George Orwell's original preface to 'Animal Farm,' an allegory about totalitarianism, criticized the publishers who had rejected the book for political reasons.

T.S. Eliot rejected George Orwell's 'Animal Farm,' suggesting that the despotic pigs might be the best leaders for the farm.

Why both the left and the right use 'Animal Farm' as an allegory

Figures from both ends of the political spectrum have claimed Orwell's novella as their own, sometimes ignoring inconvenient aspects of the plot or details of Orwell's biography. This analysis of those political reactions explores why the text is so malleable.

Hear 2 literature professors unpack the legacy of 'Animal Farm'

The University of Oxford's David Dwan—a professor of English literature and intellectual history—is an Orwell scholar who has written about the author's politics, especially as they relate to "Animal Farm." In this conversation with Dr. Nathan Waddell, from the University of Birmingham, UK, Dwan explores how framing the novella as a beast fable both made it more accessible and allowed it to be overly simplified.

An academic on why the animals in 'Animal Farm' matter

Although Orwell intentionally wrote his 1945 novella as an allegory of the Russian Revolution, Charlotte Sleigh—an associate professor of science and technology—argues that the text can also be used to understand (and complicate) our relationship with the nonhuman world.

How the CIA used 'Animal Farm' as Cold War propaganda

After Orwell's death in 1950, undercover agents bought the book's film rights from his widow and got to work creating a family-friendly version of the story that would reinforce its anti-Soviet themes and downplay its criticisms of capitalism and sympathetic portrayal of Snowball, the Trotsky analog.

Read George Orwell's essay 'Why I Write'

Written in 1946—after the publication of "Animal Farm" but before "1984"—the essay is part memoir of how Orwell came to see himself as a writer and part analysis of what drives his best work. Commenting on a book he planned to start—likely "1984"—he remarks, "It is bound to be a failure, every book is a failure, but I do know with some clarity what kind of book I want to write."

A critic evaluates Orwell's lesser-known books

Orwell is primarily known for "Animal Farm" and "1984," but The Critic's Alexander Larman argues that Orwell's other titles—especially the 1936 novel "Keep the Aspidistra Flying"—are also worthy reads. (Some users may experience a paywall.)

George Orwell's '1984' is one of the most famous dystopian works

Orwell's life experiences, from living among the poor to witnessing the rise of authoritarian regimes, deeply shaped his worldview. His iconic works, "Animal Farm" and "1984," offered stark warnings about power, control, and propaganda, making him one of the most enduring voices against totalitarianism.

Watch the 1954 film adaptation of 'Animal Farm'

The animated feature was covertly funded by the CIA in an attempt to spread anti-Soviet media. The film simplified Orwell's beast fable by repackaging it as a family-friendly cartoon about the dangers of communism. It underperformed at the box office, though it is still sometimes shown in schools as students read the original text.

George Orwell, avid outdoorsman

The writer is often pigeonholed as either a cranky paranoiac or a self-righteous scold, but this essay by Danny Heitman explores a lesser-known side of Orwell's personality: his love for nature, something that's subtly expressed in some of his greatest works.

George Orwell: What is fascism?

This 1944 article by George Orwell attempts to answer the question, "What is fascism?" Orwell's book Animal Farm was published at about the same time at the article, and he penned 1984, a book with anti-totalitarianism sentiments, a few years afterward. In this article, Orwell argues that the term "fascism" has become near "meaningless" due to being essentially demoted to a swearword.

See the list of alleged communists Orwell gave to the British government

In 1949, Orwell provided a list of communist sympathizers to a British anti-communist propaganda unit, naming figures like actor Charlie Chaplin and writer John Steinbeck. When it was made public in 2003, some called Orwell a government informant, though others blamed his tuberculosis, which would take his life a year later, while others blamed his romantic interest in the woman who asked him for the names.

Aldous Huxley wrote to George Orwell about '1984'

After reading "1984," Aldous Huxley wrote to his former student George Orwell, offering some praise for the recently released novel. The letter, though, offers much criticism, too, arguing that Huxley's vision in "Brave New World" of a world state that pacifies its citizens through overwhelming pleasure is the more likely—and more horrifying—nightmare.

Listen to the Pink Floyd album inspired by 'Animal Farm'

The 1977 album "Animals" was loosely inspired by Orwell's 1945 novella, though it was not a strict allegory for the Russian Revolution. Instead, Roger Waters' and David Gilmour's songs criticize what they see as the inhumanity of modern capitalism.

How Orwell's time in Myanmar influenced his writing

Orwell joined the Indian Imperial Police in Myanmar (then Burma, a British colony) in 1922, at 19. In her introduction for Orwell's debut novel, "Burmese Days," Emma Larkin unpacks how Orwell's five years working there shaped the book and informed his politics, especially his negative view of colonialism.

Orwell warned readers about how abuse of language can lead to dystopias

In his 1946 essay "Politics and the English Language," Orwell argues that language is the primary tool of political control and is "designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." The essay warns readers that how they use and consume language will dictate what they permit—or prohibit—in society.

Read the scathing review of '1984' by science fiction legend Isaac Asimov

Asimov, the author of the "Foundation" series and a major figure in science fiction, tore Orwell's novel apart in a 1980 review, writing, "This is not science fiction, but a distorted nostalgia for a past that never was."

The nonfiction book that kick-started Orwell's career

1935's "The Road to Wigan Pier" was a piece of investigative journalism that explored how the impoverished were handling the Great Depression, known in England as "the Slump." Orwell divided the book into two parts: One that described the living conditions of the working poor, and the other that criticized middle-class socialists' ineffectiveness at helping them.

Why Orwell fought in the Spanish civil war

Orwell wanted to volunteer for the International Brigades, a loose conglomerate of leftists fighting against Franco's Nationalists, in order to participate in what he saw as a struggle against fascism. The group rejected him, though Orwell still made his way to Barcelona to fight with a smaller sect, an experience that's laid out in this history from William Chislett.

Writer Christopher Hitchens on why Orwell matters

In this 2008 segment with NPR, the author of "Why Orwell Matters" discusses his admiration for the author and fields questions from callers. Hitchens notes that anyone can write about tyranny, but that Orwell's brilliance is in exploring why people "are so keen to obey."

Browse an Orwell superfan's book collection

This Brown University Library exhibit displays scans from collector Daniel Leab's extensive trove of Orwell's works, including many first editions and translations. In addition to the beautiful covers, there's also plenty of fascinating bibliographic information.

Why Orwell called Dalí a 'disgusting human being'

Writer George Orwell took offense at the disturbing actions described in Dalí's salacious autobiography "The Secret Life of Salvador Dalí." In a 1944 essay, Orwell described the cruelty and moral degradation of Dalí—while also admitting the artist's undeniable talent.

How a sick George Orwell finished '1984'

The writer worked on the novel while living in a remote cottage in Scotland. While he was there, he was in a boating accident that sent him overboard, eventually leading to a fatal bout of tuberculosis. Orwell finished the novel (and massive revisions) while trying to recover. He died in 1950, at 46.

What it means to call something 'Orwellian'

The adjective often refers to anything that resembles the dystopian governments of George Orwell, usually a state like the one in "1984" that monitors its citizens to ensure compliance. But as this video essay from Noah Tavlin makes clear, the more precise definition is a society that redefines language to control thought.

Browse a fan-made 'Newspeak Dictionary'

In Orwell's "1984," citizens of Oceania are expected to use Newspeak, a form of English that limits abstract thought and reinforces the government's version of reality. This satirical dictionary of the language demonstrates how Orwell constructed a lexicon for his fictional world.

Why school boards ban dystopian books

Journalist Ali Velshi analyzes the lasting appeal of Lois Lowry's "The Giver" and George Orwell's "1984," two dystopian novels that have courted controversy since their publications. Beyond his interpretations, though, Velshi wants to understand why school boards perennially ban these books—and what makes them so fascinating for adolescent readers. In his search, he talks to Lowry about the lasting influence of her novel and to Orwell expert James McCallister about the prescient political portrait in "1984."

The first draft of the classic American novel 'Of Mice and Men' was torn to shreds by John Steinbeck's dog.

The story behind David Bowie's failed '1984' musical

The musician hoped to adapt Orwell's dystopian novel for the stage, though the project floundered after Orwell's widow—who found Bowie's vision in poor taste—refused to grant him the rights. Several of the project's songs—including "Big Brother" and "1984"—eventually appeared on Bowie's 1974 album "Diamond Dogs."

Dystopian satire became more prominent in the 20th century

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

Stephen King, Octavia Butler, and Anthony Burgess all grew to regret books they'd published

Some, like Butler, regretted writing predictable, trope-heavy books. Others, like King and Burgess, regretted that what they'd intended as satire had been misunderstood as endorsements.

Sartre eventually denounced communism

The French philosopher was a long-time ardent supporter of communism and the USSR. He finally spoke out against the movement with the 1956 Soviet invasion of Hungary, saying that the move was "made possible by 12 years of terror and imbecility."

'Dystopia,' explained

John Stuart Mill introduced the term "dystopia" in 1868 to critique harmful policies, calling it the opposite of utopia, or an ideal world. The concept grew as industrialization and totalitarian regimes exposed societal flaws, inspiring works like George Orwell's "1984" to warn against oppression and moral decay.

Some believe 'The Wonderful Wizard of Oz' is a political allegory

Although Baum claimed his book was intended as a simple children's story, scholars challenged that notion. One high school history teacher, Henry Littlefield, began teaching the book as a satire of the Gilded Age and published an essay inspiring other scholars to consider the text as a politically charged allegory.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Kurt Vonnegut's letter to the school board that banned his book

In 1973, a high school English teacher in North Dakota taught Kurt Vonnegut's "Slaughterhouse-Five," the classic time-hopping novel about World War II and the bombing of Dresden. The head of the school board was outraged by what he considered to be obscene material in Vonnegut's novel and ordered all of the students' copies of the book burned. When Vonnegut caught wind of those plans, he wrote this letter to the school board, protesting the decision.

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

'A Modest Proposal' is one of history's most notorious satires

Jonathan Swift’s 1729 essay suggested that the starving Irish could stave off poverty by selling their children as food. Although it’s funny—albeit rather dark in form—it’s a classic example of Juvenalian satire, as it so pointedly criticizes the indifference of English elites.

Jonathan Swift's 'A Modest Proposal' was a satirical call for the poor to eat babies

Written in 1729, the critique shed light on the land policies implemented by the British and supported by the Irish elite that were aggravating Irish poverty. Specifically, public lands used for grazing were being made private via "enclosure." Swift's famous proposal for the poor to eat their own young is one of the most famous examples of satire.

The word 'dystopia' was first used in 1868

John Stuart Mill, an English philosopher, economist, and politician, uttered the word at the House of Commons while criticizing what he considered to be the government’s insufficient land policy for the Irish, saying, “What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable.”