The Brill Building, an 11-story office building in New York, was where many of the most popular girl group songs of the '50s and '60s were written.

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

The label, formed by Spector and Lester Sill, released most of Spector's early "wall of sound" recordings, including the Crystals' "Then He Kissed Me" and the Ronettes' "Be My Baby." This 1963 compilation, "Philles Records Presents Today's Hits," collects some of the label's early hits.

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

Doo-wop was a type of vocal-based pop music popular in the '50s that coincided with the rise of early rock 'n' roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

The magazine was initially “devoted to the interests of advertisers, poster printers, bill posters, advertising agents & secretaries of fairs.” While it occasionally tracked music via sheet music, record, and jukebox sales through the 1930s, it added its first true top 10 singles chart in 1940.

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

Springsteen is considered one of rock's greatest songwritersThe New Jersey native has sold over 150 million albums, won 20 Grammy Awards, and influenced several generations of heart-on-sleeve songsmiths. In 1999, he was inducted into the Rock and Roll Hall of Fame.

The song was No. 1 on Billboard’s Best Selling Retail Records chart, the predecessor to the Hot 100. The chart only measured record copies sold, excluding other indicators of popularity, like sheet music sales or jukebox plays, that were used on other charts.

Peer presented each artist at the Bristol Sessions with three separate contracts: one for royalties on the record, one for publishing of the composition, and one for management. It was a business model that would become the norm for the nascent recording industry.

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.

Scoring a No. 1 single is a difficult task—less than 4% of the songs that have made Billboard's Hot 100 chart have ever reached the top spot. This list breaks down the most elite hitmakers in Billboard history, including the Supremes, Taylor Swift, and the Beatles, who released an incredible 20 No. 1 singles.

The 1927 musical—penned by Oscar Hammerstein II, who would go on to create, with Richard Rodgers, other titanic shows like "Oklahoma!" and "Carousel"—used its songs to advance the plot and build character rather than simply entertain.

His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.

Legal troubles forced the band to change their name. See a slew of other music facts, like how Taylor Swift's "All Too Well (Taylor's Version) is the longest song to reach number one on the US singles chart. The song is over 10 minutes long, and surpassed Don McLean's "American Pie."

Patter songs are up-tempo numbers that match beats and syllables, requiring singers to flex serious verbal dexterity. Stephen Sondheim's patter songs are some of the most famous in Broadway history, featuring rapid-fire speech and clever turns of phrase. This video breaks down some of the finest examples.

Bossa nova was still largely under the radar when João Gilberto, Luiz Bonfa, Sergio Mendes, and others performed at the storied Carnegie Hall in New York. Brazilian musician Gilberto Gil noted that the showcase's success was surprising to both the musicians and Brazilians, who began taking the music more seriously as a cultural export.

Before she was the mononymous superstar, Beyoncé Knowles was one-fourth of Destiny's Child, the biggest girl group of the 2000s. The group's second album, "The Writing's on the Wall"—which included hits about female independence like "Bills, Bills, Bills"—sold 13 million copies, making it one of the bestselling girl group records of all time.

Jewish songwriters shaped the sound of Christmas, composing hits like “Let it Snow” and “Rudolph the Red-Nosed Reindeer.” Irving Berlin, a Jewish immigrant from Russia, wrote “White Christmas, which remains the bestselling single in music history.

There are 41 official Broadway theaters in New York City, all within a few blocks of Times Square, a key contributor to the area's prestige and economic success. These theaters host the productions eligible for Tony Awards.

Billboard introduced its Modern Rock Tracks chart in 1988, looking to capture the rising popularity of acts like the Cure, REM, and U2. Music writer and Billboard obsessive Chris Molanphy traces the chart from his earliest days through grunge, alternative, and corporate eras, demonstrating just how much taste changes over time.