreaking experimental work, is structured like a classical opera.

Philip Glass drove a taxi in his 30s and 40s, something he continued even after his critical breakthrough, 'Einstein on the Beach.'

An electric pipe organ in Germany is playing a song for 639 years

Created by composer John Cage, the Halberstadt organ first began playing the piece in September 2001, and has since made only nine chord changes. The device within a medieval church utilizes compressed air to play continuous tones. The next chord change is scheduled for August 2026.

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

A lot of jazz relies on syncopation

The style is when a musician plays a rhythm on the opposite side of the beat. That means notes are played on the "upbeats," or the spaces between the main beats of a musical bar. The effect is music that can sound unpredictable, even if it's been carefully constructed.

Philip Glass was once an assistant to Ravi Shankar, the Indian music legend who introduced the Beatles to Eastern music.

He also influenced contemporary artist George Condo

The scale and reach of Picasso and cubism inspired artists and art movements throughout the early to mid-20th century. In fact, his influence can still be seen in artists today. One such artist, George Condo (known for painting the album cover of Kanye West’s “My Beautiful Dark Twisted Fantasy,” pictured below), heavily references Picasso’s visual language, transmuting the legendary artist’s geometric shapes and perspectives for a more contemporary audience.

The landmark opera 'Einstein on the Beach' was around 5 hours long with no intermissions, and the audience was encouraged to come and go as they pleased.

Broadway's songwriters began experimenting in the 1920s

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

Opera melodies from centuries ago still appear in TV and movies today

Even if you haven't witnessed an 18th century opera, you've likely heard melodies from one in modern media like “Apocalypse Now” and “Sesame Street.” Today, sports events, movies, and television feature operatic melodies even over a century after they were written.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Exploring Oskar Schlemmer's 'Triadic Ballet,' a Bauhaus-inspired performance piece

The "symphonic dance of threeness" brought together Bauhaus' varied artistic interests and offered a fable in which collectivism wins. This history and timeline of the work details its origins as well as its near-destruction at the hands of the Nazis, who considered it profane.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

Blues was a major influence on early rock

Early rock ‘n’ roll had a straightforward sound, relying mostly on guitar, bass, drums, piano, and saxophone playing up-tempo 12-bar blues. In subsequent decades, the form evolved and splintered into countless subgenres that used more diverse sounds, instruments, and lyrics.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

At the height of its popularity, ragtime, a precursor to jazz, was criticized as dangerous, 'unmusical rot.'

Jazz improvisation isn't entirely spontaneous

While jazz musicians are known for their improvisational skills, they rely on years of training and a complex understanding of compositions to inform their improvised solos, using a song's structure and chords to make their in-the-moment choices.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.